2007 Phaidon Press Limited Soft cover
Reference : 026146
ISBN : 9780714897042
Couverture souple, 29 x 25 cm, 260 pp., français, illustrations, état du livre: Comme neuf. Ulrich Loock, commissaire de l'exposition consacrée à l'artiste à la Kunsthalle de Berne en 1992 et auteur de textes de référence sur l'art européen contemporain, se fonde sur les différentes expositions de Luc Tuymans pour dégager les thèmes essentiels de son uvre. Juan Vicente Aliaga, critique à frieze et Artforum, met en lumière les sources et les motivations de l'artiste dans un entretien avec celui-ci, tandis que la conservatrice et critique Nancy Spector, dont les écrits ont paru dans Artforum et Parkett, explore les possibilités narratives du tableau Pillows (1994). Luc Tuymans a choisi Tchevengour(1928), un conte russe primitiviste et magique d'Andreï Platonov, et présente de manière fascinante son travail dans un essai, Disenchantment (1991). Le critique bernois Hans Rudolf Reust présente une analyse rétrospective de l'uvre de Tuymans de 1996 à 2003, comprenant notamment l'important cycle " Mwana Kitoko", un regard critique posé sur le passé colonial de la Belgique.
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, David Zwirner , 2020 hardcover, dusjacket, 241 x 171 mm, 76 pages, 30 colour illustrations, English edition. ISBN 9781644230336.
Widely credited with having contributed to the revival of painting in the 1990s, Belgian painter Luc Tuymans continues to expand our understanding of the medium. Sourcing imagery from books, magazines, films, the internet, and increasingly his own iPhone photos, Tuymans's unique selection of subject matter reveals his fascination with moral complexities. Exploring diverse and sensitive topics, many of which include historic references from World War II to more contemporary events such as 9/11, Tuymans presents imagery that at first seems innocuous or approachable but upon deeper inspection can be entirely unsettling. Achieved through his masterful handling of paint, his works are often suggestive of memories or familiar people, places, and things. The latest in the Spotlight Series, which focuses on new bodies of work by contemporary artists, Tuymans continues to take on increasingly complex subject matters in his primarily muted palette. Published on the occasion of the artist's 2020 solo exhibition at David Zwirner Hong Kong, this book features an essay by art critic Su Wei, who approaches Tuymans's newest paintings and how they expand his oeuvre. Luc Tuymans (b. 1958) is known for a distinctive style of painting that demonstrates images' power to simultaneously communicate and withhold. Emerging in the 1980s, Tuymans pioneered a decidedly non-narrative approach to figurative painting, instead exploring how information can be layered and embedded within certain scenes and signifiers. Based on preexisting imagery culled from a variety of sources, his works are rendered in a muted palette that is suggestive of a blurry recollection or a fading memory. Their quiet and restrained appearance, however, belies an underlying moral complexity. They engage equally with questions of history and its representation as they do with quotidian subject matter. Tuymans's canvases, which are typically executed on a large scale, both undermine and reinvent traditional notions of monumentality through their insistence on the ambiguity of meaning. Su Wei is a curator and art critic based in Beijing. He is the senior curator of Inside-Out Art Museum (IOAM), Beijing. His curatorial projects include the 7th Shenzhen Sculpture Biennale, China (2012)
Tielt, Lannoo, 2010 Hardcover, 286 pages, 26 x 28 cm, English text ISBN 9789020989977.
Luc Tuymans : The Reality of the Lowest Rank : a vision of Central Europe This book is the official catalogue for the exhibition 'A Vision of Central Europe' that will be held at the concert hall in Bruges from the end of 2010 until January 23rd 2011. Luc Tuymans has selected the works of artists from East and Central Europe, dating from World War II until the present day. His fascination with Central Europe's eventful history has been translated into a highly personal exhibition. Some thirty refreshingly innovative artists from that region show work that displays a clear vision of society. Like Tuymans, they don't shy away from themes such as war, violence and trauma. The main text of the book is written by Alison Gas, curator of the San Francisco Museum of Modern Art (SFMOMA), with a contribution by Takashi Murakami, one of the most important contemporary artists working today. With works by Pawel Althamer, Miroslaw Balka, Wojciech Bakowski, Hans Bellmer, Guillaume Bijl, Walerian Borowczyk, Piotr Bosacki, Pavel Buchler, Nemanja Cvijanovic, Armen Eloyan, Igor Eskinja, Katharina Fritsch, Isa Genzken, Tadeusz Kantor, Alex Katz, Martin Kippenberger, Zlatko Kopljar, Igor Kovalyov, Klara Kristalova, Zbigniew Libera, David Maljkovic, Takashi Murakami, Deimantas Narkevicius, Priit Parn, Sigmar Polke, Quay Brothers (Stephen and Timothy), Neo Rauch, Gerhard Richter, Zbigniew Rybczyn'ski, Anri Sala, Bruno Schulz, Andreas Slominski, Jan Svankmajer, Alina Szapocznikow, Paul Thek, Luc Tuymans, Meyer Vaisman, Andy Warhol, Weegee, Andrzej Wroblewski.
G ttingen, Steidl, 2010 Printed linnen hardcover, 96 pages, 29 x 23 cm, English text. **Signed by Tuymans. *Very fine condition. ISBN 9783869300474.
Belgian artist Luc Tuymans is one of the most respected painters of his generation. The exhibition Against the Day, is a series of twenty new paintings which focus on virtual reality, illusions and fantasies. The title Against the Day is adopted from the book with the same title by Thomas Pynchon, who introduced paranoia to American literature. Tuymans, convinced that original pictures do not exist, has called his paintings authentic forgeries, and his paintings are often based on already existing drawings, photos, found images, stills from films, etc.
Brussel, Ludion, 2015 Hardcover with illustrated dustjacket, 112 pages, 26.5 x 21.5 cm, English, As New. . ISBN 9789491819391.
This book brings together the most recent work by Luc Tuymans. It will be shown in the Talbot Rice Gallery in Edinburgh in the autumn of 2015. Birds of a Feather shows Tuymans? fascination with the Scottish Enlightenment and its thinkers, who believed in the ability of humans to shape their future rationally and whose influence extended as far as the United States. Stimulated by a visit to the art collection of the University of Edinburgh, Tuymans did three small portraits of Scottish philosophers, originally painted by the eighteenth-century portrait artist Henry Raeburn. The theme of the Enlightenment is combined with menacing horror: in a monumental dark work, The Shore, which alludes to Goya?s pinturas negras, or in the portrait of the murderer and cannibal Issei Sagawa. The British writer Will Self wrote a remarkable short story for The Shore, and the art critic Colin Chinnery has contributed an explanatory essay.
London / New York, Phaidon Press, 2010 Hardcover with illustrated dustjacket, 216 pages, 30 x 26 cm, english text. *good condition. ISBN 9780714856032.
A thoughtful presentation of five years of new work from the renowned Belgian painter. Luc Tuymans has been the subject of solo exhibitions at major museums around the world, including Tate Modern, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. He lives in Antwerp.Pablo Sigg is an artist and writer based in Mexico City.Gerrit Vermeiren is an artist, art historian and writer based in Antwerp. His books include Luc Tuymans: I Don't Get It.