‎M.H. Caviness‎
‎Stained Glass Windows‎

‎Stoning of Paul and Scourging of Paul, Designs by Abraham Van Diepenbeeck (1596-1675) for a series of stained glass windows in St Paul's Church in Antwerp PHOEBUS FOCUS XXII ‎

‎, Phoebus Focus XXII, 2021 PB, 210 x 148 mm, 88 pages, Color illustrations, ENG edition, ISBN 9789463887991.‎

‎In this edition of 'Phoebus Focus', no less than three specialists examine two of the sketches that Baroque master Abraham Van Diepenbeeck made for the stained-glass windows of the Antwerp St. Paul's Church. The stained-glass windows themselves have not survived the ravages of time and so these sketches are invaluable for the reconstruction of the church's original interior. Madeleine Manderyck (1952) studied antiquity and art history at the University of Leuven and took a postgraduate course in heritage preservation at the Hoger Architectuur Instituut van het Rijk in Antwerp. Since 1976, she has worked for the Flanders Heritage Agency of the Flemish government. She was responsible for cases related to historical interiors, with a specialization in stained glass window art. She is the chairwoman of the Flemish and Belgian committee of Corpus Vitrearum. This is an international research project under the auspices of the Union Acad mique Internationale with the aim of studying monumental stained glass windows worldwide. Jan Van Damme is an art historian and a member of the Corpus Vitrearum Medii Aevi, which is dedicated to the study of stained glass window art. Zsuzsanna van Ruyven-Zeman (1953) studied art history at the Vrije Universiteit Amsterdam. In 1990 she obtained a doctorate for her thesis on the painterdesigner Lambert van Noort (c.1520-1570/1571). She specialized in Dutch art of the sixteenth and seventeenth centuries, and has published articles and exhibition contributions on many aspects of it, with an emphasis on stained glass window art and drawings. She is the author of the volumes of Corpus Vitrearum on the stained glass windows in Gouda and in the Netherlands before 1795, and of the ten-volume catalogue of the prints of the Wierix family in the Hollstein series. She is an independent researcher. ‎

‎The Stained-Glass Windows in the Sint Janskerk at Gouda 1556-1604. volume 3. Corpus Vitrearum, The Netherlands 3‎

‎Ruyven-Zeman, Zsuzsanna van: The Stained-Glass Windows in the Sint Janskerk at Gouda 1556-1604. volume 3. Amsterdam: 2000. Series: Corpus Vitrearum, The Netherlands 3. 369pp with 21 colour and 163 monochrome plates 6 colour and 47 monochrome illustrations. Cloth. 31.5x25cms. The second volume to be published of three, documenting the 16th-century stained glass windows, concentrating on the Pre Reformation windows and those erected between 1593-1604 which comprise the earliest surviving cycle of Protestant stained glass in the Netherlands.‎

‎The second volume to be published of three, documenting the 16th-century stained glass windows, concentrating on the Pre Reformation windows and those erected between 1593-1604 which comprise the earliest surviving cycle of Protestant stained glass in the Netherlands. Text in English‎

‎Flanders, Vol. 5: Medium-Sized Panels and Fragments of Large Stained-Glass Windows‎

‎, Brepols 2021, 2021 Hardcover, XVI+ 704 pages., 500 col. ills, 215 x 280 mm, English, , . ISBN 9782503593821.‎

‎This volume refers to medium-sized panels and fragments of stained-glass windows from the Middle Ages up to the end of the 18th century, found in public buildings, churches, museums and private collections in the present five provinces of Flanders (Belgium). The present volume contains the panels and fragments encountered and researched by the authors since they started their research more than thirty years ago. Many of these panels and fragments are totally unknown to the public as they have never been displayed, nor published. Nevertheless they demonstrate an important aspect of stained-glass production and stained-glass conservation. Where large windows in churches are well known to the public, it is often forgotten that even more stained glass was created for dwellings of the noble or patricians, house chapels, guild rooms, smaller spaces in abbeys, etc. It also became clear that virtually no glass was thrown away and larger fragments and panes were recycled as ?stop gaps? or integrated in composite panels, the so called ?vitraux d?antiquaires?. Furthermore archaeological sites nearly always reveal quite small pieces of glass, which could not be used for repairs or as ?cullet? in the glass production cycle. A selection of these archaeological finds is also presented in this volume. At the end of this volume ?Addenda? to the previous volumes are also added.‎

‎Stained Glass Windows‎

‎, Brepols - Harvey Miller, 1996 paperback. 90 pages ., 8 ill., 160 x 240 mm, Languages: English, Fine copy. Including an index. ISBN 9782503360768.‎

‎This study aims at providing a comprehensive overview of the scholarship on medieval stained glass windows.<br>This study provides an up-to-date overview of the scholarship on a single source material, stained glass. Included are an extensive bibliography, and brief chapters on the nature and development of this medium, the technique of making a window in the middle ages, post-medieval reception and documentation, and the historical significance of windows. Most examples are chosen from English or French sites, though the reference material is comprehensive; for instance, the bibliography includes all the catalogues published by thirteen countries in the Corpus Vitrearum series. The author guides the reader to recent literature on medieval attitudes to glass as a window material, the encoding of exegetical and theological systems, the structuring of narrative, and the function of windows as luminous altar-pieces or as memorials. Researchers are invited to cull from windows information concerning technology, latinity, piety, heraldry and genealogy, dress, and attitudes to class and gender. In order to understand the present condition of windows, brief accounts are given of iconoclasm, early restoration practices, and patterns of collecting. There are nine black and white illustrations that serve to clarify technical details; one of them, illustrating the paint layers in a group of twelfth century heads, was drawn especially for this book. The author, Madeline H. Caviness, is Mary Richardson Professor and Professor of Art History at Tufts University, and served as President of the International Board of the Corpus Vitrearum from 1987 to 1995. Her last book, The Sumptuous Arts at the Royal Abbeys in Reims and Braine (1990), was awarded the Haskins Medal of the Medieval Academy of America for 1993.<br>Review<br>"There is no one more qualified to present an overview of current scholarship in the field of stained glass studies than Madeline H. Caviness. (...) the present volume is a welcome addition to anyone's library of reference tools and pedagogical resources." (H. M. Sonne, in: The Medieval Review, 99.01.07)‎

‎Merson Olivier. Stained glass windows / Les Vitraux. In Russian (ask us if in do‎

‎Merson Olivier. Stained glass windows / Les Vitraux. In Russian (ask us if in doubt)/Merson O. / Merson Olivier. Vitrazhi / Les Vitraux. Series: Bibliotheque de lenseignement des Beaux-Arts. Paris. Societe Francais deditions dArt 1895. 318c. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb838ba50f9a585dfd‎