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MAUCLAIR (Camille) / ARBEY (Mathilde)
Bruges.
Paris, Henri Laurens, 1938. Gr. in-8°, 172p. Broché, couverture illustrée rempliée.
Reference : 34795
Edition sur papier vergé. Illustré de 30 planches en couleurs contrecollées d'après des tableaux de Mathilde Arbey. Ornementations de David Burnand. Bon exemplaire.
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Le Cabinet d'Amateur
M. Marc Mettler
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2000 Neuchâtel
Switzerland
0041 32 724 73 65
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5 book(s) with the same title
Le Charme de Bruges
L'Édition d'Art H. Piazza 1929 in8. 1929. Broché. Le Charme de Bruges de Camille Mauclair est un hommage littéraire et artistique à la ville de Bruges décrivant son passé glorieux et son statut de sanctuaire d'art impérissable. Publié en 1929 par les Éditions d'art H. Piazza il s'agit d'une édition originale illustrée par H. Cassiers avec des compositions en couleurs au pochoir souvent présentée dans des reliures d'art luxueuses
Etat correct couverture de bord déchirée rousseurs de livres intérieur propre
Connected Worlds of Bruges: 900-1550
Frankopan, Peter: Connected Worlds of Bruges: 900-1550. 2026. 304 pages, illustrated in colour. Hardback. 30 x 25cms. Catalogue for the inaugural exhibition at BRUSK, Bruges, covering the period 900-1550. 14 essays explore the role of Bruges and its connection to the North Sea World; brides and exiles in Flanders; markets of the early Middle Ages in North-Western Continental Europe, pilgrimage in the Christian East; relationships to the Latin Empire of Constantinople; rituals of the Bruges elite; and the Atlantic expansion and its significance for Bruges.
Catalogue for the inaugural exhibition at BRUSK, Bruges, covering the period 900-1550. 14 essays explore the role of Bruges and its connection to the North Sea World; brides and exiles in Flanders; markets of the early Middle Ages in North-Western Continental Europe, pilgrimage in the Christian East; relationships to the Latin Empire of Constantinople; rituals of the Bruges elite; and the Atlantic expansion and its significance for Bruges
Civic Group Portraits in Bruges (1650-1800) Windows on Urban History
Turnhout, Brepols, :2025 Linnen binding under illustrated dustjacket, vii + 458 pages, 216 x 280 mm, Illustrations:2 b/w, 122 col., 1 tables b/w., 7 maps color. ENG. *NEW. ISBN 9782503618395.
The patrons of civic group portraits were corporate organisations such as confraternities, craft and militia guilds, charitable institutions, and administrative bodies. Up until now, the painted civic group has been primarily seen as a product of the Dutch Republic. While the genre may have been exceptionally important in the Northern Low Countries, the present study shows that such paintings were also fundamental in the South, with Bruges playing a central role. From the late fifteenth century until 1800, both the urban elite and the artisan classes of Bruges commissioned institutional group portraits, and the forms that those artworks took responded to local conditions and needs. The patrons? self-representation in these works was meant to emphasize the internal cohesion and solidarity within their group, and to reinforce that group?s social status in the urban community. In looking carefully at these contexts, this research project has provided new interpretations for civic group portraits and has demonstrated their richness as both cultural heritage and historical sources. The Bruges works, however, represent just a portion of those produced in the Southern Netherlands during the early modern era. The author provides an updated inventory of 190 civic group portraits that he has been able to trace for the Southern Netherlands. All of these works, moreover, need to be set in a broader European context, as civic group portraits are also recorded in Venice, Paris, and England, and were likely produced elsewhere as well. Future researchers will be able to expand our understanding of the genre as a European phenomenon, continuing to reveal the significance of these remarkable artworks and use them to gain deeper insights into the past. TABLE OF CONTENTS Preface Bruges: An Urban History Chapter 1: Design and Methodology Chapter 2: Early Civic Group Portraits in Bruges, Before 1560 Chapter 3: Civic Group Portraits in Bruges, c. 1560?1650 Chapter 4: Civic Group Portraits in Bruges, 1650?1800 Chapter 5: Civic Group Portraits from Bruges in a Southern Low Countries Context, 1450?1800: A status quaestionis Conclusion Addendum: Civic Group Portraits in the Southern Netherlands, 1450?1800 Notes List of Illustrations Illustrations Photo Credits Bibliography Index
Convolute of three studies or pamphlets on the feasability of a sea-port in Bruges ( Zeebrugge ) (1) Bruges-Port de Mer. Simples Idées émises par Justin Lambin. (2) La Question des Ports de Bruges. (3) Union Syndicale de Bruges. Rapport sur la situation des diverses branches d'industrie en 1880 et 1881...dans la question de Bruges Port de Mer.
(1) Brugge, Imprimerie Houdmont, 1880, in-8°, 12 pp . (2) Bruges, Imprimerie Graphica, s.d. (no author), 14 pp. (3) Bruges, Imprimerie Jean Cuypers, 1882, 46 pp. Bound in blue cloth, leather label on spine, wrappers of (1) and (3) preserved. Rare convolute of three pamphlets or studies on the port of Bruges ( Zeebruges ). The second pamphlet not in De Le Court.
L'art flamand dans les collections espagnoles - Juillet-Août 1958 / Musée Communal des Beaux-Arts Groeninge - Bruges
Ville de Bruges 1958 in12. 1958. Broché.
Bon état intérieur propre bonne tenue
