‎BROWN (James)‎
‎The passion.‎

‎An Edition of Þe Liflade ant te Passiun of Seinte Iuliene An edition of The liflade ant te passiun of seinte Iuliene. An Edition of The Life and the Passion of Saint Juliana‎

‎Liège, Paris 1936 Faculté de philosophie et Lettres Liège, Librairie E. Droz Paris Soft cover 1st Edition ‎

‎Original Soft cover, 26 x 16,3 cm, 250 pp., English, 1st Edition, 1st Printing, book condition: Very Good, The pages are uncut and do not show any imperfections, small paper label on the upper side of the back, minor wear on the covers and back.. An Edition of Þe Liflade ant te Passiun of Seinte Iulienern[An Edition of The Life and the Passion of Saint Juliana]rnEdited by S.R.T.O. dArdenne [and J.R.R. Tolkien]rn1st Edition 1936rnBibliothéque de la Faculté de Philosphie et Lettres de lUniversité de Liége (Fasc. LXIV)rnFaculté de Philosphie et Lettres / Librarie E. DrozrnLiége / ParisrnISBN: N/ArnPaperbackrnNot illustratedrnHammond Page Ref.: p.278 rnNotesrnAccording to Hammond (The J.R.R. Tolkien Companion and guide - Chronology, 2017) : rnPage 196 :rnLibrairie E. Droz of Paris will publish it under d'Ardenne's name only, to satisfy requirements of her degree at Liège; but for this, the book would appear as a joint work by d'Ardenne and Tolkien. Simonne d'Ardenne herself privately refers to it as a joint effort, and some of Tolkien's colleagues will recognize his contribution. The Seinte Iulienne probably contains more of his views on early Middle English than anything he will publish under his own name. rnAlso, page 198 :rnE.V. Gordon says in a letter of 3 June 1936, "he has read the edition of Seinte Iulienne, and is 'grieved that your [Tolkien] name is not attached to it, because...practically all that is especially valuable in it is recognisably yours. There is really no other piece of Middle English editing to touch it. And the financial interest in it is really not sufficient reward or return for the wealth of new material you have given'. (Tolkien Papers, Bodleian Library, Oxford).. The book is dedicated to Tolkien, who is also is also acknowledged by d'Ardenne in the prefatory note: "I am deeply indebted for assistance from the beginning of my work on this text, and especially during the revision of the glossary and grammar.". Many references to Tolkien works are made in the text and notes. Tolkien was appointed supervisor of Simonne Rosalie Thérèse Odile d'Ardenne in Feb 1932 (Hammond, op.cit, page 174)rnSimonne Rosalie Thérèse Odile d'Ardenne (1899-1986) was a Belgian philologist specialising in Middle English. In February 1932, she was admitted to Oxford where Tolkien supervised her thesis, an edition of the text Liflade ant te Passiun of Seinte Iuliene. For a year she lived with the Tolkien family at 20 Northmoor Road and became a close friend of the family, particularly Priscilla Tolkien. Her thesis (published under her own name in 1936) earned her a doctorate from the University of Liège and two years later she was taken on as a professor of comparative grammar. In November 1937, she produced a French translation of the first version of Farmer Giles of Ham (not published until 1975) and was suggested by Tolkien to his publisher as a possible translator of The Hobbit, which had just been published.rnD'Ardenne became a close friend of the Tolkien family, and J.R.R. visited her in Belgium in the 1950s.rn‎

‎Life of Christ after the Passion, Corpus Rubenianum part VII‎

‎Turnhout, Brepols, 1984 Hardback, 425 pages., 172 b/w ill., 180 x 265 mm. volume VII. ISBN 9780199210329.‎

‎This volume catalogues and discusses all the known representations by Rubens of the Life of Christ after the Passion, and the material is sufficiently varied to convey a brilliant impression of the energy, inventiveness and technical and artistic mastery - the art of Rubens. This volume catalogues and discusses all the known representations by Rubens of the Life of Christ after the Passion. It includes the little-known group of paintings and drawings of Christ Triumphant over Sin and Death, as well as the various depictions of the Conversion of Saint Paul, the Assumption and Coronation of the Virgin, the Last Judgement, the Fall of the Damned and the Assumption of the Blessed. They range from small panels to the largest works Rubens ever painted and count amongst the most popular and influential of his compostions. In his catalogue Dr. Freedberg presents a considerable amount of new evidence relating to their evolution and patronage, while separate sections are devoted to particularly important and unusual aspects of their iconography. Languages: English.‎

‎Life of Christ before the Passion The Life of Christ before the Passion The Youth of Christ - 2 VOLUME SET‎

‎, Miller-brepols, 2015 hardcovers with dusjacket 2 vol., approx. 560 p., 95 b/w ill. + 120 colour ill., 180 x 265 mm, 2014 Languages: English met prachtige illustraties. ISBN 9781872501710.‎

‎The paintings that Rubens devoted to the theme of the youth of Christ are among the most impressive and influential examples of art that expressed Roman Catholic spirituality as reasserted at the Council of Trent. The vast majority of these works are his numerous images of the Adoration of the Shepherds and the Adoration of the Magi. The oldest sources for these and other scenes from Christ's youth are of course the accounts of the Gospels, but these were usefully completed by several supplementary descriptions, more especially the Apocrypha, patristic literature, and the pious legends woven around the birth of Christ in the course of the Middle Ages. In his interpretations of the scenes from Christ's youth, Rubens built to a large extent on a pictorial tradition that had developed in the Low Countries and Italy in the fifteenth and sixteenth centuries, in which mediaeval views and patterns originating from Northern Europe had merged with those of the Italian Renaissance. In Rubens's representations of scenes from Christ's youth, and especially in his many interpretations of the themes of the Adoration of the Shepherds and the Adoration of the Magi, the ideas of Counter-Reformation iconography found their most explicit embodiment in the clear Eucharistic connotations that are present in these works Corpus Rubenianum Ludwig Burchard ‎

‎SOTHEBY'S PREVIEW, DEC. 2004 (Contents: Passion & Perseverance, Dara Mitchell discusses the passion and scholarship that informed Rita and Daniel Fraad's of 19th- and early 20th- century American art. Must Haves, Lisa Hubbard chooses examples from New...)‎

‎Sotheby's. 2004. In-4. Broché. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Intérieur acceptable. 128 pages. Illustré de nombreuses photos en couleur dans et hors texte. Texte sur plusieurs colonnes.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Contents: Passion & Perseverance, Dara Mitchell discusses the passion and scholarship that informed Rita and Daniel Fraad's of 19th- and early 20th- century American art. Must Haves, Lisa Hubbard chooses examples from New York Magnificent Diamonds sale. Cent pour cent Brueghelien, G. Gordon... Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎The Passion of Christ. Monuments of Russian Church Art of the 14th-early 20th ‎

‎The Passion of Christ. Monuments of Russian Church Art of the 14th-early 20th Century In Russian /Strasti Khristovy. Pamyatniki russkogo tserkovnogo iskusstva XIV-nachala KhKh veka M Rublev Museum of Ancient Russian Culture and Art 2023. The catalogue presents works from the 14th to the beginning of the 20th century from museum and private collections - both repeatedly exhibited and those that will be exhibited for the first time. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb8c5b492a6fa35f2a.‎