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JAFFÉ David ( editor) - Charles Hope - Jennifer Fletcher - Jill Dunkerton - Miguel Falomir ( contributors) - :
Titian.
.: 2. London, National Gallery (and Yale U.P.), 2003, in-4°, 192 pp, colour ills., sewn, orig. stiff wrapper. Published to accompany an exhibition in the National Gallery in London.
Reference : 38281
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5 book(s) with the same title
Titian's Poetics. Selected Essays by David Rosand
, Brepols - Harvey Miller, 2024 Hardback, 448 pages, Size:225 x 300 mm, Illustrations:27 b/w, 273 col., Language: English. ISBN 9781915487360.
Summary The present volume offers an extensive compendium of the late Professor David Rosand's writings on Titian through a collection of essays published between 1971 and 2014. Throughout his illustrious career at Columbia University, Rosand indefatigably investigated the Venetian artist's pictorial intelligence, and much as the continuous conversation of an enduring friendship creates ever new levels of intimacy and understanding, this lifelong engagement resulted in some of the most convincing interpretations of Titian's artworks penned to date. While his scholarship has been extremely influential on Titian studies, Rosand's most significant texts on the artist are chapters in books with a broader subject or papers disseminated in journals and collective volumes. Through a careful selection of essays, curated around Rosand's primary concerns with "Titian the painter and on the affective structures of his art, his technique and mimetic power, on its poetry," this book reconstitutes the many facets of his vision of the artist. The reader is invited to enjoy this volume both as a means to gain deeper insight into the art of Renaissance Venice, and also the shifting priorities in the field of art history in the second half of the twentieth century, which Rosand himself did much to mold. His ground-breaking interrogation of the relationship between making and meaning in Titian's art remains remarkably fresh and will doubtless continue to offer prompts to future generations of scholars. At the same time, his lively and inimitable style means his essays will engage any individual curious about art, its creation, and its connection to literature and society. TABLE OF CONTENTS Introduction David Rosand on Titian: The Art Historian's Mark (Diane H. Bodart and Cleo Nisse) Titian and the Critical Tradition (1982) 1. Titian in situ Titian in the Frari (1972) Titian. The Assunta (1988) Titian's Presentation of the Virgin in the Temple and the Scuola della Carit (1997) 2. Ut pictor poeta Ut pictor poeta: Meaning in Titian's Poesie (1972) Inventing Mythologies: The Painter's Poetry (2004) Pastoral Topoi: On the Construction of Meaning in Landscape (1992) Pietro pictore Aretino (2010) 3. Venus in question Ermeneutica amorosa: Observations on the Interpretation of Titian's Venuses (1980) So-And-So Reclining on Her Couch (1993) The Passion of Adonis (2014) 4. Titian's touch Titian and the Woodcut (1976) The Stroke of the Brush (1988) ?La Mano di Tiziano? (1999) Titian's Saint Sebastians (1994) 5. Old age ?Most musical of Mourners, weep again!?: Titian's Triumph of Marsyas (2010) The Challenge of Titian's ?Senile Sublime? (1990)
Titian: Materiality, Likeness, Istoria,
Turnhout, Brepols, 2007 Paperback, VIII 161 p., 150 b/w ill. 27 colour ill., 210 x 297 mm. ISBN 9782503518398.
Materiality / Facture Jodi Cranston, Theorizing Materiality: Titian's Flaying of Marsyas; Daniela Bohde, Corporeality and Materiality: Light, Colour and the Body in Titian's San Salvatore Annunciation and Naples Danae; Miguel Falomir, Titian's Tityus; Paul Joannides, Titian's Repetitions Likeness Joanna Woods-Marsden, The Mistress as 'Virtuous': Titian's Portrait of Laura Dianti; Jaynie Anderson, Titian's Franciscan Friar in Melbourne: A Portrait of the Confessor to Aretino and Titian? Istoria Luba Freedman, The Vainly Imploring Goddess in Titian's Venus and Adonis; Patricia Meilman, Historical Tradition and Political Strategy: Titian's Battle Painting. New book.
