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Martin Davies
Rogier van der Weyden
1973 Arcade Hardcover As New
Reference : 012641
Rogier van der Weyden éssai accompagné d'un catalogue critique des oeuvres qui lui ont été attribuées ainsi qu'a Robert Campin hard coveravec jacquette et etui, 300 x 245 mm, 344pp, illustrations, comme neuve , état superieur
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Walter Van den Bergh
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5 book(s) with the same title
Rogier van der Weyden and Spain - Rogier van der Weyden y Espana
, Brepols - Harvey Miller, 2017 Paperback, /200 p., 100 b/w ill. + 36 colour ill., 200 x 250 mm, languages: English, Spanish . ISBN 9788484803744.
Lorne Campbell, The Late Style of Rogier van der Weyden Francisco de Paula Canas Galvez, Juan II de Castilla y el Triptico de Miraflores: marco espiritual, proyeccion politica y propaganda regia en torno a una donacion real (1445) Stephan Kemperdick, The Miraflores Triptych and the Issue of Rogier van der Weyden's ?authenticated? Paintings David Chao Castro, Egas Cueman en Castilla y el desarrollo de la tipologia sepulcral con imagen orante Griet Steyaert, "A Deposition including two Men on two Ladders", Carel van Mander?s Description of Rogier?s Deposition and the Deposition by the Master of the Legend of Saint Catherine Bart Fransen, One Altarpiece, one Way: From Brussels to Laredo Yao Fen-You, Another Piece of the Rogerian Puzzle: Recent Findings on the Arenberg Lamentation Catherine Reynolds, Evolution or Derivation: The Prado Descent from the Cross and the lost Carrying of Christ?s Body to the Tomb Jose Juan Perez Preciado, En torno al Triptico de la Redencion del Museo del Prado Lisa Monnas, Textiles in the Paintings of Rogier van der Weyden Maite Jover, Laura Alba, Maria Dolores Gayo, Maistros viajerosm obras importadas. Las tablas del Maestro de Sopretan Laura Alba, El Descendimiento de Rogier Van der Weyden. Aspectos tecnicos de sus copias mas fieles Maria Antonia Lopez de Asiain, La restauracion de La Crucifixion del Maestro de la Leyenda de santa Catalina en el Prado Maria Dolores Gayo, Maite Jover de Celis, El Calvario de Rogier van der Weyden: los materiales del soporte y de la pintura Loreto Arranz Gozalo, La restauracion de la capa pictorica del Calvario de Rogier van der Weyden Jose de la Fuente, La restauracion del soporte del Calvario de Rogier van der Weyden
Rogier Van Der Weyden in Context. Proceedings of Symposium XVII, Leuven, November 2009
BE - , Peeters leuven,, 2012 Gebonden, Hardcover.402 Pages, Illustrated. 30x305x221 mm. English. ISBN 9789042926929.
On 20 September 2009 the new M-Museum Leuven (Belgium) was inaugurated with the opening of the exhibition Rogier van der Weyden 1400-1464 - Master of Passions. The starting point of the exhibition was the work of Rogier van der Weyden himself and the intention was to display and define his individual style and contribution. To demonstrate the significance of his overwhelming influence across artistic media, his own works were brought together with those of his contemporaries and followers: painters, designers, sculptors, tapestry weavers and embroiderers. His significance was reflected in the international Colloquium Rogier van der Weyden in Context, which took place on 22, 23 and 24 October 2009. It was organised by Illuminare - Centre for the Study of Medieval Art (KU Leuven), the Art History Department KU Leuven and Artes.Leuven, in conjunction with the UCL (Catholic University of Louvain-la-Neuve, Laboratoire d'etude des oeuvres d'art par les methodes scientifiques) and the KIK-IRPA (Royal Institute for Cultural Heritage, Belgium). It was the XVIIth Symposium for the Study of Underdrawing and Technology in Painting, yet its scope was extended beyond the technical examination of paintings so that the work of one great genius, Rogier van der Weyden, could be considered in a variety of contexts. The papers in this volume are grouped around the following themes: (i) Rogier van der Weyden, painter and designer; (ii) Archival sources; (iii) Studies in painting; (iv) Studies in underdrawing; (v) Studies in sculpture; (vi) The legacy of Van der Weyden.
Rogier van der Weyden. St. Luke Drawing the Virgin. Selected Essays in Context,
Turnhout, Brepols, 2008 Hardback, 200 p., + ill., 210 x 297 mm. ISBN 9782503505725.
C.J. Purtle; Rogier's St. Luke at the Crossroads , D. Apostopoulos-Cappadona; Picturing Devotion: Rogier's St. Luke Drawing the Virgin, A.G. Kann; Rogier's St. Luke: Portrait of the Artist or Portrait of the Historian? R. Spronk & R. MacBeth; Rogier's St. Luke Drawing the Virgin in the Laboratory: Findings from Technical Examinations and Some Art Historical Implications A. Acres; Luke, Rolin and Seeing Relationships E.M. White; Rogier van der Weyden, Hugo van der Goes and the Making of the Netherlandish St. Luke TraditionC. Eisler; Comments M.A. Faries; The Infrared Studies of Rogier van der Weyden's St. Luke Drawing the Virgin: Stages of Investigation and Perception J.H. Marrow; Artistic Identity in Early Netherlandish Painting: The Place of Rogier van der Weyden's St. Luke Drawing the Virgin and Child T. Borchert; Rogier's St. Luke: A Case of Corporate Identity? R. Newman; The Painting Materials Used by Rogier van der Weyden in St. Luke Drawing the Virgin Appendix I: Correspondence concerning the work from the files of the Museum of Fine Arts, Boston Appendix II: Reprint of 'A Record of Restoration' Helmut Ruhemann. Bibliography. Languages : English.
Flemish Primitives I. The Master of Flemalle and Rogier van der Weyden Groups.
, Brepols Publishers, 1996 hardback 308 pages ., incl. 67 colour ill. and 174 halftones, 210 x 297 mm, English Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium (CENP 1) . ISBN 9782503505015.
This catalogue includes paintings by the Master of Flemalle and Rogier van der Weyden Groups, now in the Royal Museums of Fine Arts of Belgium in Brussels, as well as thourough analyses and colour reproductions. The publication of the first in a five-volume scholarly catalogue of the 15th-century southern Netherlandish paintings in the Royal Museums of Fine Arts of Belgium in Brussels is a long awaited event. The museums' rich collection of Flemish Primitives boasts paintings by Rogier van der Weyden, Gerard David, Petrus Christus, Dirk Bouts, Hans Memling and Hieronymus Bosch. It also includes several important works by artists with provisional names from the schools of Tournai, Bruges and Brussels, such as the Master of Flemalle, the Master of the St Lucy Legend and the Master of the Life of Joseph. This multi-volume English-language catalogue will include approximately 100 paintings. Each work is the subject of a thourough analysis covering technical, historical, iconographical and stylistic aspects. The catalogue contains colour reproductions of each painting as well as other visual documentation from laboratory investigations (infrared reflectograms, ultra-violet fluorescence photographs; X-radiographs, macro photographs), photographs of related works and diagrams of the original frames. The wealth of documentation presented in this volumes makes it an indispensable reference for both scholars and amateurs interested in 15th-century painting.
Un retable pour l'Au-dela : le jugement dernier de Rogier van der Weyden.
Mame Mame, Coll. un Certain Regard, 2001, 150 p., cartonnage éditeur, des frottements sur les coins est les mors, intérieur propre.
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