Antwerpen, De Eik, s.d. ( 1944), in-8°, 21 x 15 cm, 51 pp met originele portret gravure ( droge naald ets) van Karel van de Woestijne door Jules van Ael. Gebrocheerd, originele omslag..
Reference : 54559
Antiquariaat Wim de Goeij
M. Wim de Goeij
Max Temmermanlaan 15 - Postbox 39
2920 Kalmthout
Belgium
0032 496 381 439
according the rules of I.L.A.B. suivant les règles du CLAM
1998 Luca Verlag Soft cover
Langue: français. Pieter Brueghel le Jeune (1564-1637/8) - Jan Breughel l'Ancien (1568-1625) : Une famille de peintres flamands vers 1600, exposition, Koninklijk Museum des Beaux-Arts, Anvers, 3 mai - 26 juillet 1998, couverture souple, 280 x 245 mm, 437 pp, état supérieur.
Connaissance des Arts. 2013. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 32 pages - nombreuses reproductions en couleurs et en noir et blanc dans et hors texte. Texte sur plusieurs colonnes.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
Sommaire : La dynastie Brueghel à la Pinacothèque de Paris - Aux origines, Pieter Brueghel l'ancien - Au nom du père, Pieter Brueghel le jeune - Le paradis selon Jan Brueghel l'ancien - Une entreprise florissante, Jan Brueghel le jeune - Les héritiers - Repères chronologiques - Guide pratique. Classification Dewey : 70.49-Presse illustrée, magazines, revues
, Brepols, 2012 Paperback, 3 volume set in cardboard box, 1061 pp., 230 x 290 mm, Languages: English, As new (signed and dedication by both authors on first page) ISBN 9782930054148.
The fascination exerted by the works of the illustrious Pieter Bruegel the Elder in the decades following his death in 1569 is matched only by the intense interest they generate today. At the end of the sixteenth century and in the first half of the seventeenth, the most ambitious art collectors fought over the few paintings by the master that were still on the market. This setting was the catalyst for the appearance of copies and pastiches ? and even deliberate forgeries. It was then that the elder son of Pieter Bruegel, known as Pieter Brueghel the Younger (whose name is spelled ?Brueghel? here, conforming to the signature that he adopted during the initial phase of his career) emerged as a legitimate successor, producing astonishingly faithful replicas of his father?s paintings. This was all the more surprising given that they were often made after works that were by then dispersed in diverse and sometimes inaccessible private collections. Operating within the context of a sizeable workshop, Brueghel supplied the market with hundreds of copies of variable quality according to demand. This enterprise merited re-evaluation from a technical point of view: how were such vast numbers of copies produced in practice? This three-volume book explores the intriguing Brueg[H]el phenomenon through the two artists? painting practices. The technical aspects of their works are investigated in a detective-like manner and are strikingly elucidated with a wealth of colour illustrations. The reader will come to understand the accomplished practitioner behind the genius that is Bruegel the Elder and the working procedures of his foremost emulator?s workshop. Furthermore, Brueghel the Younger?s exceptional qualities as a painter are singled out from those of his workshop production. The book also reveals fresh discoveries on the father?s creative process through the study of his son?s copies.
ÉDITIONS HYPERION 1939 in4. 1939. Cartonné jaquette. Monographie consacrée au peintre flamand Pieter Brueghel l'Ancien rédigée par Gustav Gluck et publiée par les éditions Hyperion en 1936-1937. L'ouvrage en français comprend 35 pages et 63 planches en couleurs et en noir et blanc et témoigne de l'intérêt durable pour l'œuvre de Brueghel
jaquette très abîmée dos défait par endroit (pages séparées) quelques rousseurs éparses
, Antwerp, Museum Mayer van den Bergh, 1993., Paperback, originale wrappers illusttrated in color, oblong, 24x17cm, 55pp, illustrated in color and b/w. TEXT ENG.
THE TRIUMPH OF DEATH. PIETER BRUEGHEL THE YOUNGER.