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William Makepeace THACKERAY
The Works
Smith, Elder & Co | London 1869 | 14 x 22 cm | 24 volumes reliés
Reference : 74357
Edition originale collective. Les 22 premiers livres sont datés 1869, les deux derniers (Micellacenous essay) sont parus en 1886, il est fort rare de les trouver réunis. Illustration abondante en hors-texte (Environ 250 gravures) et in-texte (1500 bois) par l'auteur, Doyle, Walker, Du Maurier et divers. Les romans contiennent un frontispice et un titre gravé. Certains volumes sont encore non coupés. Cartonnage de l'éditeur en pleine percaline verte dorée. Dos lisse à caissons décorés. Plats frappés à froid d'une plaque décorative avec au centre le monogramme doré de WPT. Une micro coupure à la coiffe du tome 2 de The newcomes, 2 au tome de Burlesques, sinon coiffes affaissés mais superbe ensemble. Papier bien propre avec quelques rousseurs sur les pages de garde et les premiers feuillets. Conservation assez exceptionnelle. Ex libris aux armes du XIXe Baron de Bellet Détail de l'édition :VANITY FAIR vols. I-II; THE HISTORY OF PENDENNIS vols. I-II; THE NEWCOMES vols. I-II; THE HISTORY OF HENRY ESMOND; THE VIRGINIANS vols. I-II; THE ADVENTURES OF PHILIP vols. I-II; THE PARIS SKETCH BOOK and THE YELLOWPLUSH PAPERS; THE MEMOIRS OF BARRY LYNDON and THE HISTORY OF SAMUEL TITMARSH AND THE GREAT HOGGARTY DIAMOND; THE IRISH SKETCH BOOK and NOTES OF A JOURNEY FROM CORNHILL TO GRAND CAIRO; THE BOOK OF SNOBS and SKETCHES AND TRAVELS IN LONDON; BURLESQUES; THE CHRISTMAS BOOKS OF MR. M.A. TITMARSH; BALLADS AND TALES; THE FOUR GEORGEES and THE ENGLISH HUMOURISTS; ROUNDABOUT PAPERS and THE SECOND FUNERAL OF NAPOLEON; DENNIS DUVAL and LOVEL THE WIDOWER; CATHERINE, LITTLE TRAVELS, and THE FITZBOODLE PAPERS; MISCELLANEOUS ESSAYS, SKETCHES AND REVIEWS; and CONTRIBUTIONS TO "PUNCH. - Photographies et détails sur www.Edition-Originale.com -
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5 book(s) with the same title
[Marc Vaux] - LYAN, Charles ; KIRZSENBAUM, Jesekiel David
Reference : 67758
(1945)
10 photographies par Charles Lyan des oeuvres de l'artiste J. D. Kirzsenbaum [ Les 10 photographies annotées et signées par le peintre ] [On joint : ] 3 Photographies annotées et signées par le peintre - 10 photographs by Charles Lyan of the works of the artist J. D. Kirzsenbaum [The 10 photographs annotated and signed by the painter ] [Attached : ] 3 Photographs annotated and signed by the painter
Ensemble 13 photographies annotées et signées. Détail : 10 photographies noir et blanc avec cachet d'atelier de Charles Lyan, format 15 x 12 cm (une photo au format 16 x 12 cm), chaque photo signée et annotée par le peintre : "Arlequin, 1946" ; "Der [ ... ] Rabbi 1945" ; "Arbeitloser 1945" ; Frauenkopf 1945" ; "Damenschneider 1945" ; "Rabi u Diener im Synagogentor 1945" ; "Auf dem Friedhof 1945" ; "Procession 1945" ; "Fahrt der Chassidim 1946" ; "[... ] 1946" ; On joint 3 autres photos sans cachet de photographe, à savoir 2 petites photos de sculpture (annotée et signée par l'artiste) et une photo 12,5 x 15,5 cm : "Messiahverkündung der Propheten Eli 1946"
Né en Pologne, Jesekiel David Kirszenbaum (1900–1954) part en Allemagne en 1920 et étudie au Bauhaus sous la direction de Paul Klee et Kandinsky. Il rejoint Paris en 1933, et sera influencé par l'Ecole de Paris, mais conserve un style propre, marqué par la mystique et le folklore juif de son enfance, à l'instar d'un Chagall. Pendant la guerre, son épouse ainsi que tous les membres de sa famille demeurés en Pologne sont tués par les allemands, et son atelier mis à sac. C'est grâce à l'aide de la baronne Alix de Rothschild qu'il peut se remettre à peindre au lendemain de la mort ; il mourra prématurément d'un cancer en 1954. Born in Poland, Jesekiel David Kirszenbaum (1900–1954) left for Germany in 1920 and studied at the Bauhaus under Paul Klee and Kandinsky. He moved to Paris in 1933, and was influenced by the School of Paris, but retained his own style, marked by the Jewish mysticism and folklore of his childhood, like Chagall. During the war, his wife and all the members of his family who remained in Poland were killed by the Germans, and his studio was ransacked. It was thanks to the help of Alix de Rothschild that he was able to resume painting after the war ; he died prematurely of cancer in 1954.
