Antwerpen, 1996 70pp.rijkelijk geïll, 30cm., mooie staat, publicatie n.a.v. tentoonstelling Middelheim Openluchtmuseum 8 sept.-24 nov.1996, [exhibition catalogue Middelheim (Belgium), VG]
Reference : S55784
Antiquariaat Pieter Judo (De Lezenaar)
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, Thames and Hudson, 1996 Hardcover , 351 pages, ENG, 275 x 240 x 30 mm, dustjacket, with 249 illustrations of which 160 in colour, in good condition,. ISBN 9780500237236.
The world-renowned British sculptor Tony Cragg is an intriguing combination of artist and scientist, chemist and alchemist, believer and sceptic, whose work has had an immense influence on a whole younger generation of post-formalist sculptors. Born in Liverpool in 1949, Cragg abandoned his scientific background to pursue a career as an artist, and has, over the course of some twenty-five years, evolved a prodigious oeuvre, exhibiting widely and earning international acclaim. His remarkable and extensive body of sculpture, astonishingly diverse, ranges from early works in natural elements to large-scale plastic and wood assemblages, from metal-spiked pieces to smooth, sensual bronzes. This exceptional study of Cragg's sculpture, the fullest and most comprehensive to date, provides a thorough visual survey of work dating from the early 1970s to the present day, tracing the artist's development from his formative years at the Wimbledon School of Art through his conceptual, rather than stylistic, evolution of a sculptural vernacular. Following an introductory critique from Germano Celant, there is an extensive plates section focusing on individual works, bringing out the unique shape, colour and texture of each piece. Interwoven with the photographs are reflections from the artist himself, lending insight and understanding to his methods and motivations. A full reference section, with a short biography, a list of works, an exhibition history and select bibliography, concludes the monograph.
Honnover Kestner-Gesellschaft 1985 1 vol. broché in-8 carré, broché, couverture illustrée, 89 pp., nombreuses reproductions en noir et en couleurs. Textes et légendes en allemand. Bonne condition.
Stuttgart Cantz 1998 1 vol. relié in-8, cartonnage éditeur, jaquette en couleurs, 158 pp., nombreuses reproductions en noir et en couleurs. Textes et légendes en anglais et en allemand. Bonne condition.
Stuttgart Edition Cantz 1990 1 vol. relié in-4, cartonnage éditeur, jaquette, 87 pp., nombreuses reproductions en noir et en couleurs. Texte en allemand. Bonne condition.
Valencia IVAM (Institut Valencia d'Art Modern) / Colleccio Centre del Carme 1993 1 vol. relié in-4 oblong, cartonnage éditeur avec demi-toile noire au dos, non paginé, nombreuses reproductions en noir. Texte en espagnol et en anglais. Bonne condition.