‎LURCAT André :‎
‎Architecture.‎

‎L'Architecture Normande en Europe Identités et Echanges du XIe Siècle à nos Jours,‎

‎ Marseille, Editions Parenthèses, 2000, 1 Volume broché, grand format, 320 x 240 mm; 222; Abondante Iconographie, Photographies, Plans, Cartes et Dessins,Exemplaire à l'état de neuf.‎

‎Sommaire,L'Architecture Normande au Moyen Age, Origines et Développement, Le Rayonnement Outre-Manche et en Méditerranée, L' Ere des Renouveaux, La Parenthèse de la Renaissance, Les Prémices d'un Identité Normande, La Redécouverte Britannique du Normand, Un Nouveau Regard sur le Patrimoine Anglo-Français, Les Renouveaux de la Villégiature et la Perspective Régionaliste. ‎

‎Histoire de l'architecture‎

‎Histoire de l'architecture, par Jean-Charles Moreux – Architecte en chef des Bâtiments civils et Palais nationaux. Petit in-8° 128 pp broché, n°18 de la collection «Que sais-je ?», éditions des Presses universitaires de France, Paris 1973. Onzième édition revue et complétée par André Chastel, Professeur au Collège de France (1re édition : 3e trimestre 1941). Imprimé en 1973 à Vendôme (64e mille). Très bon état (4/5).‎

‎Dans la Table des matières : après l'Introduction, l'architecture préhistorique ; l'architecture en Egypte ; l'architecture en Chaldéen et en Assyrie ; l'architecture en Perse ; l'architecture dans l'Inde ; l'architecture en Chine et au Japon ; l'architecture en Amérique ; les architectures préhelléniques ; l'architecture grecque ; l'architecture romaine ; l'architecture chrétienne du bas-Empire ; l'architecture musulmane ; l'architecture romane ; l'architecture gothique ; l'architecture de la Renaissance en Italie ; l'architecture de la Renaissance en France et à l'étranger ; l'architecture aux XVIIe et XVIIIe siècles et au début du XIXe siècle ; le XVIIe, le XVIIIe et le XIXe siècles à l'étranger ; l'architecture depuis 1850 en France ; l'architecture dans le monde au XXe siècle, par André Chastel‎

‎Religious Architecture of Islam. Volume I: Asia and Australia‎

‎, Brepols, 2021 Hardback, 488 pages, Size:220 x 280 mm, Illustrations:300 col., Language: English. ISBN 9782503589350.‎

