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PASCA Vanni (textes de)
Printed in Italy
Associazione Nazionale Italiana Industrie Grafiche, 1989. Grand in-4. Cartonnage éditeur illustré. Dos toilé noir. Non paginé. Très belles illustrations et photos en noir et en couleurs. Ouvrage imprimé en typographie, impression en relief à sec, lithographie, offset à bobine, sérigraphie, rotogravure, flexographie avec interventions de prédécoupage, sur différents types de papier. Présentation de l'ensemble des industries italiennes de l'imprimerie et de la transformation du papier et du carton. Textes deVanni Pasca, conception et maquette Italo Lupi, couverture : dessin de Valerio Adami. Très bon état.
Reference : 2534
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Librairie Sabine Leschevin
Mme Sabine Leschevin
33 49 48 63 073
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4 book(s) with the same title
El Ingenioso Hidalgo Don Quixote de la Mancha. - [THE FIRST 'DON QUIXOTE' TO BE PRINTED IN ITALY]
Milan, Por el Heredero de Pedromartir Locarni y Iuan Bautista Bidello, 1610. 8vo. In contemporary full limp vellum with title in contemporary hand to spine. Extremities with wear. Repair and a small hole to front board and missing vellum on upper outer corner of back board. Previous owner's name in contemporary hand to title-page. First 8 leaves lightly washed. Damp stain throughout, however mainly affecting pp. 169-340. The paper is still good and solid. A good copy in its original binding. [Blank], 16 ff, 722 pp, [blank]. [mispaginated between pp. 704-707, as called for].
Scarce first edition of 'Don Quixote' to be printed in Italy, being the 10th overall printing of part one, preserved in its first binding. The editor changed Cervantes's dedication to the Duque de Béjar for that of Vizconde Vitaliano, otherwise the text follows that of the second edition printed in Madrid by Juan de la Cuesta in 1605. This masterpiece, which established the novel genre in Western literature, was first published by Cuesta in Madrid in 1605 and became an instant success. The first edition, published in Madrid in 1605, was followed by three pirated editions later the same year and two further authorized editions. The first part of Don Quixote was revised by Cervantes up to and including the third Cuesta edition of 1608. The second part was not published until 1615. “The first part of Don Quixote came out in 1605. What had begun as a simple satire on the tedious chivalric romances of the time broadened into a sweeping panorama of Spanish society and it was this, the variety, the liveliness, and the gibes at the famous, which won it instant fame. Its larger claims, the subdued pathos, its universal humanity, were slower to be appreciated. But within months Don Quixote and Sancho Panza had become legendary […]. Don Quixote is one of those universal works which are read by all ages at all times, and there are very few who have not one time or another felt themselves to be Don Quixote confronting windmills or Sancho Panza at the inn.” (PMM 111) Brunet 1748 Palau 51983 Suñé 10 (PMM 111, being the first edition from 1605)
Short-Title Catalogue of Books Printed in Italy and of Italian Books Printed in Other Countries from 1465 to 1600 Now in the British Museum
London, Trustees of the British Museum, 1958 hardcover, cloth original, 8vo (22 cm), viii, 992 pp; viii, 152 pp.
Short-title Catalogue" series, was the work of A. F. Johnson, Victor Scholderer and D. A. Clarke
PRINTED IN ITALY.
Associazione Nazionale Italiana Industrie Grafiche Cartotecniche e Trasformatrici, 1988. Deux volumes grand in-4, 24 x 32, sous chemise à rabats de l’éditeur, savoir : un cartonnage illustré de l’éditeur, dos toilé, non paginé + un volume souple avec reliure spirale. L’album principal est un magnifique ouvrage destiné à mettre en valeur le savoir-faire italien en matière de papier et d’imprimerie. Toutes les techniques d’impression sont ici utilisées sur une grande variété de papiers : typographie, impression en relief à sec, lithographie, offset à bobine, sérigraphie, rotogravure, flexographie avec interventions de prédécoupage. Conception et maquette d’Italo Lupi. Une quarantaine d’illustrateurs, photographes et graphistes italiens sont mis à contribution. Citons pour les photographes : Basilico, Berengo Gardin, Ghirri, Sellerio, Scianna, Mulas… Le second volume est un « répertoire sélectionné des entreprises italiennes d’art graphiques et de la transformation du papier et du carton » précisant les spécialités de chacune. Etat neuf. Très rare complet.
The Book in Italy during the fifteenth and sixteenth centuries shown in facsimile reproductions from the most famous printed volumes....
.: London, George Harrap & Company, 1928, in-4°, 220 pp + 128 plates ( a few coloured), bound in publisher's half vellum with blue paper covered boards, printed in an english edition of 750 numbered copies. Vellum and frontcover with tiny foxing spots and tiny loss of paper, interior fine. A fine copy. This is copy 207 of the English edition.
