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PAS, Johan;
DENMARK,
Wijnegem, Pandora/ Guy en Linda Pieters Editions, 2012 Gebonden, 165 x 245mm., 511pp. ISBN 9789053253410.
Reference : 34949
Denmark, pseudoniem voor Marc Robbroeckx, geboren te Antwerpen, 1950 studeerde van 1968 tot 1972 Kunstgeschiedenis en Archeologie aan de Rijksuniversiteit te Gent. Woont en werkt thans in Prouvy (Belgie). Sinds de jaren zeventig ontmantelt en transformeert Denmark informatiedragers als boeken, kranten en tijdschriften. Ritueel en systematisch maakt hij ze monddood door ze te stapelen, te versnijden, vouwen, persen, kleven en vast te schroeven. Denmark beoogt daarmee geen vernietiging, maar een definitieve conservering van het bedrukt papier. Hij klasseert zijn archieven in vacuumverpakking, onder water, in paraffine of gelatine, in diepvrieskasten. Zijn intellectueel duel met de informatiecultuur is symbolisch, zijn strategie ascetisch en repetitief. Door boeken en kranten te ontmantelen, ontmantelt Denmark theorieen en ideologieen. Dode Letters, Dode Archieven, Vouwwerken en Installaties vormen de onderdelen van een totaalproject waarin het zoeken naar communicatie en essentie centraal staan. Denmarks fysieke confrontatie met de informatiedragers is soms hard, soms speels, maar altijd eigenzinnig... Hij is als een Don Quichote in zijn gevecht te de windmolens, lees de drukpersen die in een hels tempo boeken, magazines en tijdschriften spuien.
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5 book(s) with the same title
Den Danske Krønicke som Saxo Grammaticus screff, hallfierde hundrede Aar forleden: Nu først aff Latinen udsæt, flittelige offuerseet oc forbedret, Aff Anders Søffrinssøn Vedel. - [FIRST DANISH TRANSLATION OF THE NARRATIVE OF HAMLET, PRINCE OF DENMARK]
Kiøbenhaffn, Hans Støckelman oc Andreas Gutterwitz, 1575. Folio. Bound in a very nice mid 19th century brown half calf with five raised bands and gilt ornamentations to spine. Title-page printed in red and black and with large woodcut, verso with full-page woodcut portrait of King Frederik II. Small repaired cut-out to top of title-page and an old owner's annotation. Neat marginal annotations to some leaves and early annotations to back fly-leaf. Occasional light brownspotting, but overall an unusually well kept and fresh copy, printed on good paper. (36), 547, (33) pp.
The very rare first translation into any language, being the seminal first Danish translation, of the first preserved full history of Denmark - to this day the most important of all Danish historical publications and a main work of European Medieval literature. This magnificent work furthermore contains the first known written narrative of the legend of Hamlet and served as the basis for Shakespeare's play. """"Hamlet"" is based on a Norse legend composed by Saxo Grammaticus in Latin around 1200 AD. The sixteen books that comprise Saxo Grammaticus' ""Gesta Danorum"", or ""History of the Danes"", tell of the rise and fall of the great rulers of Denmark, and the tale of Amleth, Saxo's Hamlet, is recounted in books three and four. In Saxo's version, King Rorik of the Danes places his trust in two brothers, Orvendil and Fengi. The brothers are appointed to rule over Jutland, and Orvendil weds the king's beautiful daughter, Geruth. They have a son, Amleth. But Fengi, lusting after Orvendil's new bride and longing to become the sole ruler of Jutland, kills his brother, marries Geruth, and declares himself king over the land. Amleth is desperately afraid, and feigns madness to keep from getting murdered. He plans revenge against his uncle and becomes the new and rightful king of Jutland."" (""Shakespeare's Sources for ""Hamlet"" "" - Shakespeare-on-line). The patriotic ""Danish Chronicle"" (i.e. Gesta Danorum) by Saxo Grammaticus is without comparison the most ambitious literary production of medieval Denmark and the most important source for the early history of the nation, also being one of the oldest known written documents about the history of Estonia and Latvia. Its sixteen books describe the history of Denmark and the Danes as well as Scandinavian history in general, from prehistory until Saxo's own time (12th century). It offers crucial reflections on European affairs of the High Middle Ages, from a unique Scandinavian