‎Simon Thomson (ed)‎
‎Medieval Stories and Storytelling. Multimedia and Multi-Temporal perspectives‎

‎, Brepols, 2021 Hardback, 319 pages, Size:156 x 234 mm, Illustrations:19 b/w, 3 col., Language: English. ISBN 9782503590509.‎

Reference : 65426

‎Summary The shaping and sharing of narrative has always been key to the negotiation and recreation of reality for individuals and cultural groups. Some stories, indeed, seem to possess a life of their own: claiming a peculiar agency and taking on distinct voices which speak across time and space. How, for example, do objects, manuscripts, and other artefacts communicate alternative or complementary narratives that transcend textual and linguistic boundaries? How are stories created, reshaped, and re-experienced, and how do these shifting contexts and media change meaning? This volume of essays explores these questions about meaning and identity in a range of ways. As a collection, it demonstrates the importance of interdisciplinary and context-focused enquiry when approaching key issues of activity and identity in the medieval period. Ultimately, the process of making meaning through shaping narrative is shown to be as vital and varied in the medieval world as it is today. With a wide range of different disciplinary approaches from leading scholars in their respective fields, chapters include considerations of art, architecture, metalwork, linguistics, and literature. Alongside examinations of medieval cultural productions are explorations of the representation and adaptation of medieval storytelling in graphic novels, classroom teaching, and computer gaming. This volume thus offers an interdisciplinary exploration of how stories from across the medieval world were shaped, transformed, and transmitted. TABLE OF CONTENTS Introduction: Stories and their Tellers S. C. Thomson Beowulf Goes to School: Adaptations and transformations for the Secondary Classroom Janes Coles, Theo Bryer, and Daniel Ferreira 'Retelling Old Stories for New Audiences': Shaping and Visualizing Beowulf through Gareth Hinds' Graphic Novels [The Collected Beowulf (2003) & Beowulf (2007)] Jorge Luis Bueno Alonso Being Numerous: Communal Storytelling in Li smannaflokkr Erin Michelle Goeres Performance and Emotions in Four Epic Works about Roland Evelyn Birge Vitz Towards a Poetics of Storytelling, or, why could Early Medieval English Writers not stop telling the Story of Judith? S. C. Thomson Mosaics, Marbles, and Medievalisms: Displaying the Foundation Narrative of the English Church in Westminster Cathedral Meg Boulton A Storied Cathedral: Space and Audacious Women in Early Medieval Durham Euan McCartney Robson Dynamic Material Aspects of Writing in Wolfram of Eschenbach's Titurel Christoph Witt Iceland's Alexander: Gunnarr and Pale Corn in Nj ls Saga Richard North Sensing Stories: Iconography, Pattern, and Abstraction in Metalwork from Early Medieval England Melissa Herman A Telling Tradition: Preliminary Comments on the Epic of Manas, 1856-2018 James Plumtree Index‎