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STANISLAS MEUNIER Mme
Les Sources
Hachette Hachette, 1886. In-12 relié pleine percaline bleue éditeur, dos et plats à motifs dorés. 372 pages + 16 pages pour le catalogue de l'éditeur. Illustré de 38 gravures sur bois. Rousseurs. Bon état
Reference : 182624
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5 book(s) with the same title
Ludwig Senfl (c.1490-1543): A Catalogue Raisonn of the Works and Sources. Volume 2: Catalogue of the Sources ? Abbreviations, Bibliography, Indexes
, Brepols, 2020 Paperback, 412 pages, Size:180 x 250 mm, Illustrations:2 tables b/w., Language: English. ISBN 9782503584799.
Summary Until now, scholars have had an inadequate picture of the scope and transmission of the oeuvre of Ludwig Senfl (c.1490-1543), one of the most important Renaissance composers of the German-speaking lands. The current publication presents an extraordinary and exceptionally comprehensive catalogue raisonn for this Renaissance composer. The Senfl Catalogue serves as an encyclopaedic research tool for further scholarly investigation: it not only presents a lively and coherent picture of Senfl's oeuvre, but also helps to explore the broader musical culture of his time. At the same time, the in-depth presentation and analysis of Senfl's music provides Early Music performers with new information on repertory that adds to the soundscape of the Renaissance. TABLE OF CONTENTS Introduction Guide to the Senfl Catalogue (SC) Addenda and Corrigenda to SC 1 List of Corresponding Census and RISM Sigla Former Shelfmarks of Individual Manuscripts List of Sources in Zwickau, Ratsschulbibliothek Catalogue of the Sources Manuscripts Individual Prints, Pamphlets, and Broadsheets Printed Collections Theoretical Writings and Textbooks Theoretical Writings and Textbooks mentioning Ludwig Senfl Other Sources Abbreviations, Bibliography, Indexes General Abbreviations Bibliographical Abbreviations RISM Sigla of Libraries Bibliography Sources cited as Textual / Melodic References Further Sources referred to in the Catalogue General Bibliography Indexes Text Incipits Acrostics Places of Printing Printers Publishers and Editors Theoretical Writings and Textbooks Names
Sources of Knowledge in Old English and Anglo-Latin Literature. Studies in Honour of Charles D. Wright
, Brepols, 2023 Hardback, 460 pages, Size:156 x 234 mm, Illustrations:2 b/w, 3 col., 8 tables b/w., Language: English. ISBN 9782503604428.
Summary This volume positions source scholarship as integral to an understanding of the transmission of knowledge across intellectual, social, and material networks in early medieval England. Essays in this collection situate source studies in Old English and Anglo-Latin literature within a range of theoretical and methodological approaches as varied as disability studies, feminist theory, history of science, and network analysis, tracing how ideas move across cultures and showing how studying sources enables us to represent the diversity of medieval voices embedded in any given text. The essays in this volume extend the work of Charles D. Wright, who mentored a generation of scholars in methodologies of source study. The essays are organized into three sections. The first demonstrates how source studies facilitate tracing ideas across space and time. The second explores what happens to texts and ideas when they are transmitted from one culture, language, or historical moment to another. The third shows how sources illuminate wider cultural discourses. The volume attests to the flexibility of source work for early medieval English literature and argues for increased access to the tools that make such work possible. TABLE OF CONTENTS Sources of Knowledge: A Reflection on Charles D. Wright's Career THOMAS N. HALL Introduction STEPHANIE CLARK, JANET SCHRUNK ERICKSEN, and SHANNON GODLOVE I. Networks of Knowledge lfric's Traditions about the Apostles and Media Networks BRANDON HAWK Reading Lyric I of the Old English Advent Lyrics as Form-of-Life JOHANNA KRAMER Bede's Books Don't Tell Lies: Named Sources, Unideal Readers, and Bede's Welsh Reception JOSHUA BYRON SMITH lfric's Leitwortstil: Repetition and Autoreferentiality as Adaptive Techniques in the Old English Esther SAMANTHA ZACHER Source Study and the Inconclusive Result: The Case of Candidus Witto's De passione Domini CHRISTOPHER A. JONES II. Translation and Transformation of Knowledge Christ as Doorkeeper in Genesis A THOMAS N. HALL Spiritual Virtues, Unseen Spaces, and the Optics of Authority in Early Medieval English Accounts of Judith JILL FITZGERALD Bede, Cuthbert, and Cuthwine: Conlectores at Monkwearmouth-Jarrow FREDERICK M. BIGGS A Source for a 'Homily' in Byrhtferth's Enchiridion STEPHEN PELLE The Digressions in Andreas THOMAS D. HILL From Eriugena to Dostoyevsky: Christian Universalism in Hiberno-Latin Contexts and its Continued Significance PAUL A.K. SIEWERS III. Bodies of Knowledge Translatio medicinae: Mediterranean Sources in an English Climate RENE R. TRILLING Medievalism, Medicine, and William Somner's Dictionarium Saxonico-Latino-Anglicum REBECCA BRACKMANN Modblind and Unl d: Disability, Intersectionality, and Typology in the Old English Andreas AMITY READING Swallowed and Forgotten: Christ III and the Mouth of Hell in Early Medieval England JILL HAMILTON CLEMENTS Index
Basso Continuo in Italy. Sources, Pedagogy and Performance
, Brepols, 2023 Hardback, xxx + 345 pages, Size:210 x 270 mm, Illustrations:30 b/w, 70 musical examples, Language(s):English, Italian. ISBN 9782503608501.
