‎EVERS Hans Gerhard‎
‎Peter Paul Rubens‎

‎Peter Paul Rubens. The Drawings.‎

‎Logan, Anne-Marie and Michiel C. Plomp: Peter Paul Rubens. The Drawings. Exhibition: New York, Metropolitan Museum, 2005. 332pp with 145 colour plates and 151 monochrome illustrations. Hardback. 27x21cms. Over 100 of the finest and most representative of Rubens's drawings from private and public collections around the world are shown. Essays provide overview of Rubens's career as a draughtsman and of the dispersal of his drawings after his death. With discussion of the various functions of his drawings as preparatory studies for paintings, sculpture, architecture prints, and book illustrations. Includes his early anatomical studies and copies after antique sculpture, and drawings by other artists that Rubens retouched, restored or reworked.‎

‎Over 100 of the finest and most representative of Rubens's drawings from private and public collections around the world are shown. Essays provide overview of Rubens's career as a draughtsman and of the dispersal of his drawings after his death. With discussion of the various functions of his drawings as preparatory studies for paintings, sculpture, architecture prints, and book illustrations. Includes his early anatomical studies and copies after antique sculpture, and drawings by other artists that Rubens retouched, restored or reworked. Text in English‎

‎Peter Paul Rubens: Becoming Famous‎

‎Büttner, Nils, and Sandra-Kristin Diefenthaler: Peter Paul Rubens: Becoming Famous. Exhibition: Stuttgart, Staatsgalerie, 2021. 344 pages, fully illustrated in colour. Hardback. 31 x 25cms. Departing from the portrait of Geronima Spinola with her granddaughter, the exhibition explores the way Rubens expanded his network of patrons during his Italian period. With a catalogue of 119 works, including 13 pieces that have been newly examined, discussing the results of the technical analysis in the context of Rubens' practice. Text in German.‎

‎Departing from the portrait of Geronima Spinola with her granddaughter, the exhibition explores the way Rubens expanded his network of patrons during his Italian period. With a catalogue of 119 works, including 13 pieces that have been newly examined, discussing the results of the technical analysis in the context of Rubens' practice. Text in German‎

‎The Drawings of Peter Paul Rubens, A Critical Catalogue. Volume One (1590 - 1608). 2 volumes‎

‎Logan, Anne-Marie, and Kristin Lohse Belkin: The Drawings of Peter Paul Rubens, A Critical Catalogue. Volume One (1590 - 1608). 2 volumes. 2021. 536 pages, fully illustrated in colour. Hardback. 28 x 22cms. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens's copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019.‎

‎First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubenss copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. Text in English‎

‎Peter Paul Rubens (1577-1640). Humanist, Maler und Diplomat. Berliner Schriften zur Kunst 8‎

‎Simson, Otto von: Peter Paul Rubens (1577-1640). Humanist, Maler und Diplomat. Munich: Philipp von Zabern, 1996. Series: Berliner Schriften zur Kunst 8. 556pp with 24 colour plates and 202 monochrome illustrations. Cloth. 24x17.5cms. Drawing on the author's lifelong study of the artist, this analytical work offers an insight into the ancient mythology, allegories and religious history in Rubens' painting, considering the moral and aesthetic dimensions of his work. 20 essays cover topics such as Mars and Venus, classical themes, church commissions and his work in Italy, Spain and Antwerp. Bibliography and index. Text in German.‎

‎Drawing on the author's lifelong study of the artist, this analytical work offers an insight into the ancient mythology, allegories and religious history in Rubens' painting, considering the moral and aesthetic dimensions of his work. 20 essays cover topics such as Mars and Venus, classical themes, church commissions and his work in Italy, Spain and Antwerp. Bibliography and index. Text in German‎

‎The Oil Sketches of Peter Paul Rubens. A critical catalogue. 2 vols‎

‎Held, Julius S.: The Oil Sketches of Peter Paul Rubens. A critical catalogue. 2 vols. Princeton: Princeton University Press, 1980. for the National Gallery of Art. 2 vols. 4to. pp. 700, 54; xv, 504. 558 plates, including 24 in colour. Cloth, dust jackets. Fine. Cloth. 29.8 x 27.9cms.‎