‎Summary The Religious Architecture of Islam is a wide-ranging multi-author study of the architectural traditions associated with the religion of Islam across the globe. A total of 59 essays by 48 authors are presented across two volumes, Volume 1: Asia and Australia and Volume 2: Africa, Europe, and the Americas. Essays address major themes across historical and contemporary periods of Islam and provide more focused studies of developments unique to specific regions and historical periods. The essays cover Islamic religious architecture broadly defined, including mosques, madrasas, saints' shrines, and funerary architecture. The Religious Architecture of Islam both provides an introduction to the history of Islamic architecture and reflects the most recent scholarship within the field. TABLE OF CONTENTS Hasan-Uddin Khan and Kathryn Blair Moore - Introduction Background Themes Heba Mostafa - Locating the Sacred in Early Islamic Architecture Nezar AlSayyad and ?pek Türeli - The Mosque in the Urban Context D. Fairchild Ruggles - Gardens as Places of Piety and Faith Imdat As - Complex Patterns and Three-Dimensional Geometry in Islamic Religious Architecture Matthew Saba and Michael A. Toler - Archives and Archival Documents in the Study of Islamic Religious Architecture West and Central Asia Abeer Hussam Eddin Allahham - The Holy Mosque of Mecca Akel Ismail Kahera - The Mosque of the Prophet at Medina Kathryn Blair Moore - The Dome of the Rock through the Centuries Mattia Guidetti - The Great Mosque of Damascus through the Medieval Period Mattia Guidetti - Early Islam and Byzantine Churches Melanie Michailidis - Early Mosques in Iran and Central Asia Matthew Saba - Funerary Architecture in Iraq under the Abbasids and their Successors, 750-1250 Megan Boomer and Robert Ousterhout - Muslims, Byzantines, and Western Christians on the Haram al-Sharif Stephennie Mulder - Mosques under the Ayyubids Stephennie Mulder - Shrines in the Central Islamic Lands Melanie Michailidis - Shrines and Mausolea in Iran and Central Asia Sheila Blair - The Ilkhanids and their Successors Bernard O'Kane - Religious Architecture of Central Asia under the Timurids and their Successors Farshid Emami - Religious Architecture of Safavid Iran Oya Pancaro?lu - Islamic Architecture in Medieval Anatolia, 1150-1450 Zeynep Yürekli - Three Sufi Shrines under the Ottomans Ali Uzay Peker - Seljuk and Ottoman Mosques Imdat As - Kocatepe: The Unbuilt State Mosque of Turkey James Steele - Regionalist Expressions of the Mosque in the Arabian Peninsula and Middle East South and East Asia Alka Patel - The Sultanates in South Asia, 700-1690 Laura E. Parodi - Mughal Religious Architecture Kamil Khan Mumtaz - Badshahi Masjid, Lahore Kamil Khan Mumtaz - The Architecture of Sufi Shrines in Pakistan Imran bin Tajudeen - Pre-Islamic and Vernacular Elements in the Southeast Asian Mosques of Nusantara Nancy S. Steinhardt - The Mosque in China Hasan-Uddin Khan - The Great Mosque of Xi'an (Qing Zhen Si) Australia Tammy Gaber - New Australian Mosques‎

‎Travaux de Littérature.-Volume XII-1999. Architectes et architecture dans la littérature françaises. ‎

‎Boulogne, A.D.I.R.E.L., 1999 ; in-8, (161 x 240 mm), 464 pp., broché. Colloque international organisé par l'ADIREL, en Sorbonne, les 23-25 octobre 1997. Actes publiés par Madeleine BERTAUD. Sommaire: I. LE CRAYON ET LA PLUME : Yves PAUWELS : Philibert De L'Orme rabelaisien ? ; Frédérique LEMERLE : Une querelle des Anciens et des Modernes en architecture : Fréart de Chambray ; François BESSIRE : Voltaire architecte ; Pierre NAUDIN : L'architecte et le romancier au siècle de Le Camus de Mézières et de Vivant Denon ; Olivier BONNEROT : Le crayon et la plume : les pyramides de Vivant Denon ; Françoise BERCÉ : Mérimée et les architectes des monuments historiques ; Luc FRAISSE : Viollet-le-Duc et le livre de pierre ; Giuliano GRESLERI : Voyage et découverte, description et transcription : note sur Le Corbusier. – II. DISCOURS « DE L'ARCHITECTURE » : Richard CRESCENZO : Blaise de Vigenère et l'architecture : textes anciens et monuments modernes ; Roger MARCHAL : Pyramides et pagodes. Un mythe des Lumières : la Chine colonie égyptienne ; Laurent VERSINI : Diderot et l'architecture ; José Manuel LOSADA GOYA : Hugo, ou les paradoxes de l'architecture : du livre de pierre au livre de papier ; Monique PARENT : Paul Valéry et l'architecture : les paradoxes d'Eupalinos ; Gilles ERNST : Georges Bataille, ou les « cabanes dans le désert » ; Pierre BRUNEL : Architectures en dialogue : la gageure de Michel Butor. – III. ARCHITECTURES RÊVÉES : Alain LABBÉ : L'architecture du désastre dans Anseÿs de Mes ; Michel STANESCO : Une architecture féerique : le palais aux cent / mille fenêtres ; James DAUPHINÉ : L'architecture des origines dans Les Hymnes de Ronsard ; Gilbert SCHRENCK : Le Temple de Salomon dans La Magnificence de Du Bartas : le chant de la pierre ; Marie-Madeleine FONTAINE : L'architecture imaginaire dans le roman de Barthélemy Aneau, Alector (1560) ; Noémi HEPP : L'architecture dans quelques grands romans du premier XVIIe siècle ; Annarosa POLI : L'architecture réelle et romanesque des villas de Frascati dans La Daniella de George Sand ; Philippe HAMON : Littérature et architecture : divisions et distinctions : Quelques généralités ; Wieslaw M. MALINOWSKI : Les châteaux de Maeterlinck. – IV. UT PICTURA POESIS : Jean BALSAMO : « Dire le Paradis d’Anet ». Les poètes de la génération de 1550 et l’architecture ; Marie-Odile SWEETSER : Les pierres et les mots : Du Bellay, Malherbe, Saint-Amant ; Jean-Pierre COLLINET : La Fontaine et ses châteaux ; Francis CLAUDON et Andrée MANSAU : Stendhal et l’architecture : de Rome à Toulouse ; Dominique MILLET-GÉRARD : Architectures suarésiennes : l’Italie comme art poétique dans Voyage du Condottiere ; Alain LANAVÈRE : Architectures religieuses dans le roman catholique du XXe siècle ; Michel LIOURE : Paul Claudel et l’architecture ; Madeleine BERTAUD : Conclusions. Quelques illustrations en noir et blanc.‎

