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Giorgio Morandi 1890-1964.
MORANDI.
Mazzotta, Italie, 1987. Association pour la Promotion des Arts à l'Hôtel de ville de Paris, du 12 juin au 20 août 1987. In-4 broché (27 x 23 cm), 176 pages, illustrations en noir et en couleurs. Textes de Marie-France Latarjet, Franco Solmi, Jean Clair, Lamberto Vitali. Edition originale.- 110 peintures hors texte, bibliographie, catalogue des oeuvres. Catalogue de l'exposition " Morandi " à l'Hôtel de Ville de Paris du 12 juin au 20 août 1987. Texte EN FRANCAIS- 800g. - Etat neuf.
Reference : 30106
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5 book(s) with the same title
Giorgio Morandi. Works from the Antonio and Matilde Catanese Collection
Giorgio Morandi. Works from the Antonio and Matilde Catanese Collection. Exhibition: Bologna, Museo Morandi, 2023. 208 pages, 160 colour illustrations. Hardback. 30 x 24cms. An exploration of Giorgio Morandi's works in the Catanese collection. Seven chapters introduce the collection and discuss Morandi's paintings and etchings as well as their conversation and scientific analysis. Includes a catalogue of nineteen paintings each illustrated and discussed in detail with a bibliography and exhibition history. The catalogue of seventy-one etchings includes illustrations and brief descriptions. Text in Italian and English.
An exploration of Giorgio Morandis works in the Catanese collection. Seven chapters introduce the collection and discuss Morandis paintings and etchings as well as their conversation and scientific analysis. Includes a catalogue of nineteen paintings each illustrated and discussed in detail with a bibliography and exhibition history. The catalogue of seventy-one etchings includes illustrations and brief descriptions. Text in Italian and English
GIORGIO MORANDI : Works from the Antonio and Matilde Catanese collection
, Silvana Editoriale, 2023 HB, 305 x 245 x 27 mm, ENG / ITA , 240 p, 160 illustrations in colour / b/w, NEW / NUEVA. ISBN 9788836650422.
The collection of works by Giorgio Morandi selected by Antonio and Matilde Catanese belongs to the tradition of great Milanese collectors who had a far-sighted view of the painter, acquiring his works in the 1930s and becoming among the first to contribute to his fame. The Morandi's works in the Catanese collection are a microcosm of the artist's oeuvre, thanks to the number of works, their chronological spread covering almost all the years of the artist's activity, the techniques used to create them, their themes, their place in collecting history and, most importantly, their artistic importance, rendering the collection well suited for deciphering and understanding Morandi's work. The group includes fifteen paintings made between 1914 and 1959 and three watercolours representing the distinctive themes of his work indicated by anodyne titles: Still Life, Landscape, Flowers and, most importantly, a Self-Portrait dated 1914 by Morandi. Another integral part of the collection is the almost complete series of etchings, showing the collectors' embrace of the technique that Morandi practised in parallel to painting and that cannot be separated from it. The works have been the subject of scientific investigations, preliminary to restoration and conservation, conducted by the University of Urbino, the results of which are presented here.
[Giorgio Morandi] - Morandi, Giorgio - Folon, Jean-Michel (préf.)
Reference : 4835
(1979)
Morandi, 50 gravures. Préface de Jean-Michel Folon.
Paris Berggruen et Cie 1979 in-8 broché Paris, Berggruen et Cie, 1979. "Collection Berggruen" (n° 63). 22 x 11,5 cm, in-8, (82) pp. - 1 encart à double page (fac-similé d'une lettre de Morandi), 50 oeuvres reproduites, photographies contrecollées, broché sous couverture imprimée et illustrée.
Dos et premier plat partiellement insolés, sinon parfait. Très bon
Giorgio Morandi. Late Paintings Late Paintings
, David Zwirner Books , 2017 Hardcover. 96 pages, 33 color & 2 b/w illustrations, 22.9 x 26.7 cm . ISBN 9781941701560.
This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic ?yellow cloth? paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi?s paintings from this period at David Zwirner, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi?s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi?s paintings and their influence on contemporary art
