Write to the booksellers
Anne Adriaens-Pannier; Norbert Hostyn
Spilliaert
1996 Ludion Soft cover
Reference : 020560
ISBN : 9789055440696
Spilliaert Broché , 28 x 24,5 cm, 229 pp,catalogue de l'exposition organisee au Museum voor Schone Kunsten, Ostende ( 3 mars-27 mai 1996 ) et au Museum Het Paleis, La Haye ( 30 juin- 31 aout 1996 ), etat superieur
Bookseller's contact details
Antiquariaat Tanchelmus b.v
Walter Van den Bergh
Van Vaerenberghstraat 53
2600 Berchem
Belgium
walter.vandenbergh@tanchelmus.be
+32(0)496 80 81 92
Payment mode
Sale conditions
Conforme
5 book(s) with the same title
Leon Spilliaert Oeuvrecatalogus van de prenten - catalogue raisonne des estampes - catalogue raisonne of the prints.
, Pandora Uitgeverij, 2020 Gebonden, Hardcover.HB, 297 x 245 mm, 195 pages , throughout colour illustrations Eng/ FR/ NL edition. **Nieuwstaat! ISBN 9789053254677.
Het grafische oeuvre van Léon Spilliaert (1881-1946) werd lang weinig of niet besproken. Pas in 1982 werd er een eerste tentoonstelling volledig aan gewijd. Spilliaerts prenten, kaft- en boekillustraties zijn misschien minder bekend dan zijn originele werken op papier, maar ze zijn minstens zo mysterieus en aanlokkelijk en zo gevarieerd inzake onderwerp: portretten, figuren, landschappen, stadsgezichten, bossen en parken,. Samen met stadsgenoot James Ensor, wordt Oostendenaar Léon Spilliaert vandaag als één van de pioniers van de Belgische moderne kunst beschouwd. Ruim 35 jaar na de eerste tentoonstelling en naar aanleiding van de tentoonstelling Léon Spilliaert. De collectie van de Koninklijke Bibliotheek van België in de Venetiaanse Gaanderijen in Oostende, van 30 juni tot 30 september 2018, geeft Pandora Publishers, na de uitgave in 1994, de nieuwe en bijgewerkte editie uit van de oeuvrecatalogus van de prenten van Léon Spilliaert door Xavier Tricot. Pendant des années, l'oeuvre graphique de Léon Spilliaert (1881-1946) n'a été étudié que fort peu ou pas du tout. Ce n'est qu'en 1982 qu'une première exposition lui fut consacrée. Les estampes de Spilliaert, ses illustrations de couvertures et de livres sont sans doute moins connues que ses oeuvres originales sur papier, mais elles sont au moins aussi mystérieuses et attrayantes, et aussi variées quant à leur sujet : portraits, figures, paysages, vues de villes, forêts et parcs. L'Ostendais Léon Spilliaert est, ainsi que son concitoyen James Ensor, considéré aujourd'hui comme un des pionniers de l'art moderne belge. Plus de 35 ans après la première exposition et à l'occasion de l'exposition Léon Spilliaert. La collection de la Bibliothèque Royale de Belgique dans les Galeries vénitiennes d'Ostende, du 30 juin au 30 septembre 2018, les éditions Pandora Publishers publient une édition nouvelle et augmentée du catalogue des estampes de Léon Spilliaert par Xavier Tricot. For a long time, the graphic oeuvre of Léon Spilliaert (1881-1946) was, if not neglected, then at least discussed little or summarily. It is only in 1982 that the first exhibition fully devoted to his prints was held. The prints of Spilliaert are perhaps less known than his original works on paper but they are equally mysterious, attractive and varied on topic: portraits, figures, land- and cityscapes, forests and parks,. Together with fellow citizen of Ostend James Ensor, Léon Spilliaert is considered one of the pioneers of Belgian modern art. Over 35 years after the first exhibition and because of the exhibition Léon Spilliaert. The Collection of the Royal Library of Belgium at the Venetian galleries from 30 June till 30 September 2018, Pandora publishes, a new and updated edition of the catalogue raisonné of the prints of Léon Spilliaert by Xavier Tricot.
Léon SPILLIAERT De Oorsprong van het Beeld. Tekeningen en prenten in dialoog.
Antwerpen -, Dereede, 2021 softcover, 210 pages, illustrations en noir et blanc et en couleurs. 21x15cm. Text NL/ENG/FR.
Léon SPILLIAERT De Oorsprong van het Beeld Tekeningen en prenten in dialoog De tentoonstelling Léon Spilliaert. De Oorsprong van het Beeld toont hoe het creatief proces van schets en tekening een ondersteunende rol speelde bij het tot stand komen van originele prenten en gravures in Spilliaerts oeuvre. Als jonge tekenaar bleef Spilliaert stilstaan bij gevoelens zoals liefde en dood, eenzaamheid, verlangen en schaamte en wierp hij een bezielde blik op de relaties tussen de man en de vrouw en tussen de mensen onderling. Daarbij illustreerde hij ook in kleine genuanceerde zelfportretten, eenvoudig met potlood en inkt, als zovele snapshots, de evolutie van zijn eigen zelfbeeld. Deze kritisch momentane en veelal zeer spontane aantekeningen vertegenwoordigen subtiel de diepere intieme ontledingen van zijn innerlijk getormenteerde geest. /// Léon SPILLIAERT The Origin of the Image Drawings and prints in dialogue The exhibition Léon Spilliaert. The Origin of the Image shows how the creative process of sketching and drawing played a supporting role in the creation of original prints and engravings in Spilliaert's oeuvre. As a young draftsman, Spilliaert dwelled on feelings such as love and death, loneliness, longing and shame, and he took an inspired look at the relationships between man and woman and between people themselves. In addition, he also illustrated the evolution of his own self-image in small nuanced self-portraits, simply with pencil and ink, like so many snapshots. These critically momentary and often very spontaneous notes subtly represent the deeper intimate dissections of his inner tormented mind. For the first time, exceptional works from private collections are (again) brought together here, which for many will mean a rediscovery of the artist's work. Voor het eerst worden hier uitzonderlijke werken uit privéverzamelingen (weer) samen gebracht die voor velen een herontdekking van het werk van de kunstenaar zullen betekenen.
