‎LURCAT André :‎
‎Architecture.‎

‎Traité des cinq ordres d'architecture‎

‎Angers, Presses Historiques et Littéraires, 1987. 2180 g Grand in-folio, demi vélin à la bradel de l'éditeur, iii-87 pp., [1] f.. Illustré d'un frontispice, de quelques figures et de 75 planches, le tout compris dans la pagination. Réimpression de l'édition due à Pierre Pansseron qui avait été imprimée par Mondhare avec les planches par Vanmaelle dans la seconde moitié du XVIIIe siècle. Préface de Géraldine Georget. Ouvrage tiré à 750 exemplaires numérotés, signés par l'éditeur et par un huissier attestant du tirage limité de l'ouvrage. . (Catégories : Architecture, )‎

‎Architecture du vingtième siècle en dessins. Utopie et réalité‎

‎Paris, Philippe Sers Editeur, 1982. 1120 g In-4, reliure éditeur sous jaquette illustrée, 195 pp., illustré de 153 illustrations en noir et de 15 en couleurs.. . (Catégories : Architecture, Dessin, )‎

‎Le propriétaire architecte, contenant des modèles de maisons de ville et de campagne, de fermes, orangeries, portes, puits, fontaines, etc., etc.; ainsi qu'un Traité d'architecture et de construction renfermant le résumé des nouvelles découvertes relatives aux constructions. Ouvrage utile aux architectes, aux ingénieurs, aux entrepreneurs, et principalement aux personnes qui veulent diriger elles-mêmes leurs ouvriers‎

‎Liège, De Avanzo et compagnie, éditeurs, 1838. 1590 g In-4, demi veau bleu à petits coins, décors aux coiffes et sur les nerfs, [2] ff., 74 pp.; [2] ff., xii-256-[xiii à]xvi pp.. 100 planches hors-texte par Hibon. Réédition à l'adresse de Liège de celle parue à Paris en 1827. Ancienne étiquette au bas du dos. Frottements, coins usés, rousseurs et quelques salisssures. . (Catégories : Architecture, )‎

‎Interpreting Architecture, Selected Writings on Architectural History‎

‎, brepols, 2026 Paperback, Pages: 421 pages, Size:216 x 280 mm, Illustrations:65 b/w, 102 col. Language :English, NEW. ISBN 9782503610368.‎

‎ Summary In the broad field of architectural history, many different approaches are possible. The collection of articles in this book covers a variety of themes, with the meanings of architecture as a central theme in most contributions. The articles are grouped into four main themes: Interpreting Architecture, Design and Construction, Spolia and Historiography. The ways in which attention can shift in architectural history are nicely highlighted in this volume. For instance, the ability to interpret architecture in its variety of meanings is not in doubt today, but was a real point of contention in the second half of the 20th century. Apart from as an enclosure of space, architecture in the past could carry diverse meanings, expressed, for instance, through a specific choice of architectural concepts, or through the use of spolia. The different ways in which medieval architecture in particular could be interpreted are the focus of several articles. Thereby, the application of spolia occupies a special place in both meaning-making and interpretation of architecture. The Historiography section analyses various changes in the way medieval architecture was and is studied. TABLE OF CONTENTS Foreword Introduction, by Petra Brouwer and Gabri van Tussenbroek Interpreting Architecture The Sensus Allegoricus of Medieval Buildings, or: Architectural Iconology in Historical Perspective The Past as a Determining Factor in the Architectural Concepts of Li ge Cathedral (Eleventh and Twelfth Centuries) Architecture and Quotation. The Historicity of Buildings from the Past S. Giovanni in Laterano and Medieval Architecture. The Significance of Architectural Quotations The Choir Ambulatory. On the History and Reception of a Type of Ground Plan in Medieval and Post-Medieval Times Design and Construction The Dilemma of Pope Julius II. How to Preserve the Old St Peter?s While Building a New St Peter?s Proportion and Building Material or Theory versus Practice in the Determination of the Module Designing the Villa Pliniana at Lago di Como. Pellegrino Tibaldi and Political Iconography under Habsburg Rule Spolia Spolia in the Fourth-Century Basilica Spolia and Coloured Marble in Sepulchral Monuments in Rome, Florence and Bosco Marengo. Designs by Dosio and Vasari Spolia from Rome?s Past as a Contribution to Roman or Romanesque Architecture The Significance of Tradition. About the Spolia in the Choir Area of Magdeburg Cathedral The Veneration of Spolia. The Madonna della Colonna in St Peter?s in Rome Dutch Colonial Architecture Stabroek in Demerara: The Emergence of the City Plan of Georgetown (Guyana) in the Eighteenth Century From Amsterdam to Berbice. Colonial Administration Buildings as a New Design Task for Abraham van der Hart Government Buildings in the Dutch Colonies (Seventeenth and Eighteenth Centuries) Historiography Dutch Architectural Historians and International Contacts until around 1960 The History of Architectural History in the Netherlands. Medieval Architecture M. D. Ozinga?s Inaugural Lecture (1948). The Origins of Gothic Architecture and the Problem of Period Styles The Invention of Gothic. Abbot Suger since Erwin Panofsky There is no Such Thing as Gothic. The Concept of ?Renewal? as an Art Historical Problem Bibliography of Lex Bosman‎