[Tiziano Vecellio called Titian] - Joannides, Paul
Reference : 073883
(2001)
ISBN : 0300087217
Titian to 1518. The Assumption of Genius
Joannides, Paul: Titian to 1518. The Assumption of Genius. London: 2001. 342pp with 60 colour plates, 90 colour and 142 monochrome illustrations. Hardback. 29x25cms. Focused study of Titian's early period, assessing questions of attribution, chronology and iconography. Titian's relationship to the Bellinis, the confusions between his work and that of Sebastiano del Piombo and Giorgione are the subject of more in-depth studies.
Focused study of Titian's early period, assessing questions of attribution, chronology and iconography. Titian's relationship to the Bellinis, the confusions between his work and that of Sebastiano del Piombo and Giorgione are the subject of more in-depth studies. Text in English
From Titian to Rubens : Masterpieces from Antwerp and other Flemish Collections
, Snoek Publishers / Exhibitions International, 2020 Hardcover, 240 pages, ENG, 265 x 215 mm, New condition, illustrations in sharp colours and b/w. ISBN 9789461615640.
From 5th September until 1st March 2020 the Fondazione Musei Civici di Venezia, in conjunction with the City of Antwerp, VisitFlanders and the Flemish Community, presents From Titian to Rubens. Masterpieces from Antwerp and other Flemish Collections, an exhibition curated by Ben Van Beneden, director of Rubenshuis in Antwerp. The magnificent Doge?s apartments will be transformed into veritable ?constkamers?, rooms filled with exquisite art demonstrating the riches of Flemish collections. Featuring masterpieces by artists including Titian, Peter Paul Rubens, Anthony van Dyck and Michiel Sweerts, the exhibition offers a dazzling array of works, and the finest group of Italian and Flemish art to come to Italy. Three icons of Venetian painting return to their hometown of Venice: Titian?s Jacopo Pesaro presenting Saint Peter to Pope Alexander VI, the altarpiece of the former San Geminiano church, covered by the press worldwide as David Bowie?s Tintoretto?, and Titian?s Portrait of a Lady and her Daughter (thought to be a depiction of Titian?s mistress Milia and their daughter Emilia). These masterpieces from Flemish collections, both public and private, are rarely lent and some have never, until now, been shown in public. From Titian to Rubens is a once-in-a-lifetime opportunity. A special section of the exhibition will be devoted to Flemish star composer Adriaan Willaert who settled permanently in ?la Serenissima? to become Maestro di Cappella of the Basilica di San Marco in 1527. It was Willaert who founded the celebrated Venetian School of music that was to instruct, among others, Giovanni Gabrieli and Claudio Monteverdi.
Sublime Truth and the Senses: Titian's Poesie for King Philip II of Spain
, Brepols - Harvey Miller, 2019 Hardback, iv + 232 pages, Size:220 x 280 mm, Illustrations:71 b/w, 77 col., Languages: English, Italian, Latin. ISBN 9781909400276.
Summary The paintings for Philip II, known as the Poesie, are among the most frequently discussed works of art that address a favored Renaissance theme, the influence of the pagan gods on human actions. The commission is traceable to 1549, when Emperor Charles V summoned the artist to Augsburg following Prince Philip's triumphal parade through the empire as his father's heir apparent. The cycle that took shape comprises Danae and Venus and Adonis (Madrid, Prado); Diana and Actaeon and Diana and Callisto (Edinburgh, National Gallery of Scotland); Perseus and Andromeda (London, Wallace Collection) and Europa (Boston, Isabella Stewart Gardner Museum). These masterpieces of the artist's mature period can be considered the most important Renaissance grouping of mythological paintings executed by a single artist. The author proposes that Philip's expected elevation prompted the commission and that the subjects form a cohesive program of Hapsburg ethical views and political concerns, and that Titian created new visual idioms to represent the complex issues which the subjects address in part by engaging themes with a significant prior history in family patronage. While Titian's Poesie for Philip II are well known monuments of western culture, they have never before been investigated with this focus. The dispersal of the pictures' in the seventeenth century resulted in a scholarly focus on the single pictures and a concentration on their sensual aspects. In Aretino, a Venetian dialogue on painting, Titian's friend and apologist Lodovico Dolce is a spokesman for art that following poetry, entices through beauty, while hiding important truths beneath the veil of allegory. This study analyzes the ways in which Titian incorporates new concepts of sensuality and spirituality in a Venetian vernacular to create masterpieces whose originality and ravishing beauty belie their didactic content.
