‎SUTTON Peter C. (ed.)‎
‎The age of Rubens‎

‎Art, Music and Spectacle in the Age of Rubens‎

‎, Brepols - Harvey Miller, 2013 Hardback, VIII 351 p., 203 b/w ill. 35 colour ill., CD, 210 x 280 mm Languages: English, Fine copy. ISBN 9781905375837.‎

‎This volume presents an interdisciplinary study of the triumphal entry of the Cardinal-Infante Ferdinand into Antwerp in 1635, and pays special attention to Rubens?s monumental arches and oil sketches that ornamented the entry. This volume deals with the triumphal entry of the Cardinal-Infante Ferdinand, brother of King Philip IV of Spain, into Antwerp in 1635, one of the largest and most spectacular festivals ever mounted in an early modern city. The outdoor festivities in honor of the city?s new governor included a citywide procession, performances, fireworks, music, and political speeches. Along the processional route appeared nine richly ornamented stages and arches designed by Peter Paul Rubens and executed by a group of local painters and sculptors, including Jacob Jordaens, Theodoor van Thulden, and Jan van den Hoecke. To commemorate the event, the city commissioned a lavish festival book, entitled the Pompa Introitus Ferdinandi (1641), which contains learned commentaries by Jan Gaspar Gevaerts, a city official and Latinist, as well as folio engravings by Theodoor van Thulden after Rubens's stages. More than a simple description of the event, Gevaerts? volume offers a rich compilation of references to ancient writers and reproductions of ancient coins.While most literature on the subject has focused on Rubens?s nine monumental arches and his twelve preparatory oil sketches for the designs, this volume will examine the entry and its accompanying festival book as a whole. A group of highly distinguished specialists from different disciplines will discuss the entry and Gevaerts? book from a myriad of viewpoints, including art, architecture, music, theater, history, politics, classical knowledge, and economic and intellectual networks. It is the first time that the entry will be examined from a truly interdisciplinary perspective. The book draws on a wide variety of primary sources, including Rubens?s preparatory oil sketches, Gevaerts? festival book, pamphlets describing the entry, and political songs from the period. Contributors: Jonathan Israel (Princeton), Peter Miller (Bard Graduate Center), Bart Ramakers (Groningen), Louis Grijp (Utrecht), Anne Woollett (Getty), Anna Knaap (Emmanuel College, Boston), Michael Putnam (Brown), Carmen Arnold-Biucchi (Harvard), Frank Fehrenbach (Hamburg), Caroline van Eck (Leiden), Ivan Gaskell (Bard Graduate Center) Table of Contents Introduction: Anna C. Knaap, Emmanuel College, Boston Part I: Historical Background and Intellectual Milieu 1. Rubens, Antwerp, and the Fight for Domination of the World Trade System (1572-1650)? Jonathan Israel, Institute for Advanced Study, Princeton 2. Peiresc, Rubens, and Visual Culture, c. 1620? Peter N. Miller, Bard Graduate Center, New York Part II: Music, Vernacular Theater and Performance 3. Ferdinand?s Triumph and the Vernacular Dramatic Tradition Bart Ramakers, University of Groningen 4. Music Performed in the Triumphal Entry of the Cardinal-Infante Ferdinand into Antwerp (1635)? Louis P. Grijp, Utrecht University Part III: Art and Enlivenment 5. The Unmoved Mover? Frank Fehrenbach, University of Hamburg 6. Animation and Petrifaction in Rubens?s Pompa Introitus Ferdinandi? Caroline van Eck, Leiden University Part IV: Classical Antiquity 7. Virgil and the Pompa Introitus Ferdinand ?Michael C. J. Putnam, Brown University 8. Coins and Classical Imagery in the Time of Rubens: The Stage of Welcome in the Pompa Introitus Ferdinand?Carmen Arnold-Biucchi, Harvard Art Museums Part V: Rubens?s Oil Sketches: Preparation and Display 9. The Burden of Invention: Rubens and the Stage of Welcome ?Anne T. Woollett, J. Paul Getty Museum 10. Being True to Rubens ?Ivan Gaskell, Bard Graduate Center, New York Appendix 1: Track list Audio CD performed by The Imperial Trumpets, La Caccia and Camerata TrajectinaAppendix 2: Explanation of Audio CD? Louis P. Grijp Appendix 3: Song texts of Audio CD with short introductions‎

‎The Age of Rubens‎

‎Sutton, Peter C: The Age of Rubens. Exhibition: Boston, Museum of Fine Arts, 1993. 500pp with 140 colour and 250 monochrome illustrations. Cloth. 32.4x24.1cms. Scholarly new examination of the works of Rubens,focusing on his studio, colleagues and period. With contributions by experts in the field, discussing patronage,the role of Flemish Baroque painting in the Counter Reformation in the Netherlands, and the influence of the classical and humanist traditions on the art of Rubens and his circle. With bibliography, biographies.‎

‎Scholarly new examination of the works of Rubens,focusing on his studio, colleagues and period. With contributions by experts in the field, discussing patronage,the role of Flemish Baroque painting in the Counter Reformation in the Netherlands, and the influence of the classical and humanist traditions on the art of Rubens and his circle. With bibliography, biographies. Text in English‎

‎Sutton R. The Age of Rubens. In Russian (ask us if in doubt)/Sutton R.(Satton) T‎

‎Sutton R. The Age of Rubens. In Russian (ask us if in doubt)/Sutton R.(Satton) The Age of Rubens(Vozrast Rubensa). Antwerp Mercatorfonds 1993. 630 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb09adb8b582d93ea3‎

‎Divine Interiors. Experience Churches in the Age of Rubens.‎

‎, BAI -Museum Mayer Van Den Bergh, 2016 Hardback, 280x210mm, 192p, 200 colour illustrations, English edition. With new CD GRAINDELAVOIX Antwerp World Premieres anno 1600. ISBN 9789085867265.‎

‎Expo: 17/6/2016 - 16/12/2016, Museum Mayer van den Bergh, Antwerpen. 450 years ago, anecdotes that we would now relate via social media were shared in churches, then the most important places for meeting up with others. In 2016, Museum Mayer van den Bergh is presenting for the first time a selection of church interiors that speak to us about daily life in that period. As well as being places of liturgy, churches were where people celebrated, grieved, paraded, begged, gossiped and even played. Everyday life played out within. And this can be seen in paintings on the subject made in such great quantity in Antwerp in the 16th and 17th centuries. These church interiors are not only masterpieces of perspective, but also present fascinating scenes of existing or lost churches replete with splendid indoor vistas, every corner revealing to us daily life. Museum Mayer van den Bergh is bringing together a number of these church interiors for the first time. This beautifully illustrated catalogue introduces the reader to locations that were the places to meet in the 16th and 17th centuries. ‎

‎FLEMISH DRAWINGS IN THE AGE OF RUBENS. SELECTED WORKS FROM AMERICAN COLLECTIONS,‎

‎, Massachusetts, Davis Museum and Cultural Center, Wellesley College, 1993, 1993 Bound, half cloth and cardboard, colour frontispice, 250 x 355mm., 252pp., profoundly illustrated in colour and b/w.‎

‎The exhibition was held in Wellesley, October 15- November 28, 1993 and at The Cleveland Museum of Art, January 4 - February 20, 1994. Book is in good condition.‎