‎Challenge for Painted Architecture in Early Modern Times Architecture on Canvas and Fresco Painting‎

‎, Brepols - Harvey Miller, 2024 Pages: iv + 483 pages, Size:180 x 265 mm, Illustrations:20 b/w, 238 col. Language(s):English, French, Italian. *new. ISBN 9782503608525.‎

‎If specialists of painting look at figures - their movements and expressions -, architectural scholars examine drawings and buildings. Yet the convergence of these two disciplines remains largely marginalized. The aims of the publication is to remedy this situation, covering a wide range from painted fa ades and interiors of buildings to representations of architecture on paintings and frescoes. The theme contributes to the breaking down of boundaries between imagination and realization in the field of architecture and favors a more profound understanding of the permeability of the two spheres. Many different approaches are addressed in this publication, including examples from the sixteenth century in Italy and The Netherlands and the early eighteenth-century in France and Britain. The contributions in this publication are arranged according to four main themes. The first one focuses on The Temple of Solomon and the Old Testament, a favorite subject of the genre Architecturae Pictae. The second theme brings together several contributions which reflect on the significance that can be ascribed to architecture in paintings, some of which investigate the theoretical concepts that inform both architecture and painting. In the third theme, a number of case studies in Italy, the Low Countries, France and Britain, the contributions are much different from one other both in terms of content and methodology. As a final theme, a special topic is addressed, focusing on the important patrons of these buildings and liked to see themselves immortalized in painted architecture. TABLE OF CONTENTS Introduction Part I: The Temple of Solomon and the Old Testament Pedro A. Galera Andreu and Felipe Serrano Estrella, From the Temple of Solomon to Celestial Jerusalem: Symbolic Architecture in Spanish Baroque Painting Francesco Guidi, Notes on Pellegrino Tibaldi, El Escorial, and the Temple of Jerusalem Luis Rueda Galan, The Paradox of Villalpando?s Temple of Solomon in Northern European Painting Eckhard Leuschner, Architecture in Pictures with Old Testament Subject Matter in Seicento Rome and Naples Part II: On Meaning in Painted Architecture and Architectural Theory Sabine Frommel, L?architecture peinte dans des sc nes bibliques et des r cits antiques au XVIIe si cle. Mutations des langages et des valeurs s mantiques Mathieu Lett, Charles Le Brun et la repr sentation peinte de l?architecture. Utilit , convenance et ambitions savantes Francisco Ollero, Painted Architectures, Paintings in Architecture. The Perspectives of Francisco Guti rrez Cabello (1616-c.1670) Part III: Architectural Representations in Paintings during the Sixteenth and Seventeenth Centuries in Europe: Case Studies Giuseppe Bonaccorso, Architettura picta e architettura di carta. Enigmatiche convergenze nel progetto di Carlo Fontana per una chiesa nel Colosseo Sonia Cavicchioli, L?architettura come soggetto nell?invenzione pittorica del Domenichino Lauro Magnani, Architetture dipinte e rinnovamento urbano a Genova nel secondo Cinquecento Annarosa Cerutti Fusco, Finte architetture nell'opera pittorica di Pietro da Cortona a Roma nel Pontificato di Urbano VIII Barberini. Temi e interpretazioni Piet Lombaerde, Painted Architecture in the Age of Rubens: The Case of the Southern Low Countries in the Late Sixteenth and Seventeenth Centuries Bernard M. Vermet, On the Relations between Bertholomeus van Bassen and Dirck van Delen and the Role of Their Personal Contacts Rapha l Tassin, L?architecture dans l??uvre de Claude Gell e le Lorrain. R alit recompos e ou recherche d?id al? Lydia Hamlett, Painted Architecture in the British Baroque Part IV: Architectural Representations in Paintings for the Courts of Popes, Cardinals, and Kings Neela Struck, Picturing Projects: The Painterly Staging of Roman Buildings under Pope Paul V Arnold Witte, Mediating Architectural Prestige: Cardinals? Portraits, 1570-1650 Daniela del Pesco, L?architettura dipinta durante il regno di Luigi XIV Bibliography Index‎