9 photographies par Marc Vaux des oeuvres et de l'artiste J. D. Kirzsenbaum [ Avec 8 photographies annotées et signées par le peintre ] - 9 photographs by Marc Vaux of the works and the artist J. D. Kirzsenbaum [With 8 photographs annotated and signed by the painter ]
9 photographies noir et blanc avec cachet d'atelier de Marc Vaux ("Photo Marc Vaux, 114bis rue de Vaugirard, Paris 6e, Tel LITtré 90-01") à savoir : 2 photos format 18,x 16,5 cm. ("Christ 1945" et " [.... ] 1945") ; 1 format 16,5 x 20.5 cm ("Beim Studium 1945") ; 1 format 15 x 22.5 cm ("Ein Heiliger 1946. Sammlung der Baronin Alix de Rothschild) ; 2 format 22 x 16.5cm (datées 1945 et 1946) ; 2 format 16 x 12 cm ("Musiker 1946" et "Bontze im Himmel 1946"; 1 format 23.56 x 17.5 cm (le peintre dans son atelier) On joint une coupure de presse consacrée à l'artiste, paru dans UNIr (Hebdomadaire des Hommes nouveaux, 5 avril 1946)
Né en Pologne, Jesekiel David Kirszenbaum (1900–1954) part en Allemagne en 1920 et étudie au Bauhaus sous la direction de Paul Klee et Kandinsky. Il rejoint Paris en 1933, et sera influencé par l'Ecole de Paris, mais conserve un style propre, marqué par la mystique et le folklore juif de son enfance, à l'instar d'un Chagall. Pendant la guerre, son épouse ainsi que tous les membres de sa famille demeurés en Pologne sont tués par les allemands, et son atelier mis à sac. C'est grâce à l'aide de la baronne Alix de Rothschild qu'il peut se remettre à peindre au lendemain de la mort ; il mourra prématurément d'un cancer en 1954. Born in Poland, Jesekiel David Kirszenbaum (1900–1954) left for Germany in 1920 and studied at the Bauhaus under Paul Klee and Kandinsky. He moved to Paris in 1933, and was influenced by the School of Paris, but retained his own style, marked by the Jewish mysticism and folklore of his childhood, like Chagall. During the war, his wife and all the members of his family who remained in Poland were killed by the Germans, and his studio was ransacked. It was thanks to the help of Alix de Rothschild that he was able to resume painting after the war ; he died prematurely of cancer in 1954.
Thematic, Bibliographical, and critical Catalogue of the Works of Luigi Boccherini [ Edition originale - Livre dédicacé par l'auteur ]
Compiled by Yves Gérard, under the auspices of Germaine de Rothschild, translated by Andreas Mayor, 1 vol. fort in-8 reliure pleine toile éditeur sous jaquette, Oxford University Press, London, 1969, 716 pp.