Anne Adriaens-Pannier, Leïla Jarbouai, Laurence Des Cars (Préfacier)
Reference : 57442
Léon Spilliaert: Lumière et solitude.
, Réunion des Musées, , 2020 Hardcover- Couverture reliee 208 pages, 130 Illustrations, 29x23cm.Texte en Francais Exhibition catalogue. ISBN 9782711875276.
Léon Spilliaert est considéré comme l'un des peintres belges les plus importants, à côté de R. Magritte, J. Ensor, P. Delvaux.... Pourtant, il est moins connu... Homme des solitudes inquiétantes, des perspectives infinies, Spilliaert (1881-1946) surprend, déroute par des ?uvres inclassables, inventant un symbolisme singulier de la nuit intérieure. Spilliaert est né à Oostende. Ses promenades nocturnes dans la ville déserte seront une source d'inspiration pour son oeuvre. Il est presque entièrement autodidacte. Il est influencé par les courants artistiques de la fin de siècle : le symbolisme et l'expressionnisme. Spilliaert est un explorateur de l'inconscient et des angoisses existentielles au moment où les sciences humaines avancent dans la compréhension de la psyché. Il est passionné par Nietzsche, Schopenhauer, Chateaubriand et Lautréamont. Le catalogue se concentre sur les années 1896 à 1919, les plus intenses dans la carrière de l'artiste, et présente ses oeuvres les plus radicales. Exposition du 13 octobre 2020 au 10 janvier 2021 au Musée d'Orsay, à Paris. Léon Spilliaert: Lumière et solitude (Musée d'Orsay & Grand Palais) aantalIn winkelwagen Léon Spilliaert is considered to be one of the most important Belgian painters, alongside R. Magritte, J. Ensor, P. Delvaux?. However, he is less well known? A man of disquieting solitudes and infinite perspectives, Spilliaert (1881-1946) surprised and disconcerted by unclassifiable works, inventing a singular symbolism of the inner night. Spilliaert was born in Oostende. His night walks in the deserted city were a source of inspiration for his work. He is almost entirely self-taught. It is influenced by the artistic currents of the end of the century: symbolism and expressionism. Spilliaert is an explorer of the unconscious and existential anxieties at a time when the human sciences are advancing in their understanding of the psyche. He is passionate about Nietzsche, Schopenhauer, Chateaubriand and Lautréamont. The catalogue focuses on the years 1896 to 1919, the most intense years in the artist?s career, and presents his most radical works. Exhibition from October 13, 2020 to January 10, 2021 at the Musée d?Orsay. IN FRENCH!
Leon Spilliaert from the Depths of the Soul.
, ludion, 2019 Hardback, 290 x 250 mm, 336 pages, 400 illustrations. English edition. **VERY FINE condition !. ISBN 9789491819902.
Rooted in the Symbolist tradition of the fin-de-siecle and drawn to the avant-garde, Leon Spilliaert (1881-1946), was a loner who never occupied a clear place in the art of his time. He shared not only his home port of Ostend with James Ensor, but also his sense of mockery and irony, non-conformity and an urge to view the world differently. Spilliaert, however, created a spiritual visual language of his own, experimenting with pastels and gouache, playing with purified expanses of colour and elegant lines. The moonlit sea, solitary, vacantly gazing figures, beaches stripped of all human presence, empty rooms and stylized, backlit silhouettes - Spilliaert invariably evoked an atmosphere of mystery, magic and alienation in line and colour. Anne Adriaens-Pannier, former curator at the Royal Museums of Fine Arts in Brussels, has been working on the catalogue raisonne of his oeuvre since 1995 at the Spilliaert family's request. She pays tribute to the artist with this beautifully illustrated book, in which she describes his drawings and paintings, as well as referring to his book illustrations and lithographs. The author presents Spilliaert as a link between the major art movements in the fascinating era in which he lived and worked. A unique book about an exceptional artist.
Anne Adriaens-Pannier, Adrian Locke, Will Stone, Noémie Goldman, Anna Testar
Reference : 53321
LEON SPILLIAERT (1881 - 1946) English ed.
, Royal Academy (ACC), 2020 HB, 290 x 220 mm, 176 p, 130 colour illustrations. English edition. FINE. ISBN 9781912520220.
Belgium symbolist painter and graphic artist. Watercolourist, pastellist, painter (gouache), draughtsman. Portraits, genre scenes, still-lifes, landscapes, seascapes. From childhood he displayed an interest in art and drawing and was a prolific doodler, spending much time sketching scenes of ordinary life and the Belgium countryside. In 1889 he studied briefly at the Tekenacademie in Bruges. His early work, already Symbolist in style was informed by his readings of writers such as Friedrich Nietzsche and Maurice Maeterlinck. From February 1903 to January 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate. In 1904 Spilliaert stayed in Paris, where he was on the fringe of Picasso's circle and discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged. He continued to spend most winters in Paris to keep in touch with the city's cultural life. Although often associated with the key figures of Belgian Symbolism, Léon Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche. This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor.
