Paris Books & Co 1999 96 pages in-8. 1999. cartonné. 96 pages. In-8 étroit (286x107 mm) 96 pages. Cartonnage illustré. Illustrations en noir et en couleurs. Très bon état. Poids : 320 gr
Reference : 6608
ISBN : 9782845090576
Bouquiniste
M. Thibault Hairion
04 92 46 94 05
Les livres sont expédiés sous deux jours ouvrés et les retours sont acceptés aux frais de l'acheteur
<p>Orientalia Lovaniensia Analecta 175. (OLA 175). In the Egyptian context, what we term magic and demon, drawing on our own cultural heritage, are not seen as negative aspects of cultural practice and conceptualisation. Similarly, the Egyptian equivalents do not carry the pejorative connotations borne by the modern terms and their Greek antecedents; magic and demons can be forces for good as well as evil. Indeed, the practice of magic and the conceptualisation of personified demonic agents are central to the Egyptian understanding of the workings of the world from the very continuation of the cosmos itself down to the vicissitudes of existence faced by individuals. In particular, the broader practice of magic and articulation of the involvement of demonic agency form one of the crucial links in Ancient Egypt between individual existence on the human level and the level of nature or the cosmos, the realm of the gods. Unlike, though, the explicit recognition of the term demon in the ancient Greek language and religion, as the intermediary between god and mortals, the majority of the demonic names in the Egyptian literature do not possess an apparent ontological essence, or a clearly defined denotation. Their characteristics and role depended momentously on the verbal and performative ritual environment they were part of. The relation between the name of a demon and its cosmic-natural personification is not contradictory as it may seem, but it is closely interwoven in a well established ritual framework of words and actions. This multi-authored volume of 10 essays comprises an up-to-date authorized account of many aspects of ancient Egyptian demonology, including the multiple persona of the demonic or name vs. identity in the Egyptian formation of the demonic, nightmares and underworld demons, dream rituals and magic, categories of demonic entities and the vague distinction between the divine and the demonic in Egyptian cosmology and ritual, the theological and demonic aspects of Egyptian magic, and demons as reflections of human society. Contributors include Paul John Frandsen, Hedvig Gyory, Joachim Friedrich Quack, Yvan Koenig, Panagiotis Kousoulis, Alan Lloyd, Robert Ritner, Alessandro Roccati, Kasia Szpakowska and Penelope Wilson.</p> Louvin, 2011 Peeters 198 p., relié sous jaquette. 16,5 x 24,5
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<p>Introduction Sally Grainger Recipe: Pickle de légumes with oinogaron Sylvie Yona Waksman Introduction. The POMEDOR project “People, pottery and food in the medieval Eastern Mediterranean” Andrew Dalby The making of the Byzantine dinner, by a participant observer Cyprus and the Levant Sally Grainger Recipe: Bouillon léger de poissons et fruits de mer (monokythron) Philippe Trélat Du lac de Limassol aux tables de Nicosie: pêcheries et consommation de poisson à Chypre sous la domination latine (1191‑1570) Gilles Grivaud Les tavernes (canutes) comme instruments de contrôle économique et social dans le royaume de Chypre aux XIIIe‑XVIe siècles Nicholas Coureas Food, wine and the Latin clergy of Lusignan Cyprus (1191‑1473) Ruth Smadar Gabrieli, Sylvie Yona Waksman, Anastasia Shapiro, Alessandra Pecci Archaeological and archaeometric investigations of cooking wares in Frankish and Venetian Cyprus Edna J. Stern, Sylvie Yona Waksman, Anastasia Shapiro The impact of the Crusades on ceramic production and use in the southern Levant: Continuity or change? Elisabeth Yehuda Between oven and Tannur: “Frankish” and “indigenous” kitchens in the Holy Land in the Crusader period Anastasia Shapiro, Edna J. Stern, Nimrod Getzov, Sylvie Yona Waksman Ceramic evidence for sugar production in the ‘Akko plain: Typology and provenance studies Richard Jones, Anthony Grey Some thoughts on sugar production and sugar pots in the Fatimid, Crusader/Ayyubid and Early Mamluk periods in Jordan Byzantium and beyond Sally Grainger Recipe: Quail pie & Mixed pulses Ilias Anagnostakis “What is plate and cooking pot and food and bread and table all at the same time?” Béatrice Caseau Dogs, vultures, horses and black pudding: Unclean meats in the eyes of the Byzantines Nikos D. Kontogiannis, Stefania S. Skartsis, with contributions by Giannis Vaxevanis, Sylvie Yona Waksman Ceramic vessels and food consumption: Chalcis as a