Bel envoi de l'auteur "à Michel Desbruères, qui est un peu pour quelque chose dans ce livre et qui, impavide, a assisté aux moments d'espoir et de désespoir qu'il m'a causé". Bon exemplaire dédicacé, en bon état
Duveen (Denis I.) and Klickstein (Herbert S.), eds. - Antoine Laurent Lavoisier - John F. Fulton, preface
Reference : 101397
(1965)
1. A Bibliography of the Works of Antoine Laurent Lavoisier, 1743-1794 (1954) - 2. Supplement to a Bibliography of the Works of Antoine Laurent Lavoisier, 1743-1794 (1965) - 2 volumes set (complete - Bibliographie des travaux de Lavoisier, Chimie, Text in English)
W.M. Dawson and Sons, Ltd, London - Dawson of Pall Mall, London Malicorne sur Sarthe, 72, Pays de la Loire, France 1965 Book condition, Etat : Bon hardcover, under editor's clear blue printed dust-jacket fort et grand In-8 2 vol. - 706 pages
Volume 1. 43 plates (complete) - Volume 2. 7 plates (complete), 50 plates ok 1st edition of the 2 volumes, 1954-1965 Contents, Chapitres : Volume 1 (1954), Preface, Foreword, Contents, List of illustrations, xxiii, Text, 493 pages, 42 plates, 1 portrait of Lavoisier in frontispiece, sum of 4 plates, Lavoisier bookplate on the end-paper - Volume 2 (Supplement, 1965), Foreword, Contents, List of illustrations, xv, Text, 175 pages, 6 plates, one View of Fréchines in frontiespice, sum of 7 plates (706 pages and 50 plates) - Volume 1. Contributions to periodical works - Major separate works - Minor separate works and contributions to separate works - Miscellaneous in other works - Reports by Lavoisier to the Académie on other works - Collected works - Addenda - Name index - Publisher and printer index - Artist and engraver index - Volume 2. Contributions to periodical works - Major separate works - Minor separate works and contributions to separate works - Miscellaneous in other works - Reports by Lavoisier to the Académie on other works - Collected works - Notes and minor text additions to the main part of this bibliography, Corrigenda of the original Bibliography - A selected short-title bibliography of books and papers dealing with Lavoisier's life and work - Index of selected topics - Name index - Publisher and printer index - Artist and engraver index - Denis Duveen is an English expert on Lavoiser and a collector of his works - NB : certainement la bibliographie la plus complète à notre connaissance sur les travaux de Lavoisier near fine set, complete in 2 homogeneous volumes, main text + supplement of this very complete bibliography on Lavoisier's works, dust-jacket are rather fine, with minor wear, the top part of the spine of volume 1 is lightly folded, D.j. very lightly dusty on volume 1 also, it remains clean and complete, inside is fine, no markings, complete of the 50 plates, a rather nice copy
Ludwig Senfl (c.1490?1543): A Catalogue Raisonné of the Works and Sources. Vol. 1: Catalogue of the Works
, Brepols, 2019 Paperback, 682 pages, Size:180 x 240 mm, Illustrations:2 tables b/w., Language: English. ISBN 9782503584201.
Summary Until now, scholars have had an inadequate picture of the scope and transmission of the oeuvre of Ludwig Senfl (c.1490-1543), one of the most important Renaissance composers of the German-speaking lands. The current publication presents an extraordinary and exceptionally comprehensive catalogue raisonné for this Renaissance composer. Volume 1 of the two-volume set forms the catalogue of works (including lost and misattributed compositions). It is organized according to genre and provides a thorough description of every composition. Each entry includes a musical incipit, comments on the musical structure, and comprehensive information concerning the transmission and the authenticity of the composition in addition to many other details. In its layout, structure, and critical approach to Senfl's music, this volume enables far-reaching research into the composer's style as well as a detailed characterisation of his oeuvre, and thus it provides clues towards a long-desired chronology of the composer's works. The Senfl Catalogue serves as an encyclopaedic research tool for further scholarly investigation: it not only presents a lively and coherent picture of Senfl's oeuvre, but also helps to explore the broader musical culture of his time. At the same time, the in-depth presentation and analysis of Senfl's music provides Early Music performers with new information on repertory that adds to the soundscape of the Renaissance. TABLE OF CONTENTS Introduction Preface Acknowledgements Guide to the Senfl Catalogue (SC) Abbreviations - Catalogue Compendium List of Corresponding RISM and Census Sigla Former Shelfmarks of Individual Manuscripts List of Sources in Zwickau, Ratsschulbibliothek List of Contrafacta Cross-References of Motets and Proper Settings Catalogue of the Works Ordinaries of the Mass (O 1 - O 10) Proper Settings for the Mass and for the Office (P 1 - P 30) Magnificat Settings (Mag 1 - Mag 8) Motets (M 1 - M 123) Ode Settings (Ode 1 - Ode 42) Songs (S 1 - S 356)
