" Antverpiae, (Antwerpen), Ex Architypographia Plantiniana , 1765, in-folio, 36 x 22.5 cm, title with engraved vignette + (64) nn pp + 624 pp + ccxxviii pp + (4)(index) + 8 pp + (10)(several blank) + with 7 full page copper engraved plates, with large wood engraved printer's mark at the end, entirely printed in red and black, with numerous woodcut ornamental initials. Bound at the end; Missa propriae Sanctorum et Aliarum festivitatum ordinis Carmelitarum, pro Fratibus Discalceatis...., s.l.s.d. (approbatio 1605) . Binding; contemporary full red morocco, both sides with identical gilt tooling consisting of a twofold triple fillet with flower ornaments at the corners of the inner fillets, fine raised gilt spine with green leather title label, all edges gilt, marbled endpapers. The binding in the very best French red morocco leather is very well preserved with only tiny traces of use and discoloring."
Reference : 31854
Antiquariaat Wim de Goeij
M. Wim de Goeij
Max Temmermanlaan 15 - Postbox 39
2920 Kalmthout
Belgium
0032 496 381 439
according the rules of I.L.A.B. suivant les règles du CLAM
" Antverpiae, (Antwerpen), Ex Officina Plantiniana Balthasaris Moreti, 1650, in-folio, 34,5 x 23 cm, title with engraved vignette + (65) + 648 + cxvii + (4) + (2) + (2) with 10 full page copper engraved plates (C.Galle) and 10 half-titles with large engraved border, with large wood engraved printer's mark at the end, entirely printed in red and black, with numerous woodcut ornamental initials. Bound at the end; Missa propriae Sanctorum Hispanorum, B.Moretus, 1634, 8 + 28 + (4) pp ; Missae Novae in Missali Romano, Ulyssipone Occidentali (Lisboa) , typis Emmanuelis Fernandes a Costa, 1739, in-4°, 24 x 16 cm, 43 pp (copy with extra margins fitted on) ; 3 + (2) + 3 + 3 pp (miscellaneous missel addenda). Margins of pp 279-290 repaired, pp.285/6 replaced with leaf of another (in-4°) edition, endpapers not original. Binding; contemporary red morocco, both sides with identical gilt tooling consisting of a large rectangular centrepiece filled with a circular design which is repeated in the corners in a fan-like form. Border with intricate roll-stamp design and a fan-pattern in the corners. Border and centrepiece connected with a tassel pattern, edges gilt & ciselled, with two copper clasps mounted on leather. Some old restaurations, margin of frontcover and some parts of the canon text with thumb-marking, margins of 6 leaves (pp. 279-292 ) rather clumsily restored, but still a fine/good binding probably of Portuguese origin in view of the Lisbon additions."