major production and distribution center in the Byzantine and Frankish periods Elli Tzavella Corinth: beyond the forum. Use of ceramics, social implications and settlement pattern (12th‑13th centuries) Joanita Vroom Eating in Aegean lands (ca 700-1500): Perspectives on pottery Iryna Teslenko The composition of church festive meals in a medieval Christian community in the southern Crimea, based on ceramics and faunal materials Zeynep Mercangöz A pottery production for whom and for what target? Thoughts on pottery finds from Kadıkalesi (Kuşadası) excavation Michel Balard L’approvisionnement des villes d’Orient par les marchands italiens (XIIIe‑XVe siècle) Vedat Onar Animals in food consumption during the Byzantine period in light of the Yenikapı metro and Marmaray excavations, Istanbul Anna Elena Reuter Food production and consumption in the Byzantine Empire in light of the archaeobotanical finds Chryssa Bourbou The biocultural model applied: Synthesizing research on Greek Byzantine diet (7th‑15th century AD) Jacques Burlot, Sylvie Yona Waksman, Beate Böhlendorf‑Arslan, Joanita Vroom Changing people, dining habits and pottery technologies: Tableware productions on the eve of the Ottoman Empire in western Anatolia Filiz Yenişehirlioğlu Ottoman period sources for the study of food and pottery (15th‑18th centuries) Trading goods, trading tastes Sally Grainger Recipe: Omelette soufflée & Sweet salad Evelina Todorova One amphora, different contents: The multiple purposes of Byzantine amphorae according to written and archaeological data Alessandra Pecci, Nicolas Garnier, Sylvie Yona Waksman Residue analysis of medieval amphorae from the Eastern Mediterranean Yana Morozova, Sylvie Yona Waksman, Sergey Zelenko Byzantine amphorae of the 10th-13th centuries from the Novy Svet shipwrecks, Crimea, the Black Sea: Preliminary typology and archaeometric studies George Koutsouflakis The transportation of amphorae, tableware and foodstuffs in the Middle and Late Byzantine period: The evidence from Aegean shipwrecks Valentina Vezzoli Food habits and tableware in Venice: The connection with the Mamluk Sultanate Concluding remarks Johannes Koder Multidisciplinary approaches to food and foodways in the medieval Eastern Mediterranean: Concluding remarks to the POMEDOR symposium </p> Lyon, 2021 MOM éditions 508 p., illustrations, broché.
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<p>This is the account of a remarkable excavation. It started with a modest dig on an unremarkable tell in Jordan. The name of the tell does not occur in the Bible, and no ancient town of any importance was to be expected under the rubble. The excavator Henk Franken had not yet made a name for himself within the archaeological community. And yet, from 1960 onwards history was being (re)written at Tell Deir Alla. To discover the secrets of the tell, the expedition team defied cold, rain and stormy winds for months on end, sleeping in rattling tents and working long days on the tell and in the camp. And with success! A meticulous yet efficient excavation method was introduced, the already tenuous relationship between Bible and archaeology was further exacerbated, and the study of excavated pottery was given a scientific basis. The name Deir Alla became an international benchmark for modern scientific research, for prompt publication of the remarkable finds and for independent interpretation of the excavation results. The story of the excavations at Tell Deir Alla in the 1960s have never been told in any detail, and the excavation results have mostly been published in scholarly books and journals which are difficult to access. This book hopes to remedy that. It recounts the story of the first ten years of the project, from 1959 when funding for the project was sought, until 1969 when the first report was published. The first section describes the organization of the project before the expedition team went out into the field. The second part takes the reader to the actual field work and describes the occupation history of the tell. The story is illustrated by numerous photographs and plans, many of which are being published for the first time.</p> Leiden, 2019 Sidestone Press 156 p., 85 ill. N/B, 30 ill. Couleur, broché. 18 x 25
