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CANTINELLI (Richard)
David.
Paris, Bruxelles, Éditions G. Van Oest, 1930 In-4, br., couv. rempliée, 125 pp., 90 pl. en noir.
Reference : 523683
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Librairie Le Trait d'Union
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Conditions de vente conformes aux usages du SLAM - Syndicat national de la Librairie Ancienne et Moderne et de la LILA - Ligue Internationale de la Librairie Ancienne.
5 book(s) with the same title
[David Scougall] - Puttelaar, Carla van de
Reference : 121207
(2021)
ISBN : 9782503597270
Scottish Portraiture 1644-1714. David and John Scougall and Their Contemporaries. 2 vols
Puttelaar, Carla van de: Scottish Portraiture 1644-1714. David and John Scougall and Their Contemporaries. 2 vols. 2021. 753 pages, with 1265 colour illustrations. Hardback. 30 x 22cms. An extensive survey of Scottish portraiture from 1644 to 1714, with an emphasis on the works of David Scougall (1625-1685) and his son, John Scougall (1657-1737). Discussing their oeuvre from a biographical, iconographical and technical perspective, including photographs of the backs of the canvases, a list of prices for portraits and frames and transcriptions of archival documents. Volume I also provides an account of the other prominent Scottish portraitists of the period: L. SchÌneman (active c. 1655/60-1667 or slightly later), his successor James Carrudus (active c. 1668-1683 or later), whose work is identified here for the first time, David Paton (c. 1650-in or after 1708), Jacob Jacobsz de Wet (1641/42-1697), Sir John Baptist Medina (1659-1710), William Aikman (1682-1731), Richard Waitt (1684-1733) and John Alexander (1686-1767). Volume II contains an illustrated catalogue raisonnà of David Scougall's paintings, divided into authentic works, works known from written sources, copies by Scougall, doubtful attributions, works known through copies and prints and rejected attributions.
An extensive survey of Scottish portraiture from 1644 to 1714, with an emphasis on the works of David Scougall (1625-1685) and his son, John Scougall (1657-1737). Discussing their oeuvre from a biographical, iconographical and technical perspective, including photographs of the backs of the canvases, a list of prices for portraits and frames and transcriptions of archival documents. Volume I also provides an account of the other prominent Scottish portraitists of the period: L. SchÌneman (active c. 1655/60-1667 or slightly later), his successor James Carrudus (active c. 1668-1683 or later), whose work is identified here for the first time, David Paton (c. 1650-in or after 1708), Jacob Jacobsz de Wet (1641/42-1697), Sir John Baptist Medina (1659-1710), William Aikman (1682-1731), Richard Waitt (1684-1733) and John Alexander (1686-1767). Volume II contains an illustrated catalogue raisonnà of David Scougall's paintings, divided into authentic works, works known from written sources, copies by Scougall, doubtful attributions, works known through copies and prints and rejected attributions. Text in English
The Sculpture of David Wynne 1974-1992
Stone, Jonathan (ed): The Sculpture of David Wynne 1974-1992. London: Lund Humphries, 1993. Signed by the artist and author. 160pp with 48 colour and 26 monochrome plates, and over 100 illustrations. Cloth. 30.5x24.5cms. Fully illustrated monograph documenting the most recent work of British sculptor David Wynne, whose works include Royal commissions and wildlife subjects. With preparatory skecthes, studio photographs, biographical outline and contributions by the sculptor's patrons, including HRH the Prince of Wales.
Fully illustrated monograph documenting the most recent work of British sculptor David Wynne, whose works include Royal commissions and wildlife subjects. With preparatory skecthes, studio photographs, biographical outline and contributions by the sculptor's patrons, including HRH the Prince of Wales
Caspar David Friedrich: Art for a New Age
Caspar David Friedrich: Art for a New Age. Exhibition: Hamburg, Hamburger Kunsthalle, 2023. 511 pages, over 200 colour and black and white illustrations. Hardback. A look at Casper David Friedrich's views on nature on the 250th anniversary of his birth. Eleven essays approach his life and work through 19th-century ideas about humanity's relationship to nature, particularly in regards to climate change, his connection with the Hamburger Kunsthalle, and the findings of recent scientific analysis performed on works in the exhibition. Includes a catalogue of 197 paintings and drawings by Friedrich, each illustrated and divided into seventeen thematic sections accompanied by an introductory essay. Also includes a catalogue of 50 works in response to Friedrich, most of them contemporary.
A look at Casper David Friedrich's views on nature on the 250th anniversary of his birth. Eleven essays approach his life and work through 19th-century ideas about humanityâs relationship to nature, particularly in regards to climate change, his connection with the Hamburger Kunsthalle, and the findings of recent scientific analysis performed on works in the exhibition. Includes a catalogue of 197 paintings and drawings by Friedrich, each illustrated and divided into seventeen thematic sections accompanied by an introductory essay. Also includes a catalogue of 50 works in response to Friedrich, most of them contemporary. Text in English
[Giovanni David] - Newcome Schleier, Mary and Giovanni Grasso
Reference : 079827
(2003)
ISBN : 8880520199
Giovanni David. Pittore e Incisore della Famiglia Durazzo
Newcome Schleier, Mary and Giovanni Grasso: Giovanni David. Pittore e Incisore della Famiglia Durazzo. Turin: Artema, 2003. 213pp with 52 colour and 134 monochrome illustrations. Hardback. 24.6x25cms. Giovanni David 1743-1784 is now best known for his etchings pioneering the technique of aquatint, but was also a versatile painter and draughtsman who, with his predilection for dramatic subjects and fascination with death, was a precursor of Romanticism. Includes two recently discovered albums of drawings of views of English and French gardens, palaces and townscapes he made, during a tour across Europe accompanying members of the Durazzo family. Text in Italian.
Giovanni David 1743-1784 is now best known for his etchings pioneering the technique of aquatint, but was also a versatile painter and draughtsman who, with his predilection for dramatic subjects and fascination with death, was a precursor of Romanticism. Includes two recently discovered albums of drawings of views of English and French gardens, palaces and townscapes he made, during a tour across Europe accompanying members of the Durazzo family. Text in Italian
Folsach, Kjeld von and Joachim Meyer (Eds.)
Reference : 080083
(2003)
ISBN : 8788464237
Journal of The David Collection. Vol 1. Journal of the David Collection. 1
Folsach, Kjeld von and Joachim Meyer (Eds.): Journal of The David Collection. Vol 1. Copenhagen: 2003. Series: Journal of the David Collection. 1. 134 pages with 109 colour and monochrome illustrations. Hardback. 27.5 x 21.8cms. With articles by Oleg Grabar, James W. Allan, Joachim Meyer & Peter Northover, Kjeld von Folsach, Claus-Peter Haase and Alan Walmsley.The Journal of the David Collection is an English-language journal to discuss subjects related to the museum's holdings from the cultural sphere of Islam including more in-depth discussions of individual works of art or groups of objects.
With articles by Oleg Grabar, James W. Allan, Joachim Meyer & Peter Northover, Kjeld von Folsach, Claus-Peter Haase and Alan Walmsley.The Journal of the David Collection is an English-language journal to discuss subjects related to the museum's holdings from the cultural sphere of Islam including more in-depth discussions of individual works of art or groups of objects. Text in English
