‎COEUROY, André & SCHAEFFNER, André ‎
‎LE JAZZ ‎

‎UNE SECONDE DE JAZZ.‎

‎ 2013 UNE SECONDE DE JAZZ.Télécom Bretagne,2013, in8 carré(21x21) broché. ‎

‎JAZZ MEMORIES‎

‎ 1995 JAZZ MEMORIES.Filipacchi,1995, in4°(28x32) relié, jaquette illustrée,203pp.Plus de 100 musiciens photographiés, au moins 500 photos!Se doit de figurer dans la bibliothèque d'un amateur !!!Très bon état. ‎

‎JAZZ ANTHOLOGY. 1918 - 1939 .‎

‎ Couverture souple E P M , 1991 , grand in 8 broché , 391 pp. Une histoire exhaustive du jazz ( en français ) jusqu' à 1939. Langue: Français ‎

‎Cinema Changes: Incorporations of Jazz in the Film Soundtrack‎

‎, Brepols, 2019 Hardback, xxvi + 334 pages, Size:210 x 260 mm, Illustrations:35 b/w, 26 musical examples, Language: English. ISBN 9782503584478.‎

‎Summary Cinema is the form of entertainment that can be, above all, identified with the twentieth century. It gradually replaced theatre as a popular form of performed storytelling, and replaced opera too as the new "multimedia" art form, soon incorporating music as one of cinema's privileged means to co-tell stories. Speaking of music, jazz was as sensational a twentieth-century novelty as cinema was. The two soon teamed up, and jazz, with its various incarnations and styles, has accompanied the moving images and the cinematic narratives throughout the decades. It was inevitable that these two iconic art/entertainment forms, jazz and cinema, should meet, blend, cooperate, and have a reciprocal influence. While the early film music was mostly symphonic and inspired by the late-romantic nineteenth-century idiom, jazz and Afro-American music - in various form and with diverse and changing racial/social connotations - appeared onscreen even before the landmark film The Jazz Singer (1927), which officially launched the sound era. This collection of essays seeks to study the long-standing relationship between jazz and cinema, from the silent era to the contemporary sound cinema, on an international level. TABLE OF CONTENTS Emile Wennekes - Emilio Audissino Prologue: A Reel Jazz Survey Rendition / Reception Emile Wennekes Out of Tune? Jazz, Film and the Diegesis Phillip Johnston Jazzin' the Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film Luca Stoll Cinema: A Privileged Way of Acquiring Intimacy with Jazz Standards Marida Rizzuti Play, My Fiddle, Play! Jazz and Klezmer at the End of the 1930s Randall Cherry Ethel Waters and the Search for Racial Redemption Jazz and National Cinemas Emilio Audissino The Multiform Identity of Jazz in Hollywood: An Assessment through the John Williams Case Study Nicolas Pillai Rhythms of the Everyday: an Alternative History of the British Jazz Film Philippe Gonin Jazz and Cinema: Which Jazz for Which Movies in France from 1945 to the early 1960s? Julio Arce - Celsa Alonso From the Chotis to the Charleston: Jazz in Spanish Films prior to the Civil War Roberto Calabretto Jazz Music in Michelangelo Antonioni's Films Willem Strank When Jazz Meets German Cinema: A Brief Overview Jason R. Hillebrand A Song Helps Us Live: The Narrative Function of Jazz in the Soviet Musical Film Jolly Fellows Case Studies Francesco Finocchiaro - Leo Izzo The Sound of the Nightmares: On the Jazz Music in Fritz Lang's Metropolis Ryan Patrick Jones Dignity in the Twilight of Minstrelsy: Race, Nuance, and Aspiration in Duke Ellington's Symphony in Black: A Rhapsody of Negro Life Adam Biggs The Blues and Dissonance in Michelangelo Antonioni's Blow-Up Armando Ianniello Umiliani, Trovajoli, and Rota: The Jazz Film Score of Boccaccio '70 Marcel Bouvrie Synergetic Jazz Score: The Narrative of the Relation between the Diegetic and Nondiegetic Music in Whiplash Mervyn Cooke 'The Same Goddamn Songs the Same Goddamn Way'? Makin' Whoopee with The Fabulous Baker Boys Abstracts Biographies Index of Names‎

‎La bataille du jazz - Collection Aujourd'hui - ce qu'est le jazz : les noirs, les racistes et les progressistes, le jazz une pulsation, un langage , le blues, l'essence du jazz - l'essor du jazz en france, naissance du pseudo jazz progressiste, le bop...‎

‎ALBIN MICHEL. 1965. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Quelques rousseurs. 220 PAGES + 8 planches photos en noir/blanc - mors et coiffe de tête frottés. . . . Classification Dewey : 781.65-Jazz‎

‎SOMMAIRE : ce qu'est le jazz : les noirs, les racistes et les progressistes, le jazz une pulsation, un langage , le blues, l'essence du jazz - l'essor du jazz en france, naissance du pseudo jazz progressiste, le bop n'est pas du jazz, campagne contre les jazzmen, jazz musique du peuple noir, ... Classification Dewey : 781.65-Jazz‎