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Dutton / Signet 1999 373 pages 16 8x10 9x3 1cm. 1999. Broché. 373 pages. The central feature of this Stephen Frey novel is a fascination with the Kennedy assassination and the answer that conspiracy junkies have long believed: that the United States government has been involved in covering up the existence of a second gunman ever since that fateful day in November 1963. In Frey's world while the government was not responsible for the assassination the belief that evidence of a conspiracy would have pushed the Cold War into a hot one "forced" those at the top to keep that evidence to themselves. The novel's prologue sets the stage as a struggling actress goes to Dallas and films the motorcade on a whim. Before she has even digested that she has captured one of the most memorable moments in American history her camera is ripped from her grasp by a mysterious man. The chapter that follows jumps to 1998 as New York bonds trader Cole Egan receives a phone call telling him of his estranged father's death and of a package that awaits him in a safety deposit box. The package of course contains a video of the film stolen from the actress and Cole realizes he is sitting on a gold mine: from the other side of Dealey Plaza the tape shows the firing rifle denied by the Warren Commission. Of course the U.S. government has not gone to all the trouble of keeping such information secure for over 30 years just to let some upstart indebted bonds trader make a fortune selling the truth to the highest bidder. The novel takes flight as the dashing and resourceful Cole begins his quest to receive the benefits of his legacy while competently evading the knives guns and explosives of a super secret government agency. Not only is the government (portrayed as a surprisingly well-organized structure) intent on controlling the truth so are those who might be accused of the assassination. Although Cole is initially confident about who the bad guys are the suspense builds as the line separating allies and enemies dissolves and our hero finds out quite a lot about himself his father and the lengths to which the government will go to keep its secrets. --Kimberly Crouch
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<p><strong>Jean-François Bouchard’s cinematic photography illuminates the previously underreported youth culture of contemporary Cuba, revealing a polymorphic, intimate community in which personal expression and gender diversity are vivaciously celebrated. Texts include an interview with renowned photographer and former Vice photo director Matthew Leifheit and an essay by Cuban art critic Jorge Peré.<span></span><i>The New Cubans</i><span></span>showcases a Cuba few outsiders have seen or possibly even know exists.</strong></p><p><span>Amidst the countless hardships of life in Cuba and despite the present-day migration crisis, the younger generation of Cubans is shaping a new reality defined by nonconformity, gender diversity, and resilient creative expression.</span><i><span>The New Cubans</span></i><span>is a visual journey into this lesser-known Cuba, uprooting the cliché depictions of Cuban cigars, vintage cars, all-inclusive resorts, and Cold War echoes.</span></p><p><span>Over recent years, an imperfect storm of global and local circumstances has reinvigorated Cuba’s creative and alternative subcultures like never before. Largely driven by the recent widespread Internet access and the relaxation of the embargo during the Obama administration, the younger generation has increasingly embraced global influences, while suffering from the dire economic context on the island. Due to Cuba’s strict COVID-19 lockdowns and renewed U.S. sanctions, few overseas visitors have witnessed this vibrant new reality.</span></p><p><span>But Cuba also faces the largest migration crisis in its existence. In the past few years alone, hundreds of thousands of Cubans have left the country, many of them younger people. Many of the author’s subjects have since fled the island or intend to, making his photographs vestiges of rapidly vanishing social circles and moments in Cuban history.</span></p><p><span>Comprising more than 150 intimate, revealing photographs over 256 pages, The New Cubans is augmented with profiles of the fascinating individuals who welcomed Bouchard into their world. The book also features an interview with NYC-based photographer Matthew Leifheit and an essay by Cuban-based art critic Jorge Peré. Devon Ruiz, the photographer’s close collaborator who’s a vivacious star in the nightlife and art scenes in Havana, contributes heartfelt text.</span></p><p><span>The book’s ultimate aim is to reveal the lesser-known but vibrant Cuban inclusiveness, gender-diversity openness, and the lifestyles of the younger, connected Cubans who will shape the future of the island or leave it behind in search of new possibilities.</span></p> Marseille, 2024 Andre Frère 256 p., nombreuses photographies couleur, cartonnage éditeur. 24,5 x 33,5
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