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APPEL Karel. Herbert Read.
PAINTINGS.
Londres, Wildensteiun & Co. Ltd, 1975. In-8, broché, illustrations.
Reference : 6403
Entretien avec Karel Appel. [6403]
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5 book(s) with the same title
Miro recent paintings [Miro peintures récentes]
Pierre Matisse Gallery | New York 1953 | 24.5 x 31 cm | En feuilles
Edition originale, un des 100 exemplaires numérotés sur vélin d'arches à la forme, seuls grands papiers. Ce catalogue d'exposition des oeuvres du peintre à la galerie Pierre Matisse à New York pour son soixantième anniversaire est illustré de 3 lithographies originales (2 double et une simple) ainsi que de nombreuses illustrations en noir et en couleurs. Traces de transferts des gravures sur les pages de texte en regard. Signature autographe datée de Joan Miró à la numérotation de l'ouvrage. Comme indiqué à la justification du tirage, notre exemplaire comporte bien sa lithographie originale datée et signée par Joan Miró. - Photographies et détails sur www.Edition-Originale.com -
Phone number : 01 56 08 08 85
The art of Raymond Woog, paintings and drawings - Catalogue de l'exposition des oeuvres de Raymond Woog à la Jacques Seligmann's Galleries de New York
Galerie E. Druet | New York 1928 | 16 x 19.50 cm | agrafé
Edition originale de ce catalogue présentant 36 tableaux ou dessins de Raymond Woog à la Jacques Seligmann's Galleriesà New York du 15 Janvier au 5 Février 1928. Plats marginalement et légèrement ombrés, trois petites taches en marge gauche du premier plat, sinon rare et agréable exemplaire. Catalogue illustré de 8 reproductions d'oeuvres de Raymond Woog. Texte d'André Maurois - Photographies et détails sur www.Edition-Originale.com -
Phone number : 01 56 08 08 85
Cy Twombly: Catalogue Raisonn of the Paintings. Volumes I-VII / Cy Twombly : Catalogue Raisonne Der Gemalde 7 volumes I-VII
, Schirmer / Mosel, 2018 7 volumes, linnen binding under illustrated dustjacket, 31 x 28 cm, text in English / German. *Fine condition ISBN 9783829608053.
Seven volumes, up to volume VII. Cy Twombly Catalogue Raisonn of the Paintings Volume VII: Addendum is the final volume of the catalogues raisonn s of paintings and includes both unfinished paintings and lost works. Heiner Bastian?s introductory essay includes recollections of conversations between the author and the artist. In this final reflection on Twombly?s practice in the series, Bastian suggests ?recognizing poetic landscapes gleaned from the heartbeat of Apollonian and Dionysian forms of existence? (18). He also draws on Roland Barthes?s famous essay about the artist, ?The Wisdom of Art,? and his concluding remarks have an overtly Hegelian inflection. The unfinished paintings will be among the most interesting inclusions for scholars researching the artist?s working practice and should be considered in dialogue with the unfinished and rejected sculptures recorded in Cy Twombly Catalogue Raisonn of Sculpture Vol. II (2019). Many of the other entries catalogue lost works or works that were presumed to be lost in earlier catalogues raisonn s but subsequently recovered (e.g., Desert of Love [1959], notated as whereabouts unknown in Vol. IV but as in the collection of the Cy Twombly Foundation in Vol. VII). The volume will be of interest to scholars working on any period of the artist?s practice, as the entries range from the 1950s to the end of the artist?s life in 2011. Direct connections to thematic concerns present in earlier volumes are abundant throughout, including in the recurrence of themes such as 10 Days Wait at Mugda (1963) and Death in Naples (1963). Other notable inclusions are a new left panel for Ilium (One Morning Ten Years Later) completed in 2000, additional ?blackboard? paintings, additional Green Paintings, and paintings conceived as Japanese screens. There are also many additional iterations of the large, loose swirls that characterize Twombly?s Bacchus works and other late paintings. Within the section of unfinished works, many relate to his floral cycles or his recurrent boat motif. There is also a notable abandoned canvas for Coronation of Sesostris (2000). As scholars referencing this volume of the catalogue raisonn will likely have a focus on the artist?s working practice, further relevant literature includes Cy Twombly: Homes and Studios (2020) and Kate Nesin?s Cy Twombly?s Things (2014); though the latter addresses the sculptures rather than the paintings, it remains a uniquely sustained consideration of the material concerns of Twombly?s studio practice and addresses connections to his painting practice throughout. Other texts with a similar comprehensive focus may also be useful; see e.g., Writings on Cy Twombly, ed. Nicola Del Roscio (2002) and The Essential Cy Twombly, ed. Nicola Del Roscio (2014). (Publication description by Jamie Danis)
[Andy Warhol] - Printz, Neil and Sally King-Nero (ed.)
