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Copplestone, Trewin
Modern Art
1986 Bookthrift Co Hardcover Fine
Reference : 017604
ISBN : 0671076701
Modern Art Hardcover, publisher's binding, dust wrapper in color, 335 x 245mm, 256 pages with numerous illustrations in excellent condition
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Antiquariaat Tanchelmus b.v
Walter Van den Bergh
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5 book(s) with the same title
Envisioning Architecture. Drawings from the Museum of Modern Art
Museum of Modern Art 1999 In-4 cartonné 25,8 cm sur 24,2. Livre en anglais. 256 pages. Très bon état d’occasion. Comme neuf
Très bon état d’occasion
Pop impressions Europe/Usa :prints and multiples from the museum of modern art
Harry Abrams - The museum of modern rt 1999 In-folio broché, 136 pp,
Bon état d’occasion
Disease and Disability in Medieval and Early Modern Art and Literature
, Brepols, 2021 Hardback, 379 pages, Size:156 x 234 mm, Illustrations:10 b/w, 100 col., 1 maps b/w, Language: English. ISBN 9782503588704.
Summary Humanity has always shown a keen interest in the pathological, ranging from a morbid fascination with 'monsters' and deformities to a genuine compassion for the ill and suffering. Medieval and early modern people were no exception, expressing their emotional response to disease in both literary works and, to a somewhat lesser extent, in the plastic arts. Consequently, it becomes necessary to ask what motivated writers and artists to choose an illness or a disability and its physical and social consequences as subjects of aesthetic or intellectual expression. Were these works the result of an intrusion in their intent to faithfully reproduce nature, or do they reflect an intentional contrast against the pre-modern portrayal of spiritual ideals and, later, through the influence of the classics, the rediscovered importance and beauty of the human body? The essays contained in this volume address these questions, albeit not always directly but, rather, through an analysis of the societal reactions to the threats and challenges that essentially unopposed disease and physical impairment presented. They cover a wide range of responses, variable, of course, according to the period under scrutiny, its technological moment, and the usually fruitless attempts at treatment. TABLE OF CONTENTS Acknowledgements List of Illustrations Introduction and Epidemiological Perspective Rinaldo F. Canalis and Massimo Ciavolella Part I. Medieval and Transitional Periods The Art of Medicine in Byzantium: Disease and Disability in Byzantine Manuscripts Alain Touwaide Miracle and the Monstrous: Disability and Deviant Bodies in the Late Middle Ages Jenni Kuuliala. Leprosy, Melancholy, Folly and their Representations in French Medieval Literature Gaia Gubini Malady in Literary Texts from the Medieval and Early Modern Periods. Some Hypotheses on a Paradoxical Constellation Joachim K pper Fevers, Botches and Carbuncles: Describing the Plague in Late Medieval and Early Modern Medical Treatises Lori Jones Part II. The Early Modern Period The Role of Architecture and the Decorative Arts in Renaissance Medicine Francis Wells Art in Disease and Disease in Art: Reflections on Two Early Modern Paradigmatic Examples Manuela Gallerani. The Mal Franzoso: Between Art, History and Literature: Paracelso and Della Porta Alfonso Paolella The Ailing Artist Roberto Fedi Nicolas Poussins The Plague at Ashdod and the French Disease Efrain Kristal 'Yet have I in me something dangerous': On the Interplay of Medicine and Maleficence in Shakespeare's Hamlet Sara Frances Burdorff Textures of Lesions - Textures of Prints Domenico Bertoloni Meli Index
Interaction of Art and Relics in Late Medieval and Early Modern Art
, Brepols, 2020 Hardback, iv + 185 pages, Size:216 x 280 mm, Illustrations:51 col., Language: English. ISBN 9782503583983.
Summary The collection of essays gathered in this volume investigates the interaction between art and relics as a distinct historical relevance for devotional art of Early Modernity and the Renaissance. Recent studies in the material culture of artifacts from these periods have drawn increasing attention to a sense of material tangibility derived from relics. Putting that conclusion into perspective, this edited collection focuses on the aesthetic meaning generated by a specific material culture of sanctity - one in which artists based their practice upon the nature, variety, and history of relics. Works of art that contained relics shared in the aura of the relics, defining themselves as non-substitutable signs, or signs that preserved the physical relationship to the immutable nature and origin of relics. As studied in this volume, funerary monuments, chapel decorations, altarpieces, liturgical objects, and sacred sites yielded an unordinary aesthetic meaning, one that captured and at the same time transmitted the histories linked to a relic. Each chapter emphasizes the specific history contained within works of art premised upon relics and thus forever embedded in the relics' status as sacred originals.. TABLE OF CONTENTS I. Relics in the Art, Decoration, and Architectural Memory of Early Modern Chapels Kristina Keogh, Authenticating the Holy Body: Transitions between Relic and Image in the Early Modern Cults of Caterina de' Vigri and Maria Maddalena de' Pazzi Cloe Cavero de Carondelet, Reframing a Medieval Miracle in Early Modern Spain: The Origins of Our Lady del Sagrario of Toledo Alison Fleming, Art and the Relics of St. Francis Xavier in Dialogue II. Relics Integral to Sacred Spaces and Works of Art Sarah Cadagin, The Interrelation of Curtains, Altarpieces, Relics: Domenico Ghirlandaio's Response to the Cult of the Volto Santo in Lucca Cathedral Suzanna Simor, Relics and the Visualization of the Christian Creed Livia Stoenescu, The Place of Relics in Loca Sancta, Medieval Combinations, and the Catholic Reform III. Artists Engaging with Relics J r mie Koering, Michelangelo's Relics: Some Aspects of Artistic Devotion in Cinquecento Italy Sarah Dillon, The Duality of Glass: Revealing and Concealing Holy Relics in Early Modern Italy
QUADRUM XII. REVUE INTERNATIONALE D'ART MODERNE. INTERNATIONAL MAGAZINE OF MODERN ART. RIVISTA INTERNAZIONALE D'ARTE MODERNA. INTERNATIONALE ZEITSCHRIFT FUR MODERNE KUNST,
Brussels, A.D.A.C., 1961 Broche, couverture carton illustree en couleur, 205 x 270mm., 200pp. et plusieures pages d'avertissements locals, illustration en couleurs et en n/b.
Revue Internationale d'Art Moderne/ International Magazine of Modern Art/ Rivista Internazionale d'Arte Moderna/ Internationale Zeitschrift fur Moderne Kunst. Sommaire : Seuphor - Gindertael - Kochnitzky - Haftmann - Rouve... Bon etat.