Summary The volume explores the long-lasting phenomenon of basso continuo in the Italian peninsula, from its origins ? i.e. from the regole per suonare sopra il basso which collects and develops the contrappunto alla mente's legacy ? up to the late partimento pedagogy. In addition to a bibliographic update, the volume presents case studies providing the reader with new information on performative contexts and performance practice between the sixteenth and nineteenth centuries, and shedding new lights on sacred and secular genres and repertoires cultivated in churches, theatres, academies, noble chambers and domestic environments. Particular attention is given to the relationship between counterpoint, improvisation and instrumentation, to the analysis of primary sources in relation to book formats and the type of notation chosen to convey the accompaniment. Furthermore, a few chapters focus on peculiar issues of accompaniment pedagogy according to unpublished or neglected sources. TABLE OF CONTENTS Marcello Mazzetti, Introduction Performance Practice Issues: Stylistic Features and Historical Contexts 1. Naomi Matsumoto, Realising Arianna: The Problematic Accompaniments of Claudio Monteverdi's Lamento d'Arianna 2. Galliano Ciliberti, La pratica del basso continuo a S. Luigi dei Francesi a Roma nel Seicento 3. Giulia Nuti, Antonio Vivaldi's Use of Figures: Per li coglioni and Other Examples Sources, Formats, and Accompaniment Layout: Stylistic Features and Historical Contexts 4. Augusta Campagne, Basso Continuo: The Beginnings in Italy 5. Thomas Neal, Between Practice and Print: Performing Palestrina's Missarum liber quartus (1582) with Alessandro Nuvoloni's basso prencipale co'l soprano (1610) 6. Marina Toffetti, Fossil Traces of Vanished Voices: The Basso Continuo Part and the Reconstruction of Incomplete Polyphony 7. Marcos Krieger, Figured Bass and Figured Melody: Printed Figures in Italian Continuo Sources and Idiosyncratic Continuo Notation Practices as Found in Three 17th Century Italian Prints The Accompaniment between Pedagogy and Performance 8. Catherine Bahn - Giovanna Barbati, The Partimenti of Rocco Greco: Reconstructing the Pedagogical Tradition for the Early Violoncello 9. Peter van Tour, The Teaching of Counterpoint and Partimento in the School of Francesco Feo 10. Eric Boaro, Partimento Teaching at the Convent of Santi Marcellino e Festo in Naples: New Early Eighteenth-Century Sources of Realisations of Partimenti by Francesco Durante (c. 1707-1715) 11. Marco Pollaci, Vincenzo Bellini's Studio del Contrappunto Notebook: An Investigation of a New Source of Partimento and Counterpoint in Early Nineteenth-Century Italy Fundamental Issues: Counterpoint, Improvisation and Instrumentation 12. Edoardo Bellotti, Basso continuo e contrappunto nelle fonti seicentesche: un moderno approccio alla didattica musicale 13. Livio Ticli, Contrapunto alla mente or Basso Continuo? Agostino Agazzari and His Sonare sopra'l Basso Abstracts and Biographies Index of Names
Pierre-Alain Tallier, Marie Van Eeckenrode et Patricia Van Schuylenbergh ( d)
Reference : 57183
Belgique, Congo, Rwanda et Burundi : Guide des sources de l'histoire de la colonisation (19e-20e si cle) 2 Volumes,
, Brepols September 2021, 2021 2 vols, 2294 pages ., 233 colour ill., 178 x 254 mm , Texte en Francais, Hardcovers . ISBN 9782503595986.