Reference : 124095
(2024)
ISBN : 9781838664282
Andy Warhol Catalogue RaisonnÃ. Volume 6: Paintings and Sculptures, mid-1977-1980. Volume 6 in 2 parts
Printz, Neil and Sally King-Nero (ed.): Andy Warhol Catalogue RaisonnÃ. Volume 6: Paintings and Sculptures, mid-1977-1980. Volume 6 in 2 parts. 2024. 802 pages with 1500 colour and black and white illustrations. Hardback in a slipcase. 25 x 29cms. The latest volume in Andy Warhol's catalogue raisonne, discussing 741 works made at Warhol's 860 Broadway studio between 1977 and 1980. The first part chronologically considers his Shadow paintings; polaroids and painted portraits of Erich Marx and Liza Minnelli; Studio 54 gift paintings like the drink tickets, and his Mona Lisa and Reversal series. The second part deals with Warhol's heart paintings; later polaroids and painted portraits of Judy Garland and Truman Capote; the BMW Art Car and flower paintings; his gems series and later Shadow paintings. Each work is illustrated and described in detail, with provenance and exhibition history, alongside Warhol's diary entries and notes.
The latest volume in Andy Warholâs catalogue raisonne, discussing 741 works made at Warholâs 860 Broadway studio between 1977 and 1980. The first part chronologically considers his Shadow paintings; polaroids and painted portraits of Erich Marx and Liza Minnelli; Studio 54 gift paintings like the drink tickets, and his Mona Lisa and Reversal series. The second part deals with Warholâs heart paintings; later polaroids and painted portraits of Judy Garland and Truman Capote; the BMW Art Car and flower paintings; his gems series and later Shadow paintings. Each work is illustrated and described in detail, with provenance and exhibition history, alongside Warholâs diary entries and notes.
Emblematic Paintings from Sweden's Age of Greatness Nils Bielke and the Neo-Stoic Gallery at Skokloster,
Turnhout, Brepols, 2005 Hardback, XVI+280 p., 72 b/w ill., 160 x 240 mm. ISBN 9782503523644.
Emblematic Paintings of the Swedish Baroque is the first full-length study of the cycle of emblematic canvases hanging in the corridors at Skokloster Castle outside Stockholm. These imposing paintings were commissioned by a wealthy nobleman and cultural patron from Sweden's Age of Greatness and were inspired by images from one of the most important emblem books of the seventeenth century, Otto Vaenius's Emblemata Horatiana. The principal importance of the Skokloster paintings lies in the fact that they appear to be a unique instance of paintings wholly adapted from images in a printed emblem book, a phenomenon never previously recorded in emblem studies. As such, they prompt questions about the place of the emblem within the fine and applied arts, generic issues explored in some detail in the introductory essay. The study presents a detailed reconstruction of the paintings' place within a lost decorative milieu at the Uppland castle of Salsta, and offers interpretations of the role emblems played within its wider conceptive framework. The appeal of Vaenius to the commissioning patron is also examined, and through this, a broader consideration of the reception of literary emblematics in seventeenth-century Sweden. This marks a significant attempt at opening up the rich subject of the emblem in Sweden, a national tradition hitherto largely neglected and little understood within emblem studies. Emblematic Paintings of the Swedish Baroque is the result of extensive field and archival research in major public and private collections in Sweden, and documents a historically significant group of artworks little known outside Scandinavia. The introductory essay presents the necessary groundwork of the pictures' date, provenance, and probable circumstances of commission, as well as an extended reconstruction of the original context in which they were first displayed. Establishing that they were originally owned by Count Nils Bielke, the study examines the intellectual preoccupations of a Swedish nobleman, and the reasons he found the Neo-Stoic ideas promoted in Vaenius's emblems conducive to his interests and tastes. The study situates the Skokloster paintings within the intellectual framework of Great Power Sweden, conceiving of the pictures as attempts at private self-representation, but concomitantly aesthetic expressions of the nationalist-mytholopoeic movement promoted by the scholars Olof Rudbeck, Johan Peringskiold, and Urban Hjarne. This volume presents the paintings as an emblem text, reassembling the paintings in the order in which they occur in Vaenius, and providing each with a commentary on iconography, sources, and analogues. Each plate is accompanied by a moralizing gloss by the seventeenth-century French author and editor of Vaenius, Marin Le Roy, Sieur de Gomberville in the translation of Thomas Mannington Gibbs. Languages : English, Latin.
