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A. Claridge, I. Herklotz
Classical Manuscript Illustrations
, Miller-brepols, 2012 Hardback with dusjacket in fine condition !!, Languages: English, 413pp. illustration in color. ISBN 9781905375769.
Reference : 37625
The Paper Museum (?Museo Cartaceo?) is a collection of some 10,000 drawings and prints assembled during the seventeenth century by the Roman patron and collector, Cassiano dal Pozzo, and his younger brother, Carlo Antonio. It represents one of the most significant attempts before the age of photography to embrace human knowledge in visual form, documenting ancient art and culture, architecture and topography, natural history and social customs.The 160 drawings catalogued in this volume are derived from five ancient manuscripts: the famous Vatican Vergil, the so-called ?Roman? Vergil, the Vatican Terence, and the less well-known Palatine Agrimensores, all in the Vatican Library, and from a fifth codex, now lost, known as the Chronography or Calendar of the year 354. The bulk of the drawings were copied for Cassiano between 1632 and 1634 for the purpose of studying both the characters depicted and the allied evidence of ancient costume and artefacts. By the later seventeenth century, when Pietro Santi Bartoli executed the last group of drawings in the present volume for Carlo Antonio, manuscript illustrations had come to be cherished as much for their rarity as examples of ancient painting as for their documentary value. Introductory essays provide an overview of the dal Pozzo commissions, the manuscripts and their history down to Cassiano?s day, as well as their study in the wider context of classical scholarship through to the eighteenth century. All the drawings are reproduced in colour at full page, with accompanying descriptions of the subjects or relevant ancient verses in modern translation and brief commentaries.
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2 book(s) with the same title
Classical Manuscript Illustrations. The Paper Museum of Cassiano dal Pozzo. Series A, VI
Claridge, Amanda and Ingo Herklotz: Classical Manuscript Illustrations. Harvey Miller, 1999. Series: The Paper Museum of Cassiano dal Pozzo. Series A, VI. 424 pages, with 224 colour and 46 black and white illustrations. Cloth. 28.5 x 22cms. Catalogues 160 drawings derived from five ancient manuscripts, the majority copied for Cassiano between 1632 and 1634: the famous Vatican Vergil, the so-called 'Roman' Vergil, the Vatican Terence, and the less well-known Palatine Agrimensores, all in the Vatican Library. A fifth codex, now lost, known as the Chronography or Calendar of the year 354, completes the selection. Introductory essays provide an overview of the dal Pozzo commissions, the manuscripts and their history down to Cassiano's day, as well as their study in the wider context of classical scholarship through to the eighteenth century. All the drawings are reproduced in colour at full page, with accompanying descriptions of the subjects or relevant ancient verses in modern translation and brief commentaries.
Catalogues 160 drawings derived from five ancient manuscripts, the majority copied for Cassiano between 1632 and 1634: the famous Vatican Vergil, the so-called 'Roman' Vergil, the Vatican Terence, and the less well-known Palatine Agrimensores, all in the Vatican Library. A fifth codex, now lost, known as the Chronography or Calendar of the year 354, completes the selection. Introductory essays provide an overview of the dal Pozzo commissions, the manuscripts and their history down to Cassiano's day, as well as their study in the wider context of classical scholarship through to the eighteenth century. All the drawings are reproduced in colour at full page, with accompanying descriptions of the subjects or relevant ancient verses in modern translation and brief commentaries.
Classical Manuscript Illustrations,
Turnhout, Brepols, 2012 Hardback, 424 p., 46 b/w ill. + 224 colour ill., 22 x 28,5. FINE ISBN 9781905375769.
The Paper Museum ('Museo Cartaceo') is a collection of some 10,000 drawings and prints assembled during the seventeenth century by the Roman patron and collector, Cassiano dal Pozzo, and his younger brother, Carlo Antonio. It represents one of the most significant attempts before the age of photography to embrace human knowledge in visual form, documenting ancient art and culture, architecture and topography, natural history and social customs. The 160 drawings catalogued in this volume are derived from five ancient manuscripts: the famous Vatican Vergil, the so-called 'Roman' Vergil, the Vatican Terence, and the less well-known Palatine Agrimensores, all in the Vatican Library, and from a fifth codex, now lost, known as the Chronography or Calendar of the year 354. The bulk of the drawings were copied for Cassiano between 1632 and 1634 for the purpose of studying both the characters depicted and the allied evidence of ancient costume and artefacts. By the later seventeenth century, when Pietro Santi Bartoli executed the last group of drawings in the present volume for Carlo Antonio, manuscript illustrations had come to be cherished as much for their rarity as examples of ancient painting as for their documentary value. Introductory essays provide an overview of the dal Pozzo commissions, the manuscripts and their history down to Cassiano's day, as well as their study in the wider context of classical scholarship through to the eighteenth century. All the drawings are reproduced in colour at full page, with accompanying descriptions of the subjects or relevant ancient verses in modern translation and brief commentaries. Languages : English.