‎Painting Architecture in Early Renaissance Italy. Innovation and Persuasion at the Intersection of Artistic and Architectural Practice‎

‎, Brepols - Harvey Miller, 2024 Hardback, approx. 220 pages, Size:220 x 280 mm, Illustrations:3 b/w, 138 col., Language: English. ISBN 9781915487032.‎

‎Summary Why did artists include prominent architectural settings in their narrative paintings? Why did they labour over specific, highly innovative structural solutions? Why did they endeavour to design original ornamental motifs which brought together sculptural, painterly and architectural approaches, as well as showcasing their understanding of materiality? Painting Architecture in Early Renaissance Italy addresses these questions in order to shed light on the early exchanges between artistic and architectural practice in Italy, arguing that architecture in painting provided a unique platform for architectural experimentation. Rather than interpreting architectural settings as purely spatial devices and as lesser counterparts of their built cognates, this book emphasises their intrinsic value as designs as well as communicative tools, contending that the architectural imagination of artists was instrumental in redefining the status of architectural forms as a kind of cultural currency. Exploring the nexus between innovation and persuasion, Livia Lupi highlights an early form of little-discussed paragone between painting and architecture which relied on a shared understanding of architectural invention as a symbol of prestige. This approach offers a precious insight into how architectural forms were perceived and deployed, be they two or three-dimensional, at the same time clarifying the intersection of architecture and the figural arts in the work of later, influential figures like Giuliano da Sangallo, Raphael, Michelangelo and Baldassarre Peruzzi, whose work would not have been possible without the architectural experimentation of early fifteenth-century artists. TABLE OF CONTENTS INTRODUCTION The Architectural Imagination of Artists Pictorial Space and Architecture in Painting Visual Rhetoric The Case Studies All'antica Innovation and Paragone 1 A NEW ARCHITECTURAL CONSCIOUSNESS MASOLINO DA PANICALE AT CASTIGLIONE OLONA Masolino and Architecture Architecture as Cultural Currency Architecture, Nature and Encomiastic Ekphrasis 2 PERFORMING MAGNIFICENCE THE PELLEGRINAIO AT SANTA MARIA DELLA SCALA IN SIENA Ornament and Structure Architectural Portrait and Ex Novo Reinvention Building the Community The Pellegrinaio as a Stage 3 BUILDING LEGITIMACY FRA ANGELICO'S NICHOLAS V CHAPEL IN THE VATICAN PALACE Fra Angelico and Architecture Crafting Time and Place through Architecture Dignity and Authority Roman Echoes CONCLUSION Craftsmanship and Patronage Innovation and Self-promotion Disegno and Paragone Architectural Forms as Persuasion Appendix‎