Vaste question que celle des sources relatives la colonisation belge en Afrique ! Alors que chercheurs et soci t civile r clament un (meilleur) acc s aux archives coloniales , il n?existait jusqu?ici aucun outil permettant d?identifier et de localiser toutes les sources disponibles en Belgique. Pourtant, ce sont pr s de 20 kilom tres lin aires d?archives relatives la colonisation qui reposent dans plus de 80 institutions de conservation en Belgique. La r daction du Guide des sources de l?histoire de la colonisation (belge) constitue donc une avanc e cruciale dans l?identification et la description des archives relatives l? tat ind pendant du Congo (1885-1908), au Congo belge (1908-1960) et au Ruanda-Urundi ([1916] 1923-1962) : archives produites par les souverains et les diff rents gouvernements, par les hommes et femmes politiques, par l?administration coloniale, par les entreprises, les missions religieuses, les universit s, les fondations, le monde associatif et culturel et tous les autres acteurs de cette histoire dont les Africains bien videmment. Sorte de GPS des archives coloniales, ce guide permet pour la premi re fois au citoyen et au chercheur, peu importe le continent sur lequel il vit, de savoir pr cis ment qui conserve quoi sur le territoire belge. Il r pond une triple n cessit : scientifique, soci tale et m morielle. Riche de plus de 1500 notices pour pr s de 2300 pages, cette publication propose une description sommaire et une remise en contexte de tous les fonds et collections d?archives coloniales conserv s en Belgique, leur int r t pour la recherche, leurs liens avec d?autres fonds et collections, etc. Une large et indispensable introduction replace les archives relatives la colonisation belge dans le d bat international et pose les questions tr s sensibles du partage de patrimoine, du retour des archives en Afrique et de la construction de la m moire. Le guide est galement accompagn d?un bilan historiographique fouill , de pistes permettant de rep rer les sources relatives la colonisation belge conserv es l? tranger ou encore d?un cahier de plusieurs centaines d?illustrations qui souligne l?int r t et la n cessit d? largir les champs de la recherche aux sources iconographiques. Cette publication est le fruit d?un long partenariat entre les Archives de l? tat et le Mus e royal de l?Afrique centrale. Plus d?une trentaine d?archivistes et historiens ont particip sa r daction. La version num rique de cet ouvrage sera disponible en Open Access gr ce un financement de la Politique scientifique f d rale belge (BELSPO).
Introduction aux sources de l'histoire medievale. Typologie, Histoire de l'erudition medievale, Grandes collections, Sciences auxiliaires, Bibliographie,
Turnhout, Brepols, 1998 Paperback, 649 pages ., 155 x 245 mm. ISBN 18900002200.
The work opens with a clear and full introduction to the primary sources for the medieval history of Western Europe, together with the information which is needed to use these sources and interpret them correctly. The work covers the whole of Western Europe from the fifth to the fifteenth century and is indispensable for any scholar who needs access to the sources of information. It is therefore a fundamental tool for the systematic research into medieval history. The different types of texts and documents are described, narrative and non-narrative, together with an original perspective on the history of the birth and development of medieval studies from the sixteenth century to the present day. Although the focus is on Western Europe also two chapters are devoted to Byzantine history. The book concludes with a bibliography which has been brought up-to-date with reference works that are indispensable for a medievalist trying to resolve problems relating to language, geography, chronology, biography, onomastics, palaeography and other issues which one confront when undertaking primary research into medieval texts and documents. This French edition is a complete update of Van Caenegem's Introduction to the Sources of Medieval History(1978) taking account of the most recent progress in research, up to and including publications from 1996. It is important also to underline that the enormous increase in bibliographical data in recent decades is reflected in this new version so that the quantity of material is 25% greater than in the previous edition. A propos de la parution de la version anglaise en 1978, M. Pacaut, dans son compte rendu dans les Cahiers de civilisation medievale, exprimait le principal regret qu'avait suscite chez lui la lecture du present ouvrage, "a savoir qu'il n'y ait pas de ce volume une traduction francaise". C'est un grand plaisir donc de pouvoir annoncer enfin la parution de l'edition francaise, completement mise a jour et adaptee a tous les progres de la recherche (y compris les publications parues en 1996). Sans vouloir toucher au concept general de l'ouvrage, il est important de souligner que l'essor bibliographique enorme des dernieres decennies est reflete dans la nouvelle version de sorte que l'ensemble s'est accru d'un quart par rapport a l'edition precedente. On dispose ainsi d'une introduction claire et complete aux sources originales de l'histoire du Moyen Age occidental ainsi que de l'information necessaire a leur utilisation et leur interpretation correctes. Languages: French.
