, Phaidon, 2019 Hardcover, 240 pages, ENG edition, 300 x 260 x 27 mm, As Good as New, dustjacket, illustrated in colour. ISBN 9780714875002.
Reference : 62613
A leaking can of paint in hand, the artist strolls out of the gallery and drifts aimlessly through the cay, leaving a tral of colour as he goes. So what kind of artwork is the Leak (1995) ? , In one sense it's a painting, but a painting too large for any museum. It's also a performance, though one without an audience. Perhaps most of all, it's an invitation to take the artist's line for a walk, to explore the same path through the city, to breathe the same air and take in the same sights - and in so doing, to eliminate once and for all the division separating art from life. With humour, sensitivity and an acutely personal connection to his subject matter, Francis Al s examines the patterns of various urban sites before weaving his own fables into their tangled social fabric From that point onward, the fables take on a life of their own . A scene as such as a Volkswagen Beetle struggling up a hill in Tijuana (Rehearsal, 1999-2001), a man pushing a block of Ice in Mexico City (Paradox of Prams 1, 1997) or chasing a tornado in the desert (Tornado, 2000-10), or a group of children playing in the streets of Kabul (Reel-Unreel, 2011) can carry, a message that resonates far beyond the work's simple parameters. As the subbtle of his walking piece The Green Line (2004) puts it, "Sometimes doing something poetic can become political, and sometimes doing something political can become poetic". Originally from Belgium but based for the last thirty years in Mexico City, Francis Al s is a truly international artist who has realized works in such diverse locations as Baghdad, Copenhagen, Kabul, Lima, Jerusalem and Tanger. His work has also been exhibited at the world's top museums - including Tate Modern in London, Castello de Rivoli in Turin and the Museum of Modern Art in New York - and featured In the most significant International biennals - Including Gwangju (2009, 2018), Istanbul (1999, 2001, 2015), Sao Paulo (1998, 2005) Venice (1999, 2001, 2007, 2017) and Sydney (2008) as well as in Documenta 13 in Kassel (2012). In the Interwview, Russell Ferguson asks how the artist's identity as a cultural outsider has helped determine the remarkable path of as art over the years Cuauht moc Medina's Survey identifies the threads that run through the east's oeuvre while also sketching a political and social picture of Mexico City, the inspiration and setting for so many of as artworks. In the Focus, Jean Fisher examines the politic, heart of Al s's massive collaborative Land art project When Faith Moves Mountains (2002). In the artist's choice Augusto Monterroso's short tales capture the artist's enduring fascination with the role animals fables play in human society, Artist's writings include a series of short reflections on the everyday details of modern life as well as extracts from logbooks he wrote while working in the Strait of Gibraltar and in Iraq. Finally, In the Update, renown anthropologist MIchael Taussig takes as a starting point the time he spent together with Al s in Afghanistan to discuss the artist's philosophy and his most recent creative endeavours.
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, Leuven University Press, 2023 Paperback, 176 pages 23x17cm Illustrated, full colour. fine!. ISBN 9789462703841.
In 1999, a short video of a solitary boy kicking an empty bottle up a hill in Mexico City became the first instalment of Children?s Games, a series of works by artist Francis Al s (b. Antwerp, 1959). The ongoing project, which now numbers around thirty-five works, has gradually given shape to an extensive collection of videos of children at play. For almost twenty-five years, Al s and his collaborators F lix Blume, Julien Devaux, and Rafael Ortega have been travelling around the world to document the distinctive ways in which children interact with each other and their physical environment. They have gone from remote villages in the Democratic Republic of the Congo, Afghanistan, Venezuela, and Nepal to the mountains of Switzerland and metropoles like Hong Kong and Paris, but have also visited the war-torn city of Mosul in Iraq, the border between Mexico and the United States, and the strait of Gibraltar that divides Africa and Europe. The resulting images are standing proof of the seriousness of play and of children?s stunning powers of resilience in the face of conflict. This volume provides a multidisciplinary perspective to the many layers of Children?s Games. It includes an interview with Francis Al s and Rafael Ortega, a series of essays by well-known scholars and art critics, curatorial statements, and a logbook related to the presentation of Children?s Games at the Venice Biennale of 2022. Gerard-Jan Claes is a filmmaker, lecturer and writer. He is both founder and artistic director of the cinephile platform Sabzian. St phane Symons is Professor of Aesthetics and Philosophy of Culture at the Institute of Philosophy, KU Leuven.
, Prestel Publishing, 2024 HB, 250 x 210 mm, 256 p, 250 Color illustrations .ENG edition. ISBN 9783791377643.
This immersive publication explores the artistic journey of one of today's most prominent conceptual artists, with a specific focus on his groundbreaking series, "Children's Games." Whether he's moving a sand dune in Peru or pushing an enormous ice block through the streets of Mexico City, Francis Alys is constantly seeking to decipher complex social, political, and cultural issues in ways that are simultaneously affecting, imaginative and provocative. Highlighting rarely seen source material, this richly illustrated book delves into the impulses behind Alys's influential works. Celebrating the breadth and importance of the artist's work, a series of essays by leading scholars and writers look at his studio practice and influences across art, history and literature, revealing new perspectives on his prolific career and ongoing preoccupations. It also examines the most recent iteration of his critically acclaimed series Children's Games, in which he documents children's games from various cultures around the world. From whimsical explorations of everyday life to his engagement with cross-cultural contexts from Latin America to North Africa and the Middle East, Alys's work serves as a platform for navigating the world, inviting viewers to engage with the poetic and transformative potential of artistic expression.
, Prestel Publishing, 2024 HB, 250 x 210 mm, 256 pages , 250 colour illustrations, ENG edition. ISBN 9783791377643.
This immersive publication explores the artistic journey of one of today's most prominent conceptual artists, with a specific focus on his groundbreaking series, "Children's Games." Whether he's moving a sand dune in Peru or pushing an enormous ice block through the streets of Mexico City, Francis Alys is constantly seeking to decipher complex social, political, and cultural issues in ways that are simultaneously affecting, imaginative and provocative. Highlighting rarely seen source material, this richly illustrated book delves into the impulses behind Alys's influential works. Celebrating the breadth and importance of the artist's work, a series of essays by leading scholars and writers look at his studio practice and influences across art, history and literature, revealing new perspectives on his prolific career and ongoing preoccupations. It also examines the most recent iteration of his critically acclaimed series Children's Games, in which he documents children's games from various cultures around the world. From whimsical explorations of everyday life to his engagement with cross-cultural contexts from Latin America to North Africa and the Middle East, Alys's work serves as a platform for navigating the world, inviting viewers to engage with the poetic and transformative potential of artistic expression.
Chez l'auteur. 1978. In-4. Broché. Etat d'usage, Couv. convenable, Dos frotté, Papier jauni. 52 pages. Texte en espagnol. Nombreuses illustrations en couleur dans et hors texte. Rousseurs. Couverture rempliée. Nombreuses pliures sur les plats.. . . . Classification Dewey : 460-Langues espagnole et portugaise
Classification Dewey : 460-Langues espagnole et portugaise
Guatemala 1981, in8br,513, nombreuses cartes et plans Langue: Français