perspective, and constitutes a significant supplement to other Western and Southern European sources. Saxo Grammaticus (ab. 1150-1220) was probably a secular clerk or secretary to Absalon, Archbishop of Lund, the great Danish churchman, statesman and warrior. Saxo is remembered today as the author of the first full history of Denmark, in which he modelled himself upon the classical authors (e.g. Virgil, Plato, Cicero) in order to glorify his fatherland. The work dates from the end of the 12th century and was first printed, in Latin, in Paris in 1514 with 16th century re-issues following in 1534 (Basel) and 1576 (Frankfurt). In 1575, the very first translation of the work appeared, that into Danish, which came to play a significant role in the history of both the legends presented in the work and in Danish language and culture. This groundbreaking first printed translation of Saxo's chronicle was prepared by the Danish historian and philologist Anders Sørensen Vedel (1542-1616). Vedel was also the tutor of Tycho Brahe and his companion on Brahe's grand tour of Europe, where the two formed a lasting bond of friendship. Previous attempts had been made at translating Saxo's magnificent work (one by Christiern Pedersen, one by Jon Tursen), but none of them were printed and the manuscripts have also not survived"" Vedel's translation is the only one that was finished and made it to print. Prompted by Absalon, Vedel began his translation in 1570, and it took him five years to finish the task of both translating and rewriting the original Latin text. While working on this grandiose production, he was given the income of a canon at Ribe Cathedral. Vedel's translation is one of tone of the most important Renaissance contributions to Danish literature and to the development of the Danish language. Vedel's work is not merely a translation, but a magnificent rewriting that should be considered a literary masterpiece in its own right. After Vedel's translation, Saxo remained the indispensable classic that overshadowed all other historical works, both as a source to the earliest history of Denmark and the Danes and as a source of the Nordic myths. Vedel's seminal translation predates the first English translation by more than 300 years and remained the only vernacular version of the text for centuries. The work consists of sixteen books that cover the time from the founders of the Danish people (Dan I of Denmark) till Saxo's own time, ending around 1185 (with the submission of Pomerania), when the last part is supposedly written. The work thus covers the entire history of Denmark until Saxo's own time, seen under a somewhat glorified perspective, from heathen times with tales of Odin and the gods of Valhalla to the times of Absalon, who probably directly influenced the sections on the history of his own time, working closely with Saxo himself. The work also contains the first known written narrative of the legend of Hamlet (Amleth, the son who took revenge for his murdered father). It is this narrative of Saxo's, which he based on an oral tale, that forms the basis for Shakespeare's ""Hamlet"", which takes place in Helsinore in Denmark. There is fairly certain evidence that Shakespeare knew Saxo's work on the History of Denmark and thus the legend of Amleth. ""This is the old, Norse folk-tale of Amleth, a literary ancestor of Shakespeare's ""Hamlet"". The Scandinavian legend was recorded in Latin around 1200 by the Danish historian Saxo Grammaticus and first printed in Paris in this beautiful 1514 edition. It is part of the collection of tales known as Gesta Danorum - a partly mythical history of the Danes. Saxo's Amleth story - a summaryKing Rørik of Denmark appoints two brothers, Horwendil and Fengo, as the rulers of Jutland. Horwendil slays the King of Norway, marries King Rørik's daughter Gerutha, and they have a son named Amleth. Consumed by envy of his brother, Fengo murders Horwendil and marries his wife Gerutha. Amleth then feigns madness, clothing himself in rags and spouting nonsense, to shield himself from his uncle's violence. In fact, the name 'Amleth' itself means 'stupid'.Yet Amleth's behaviour attracts suspicion, and the King attempts to trap him into admitting he has plans for revenge. First, a beautiful woman is used to lure him into betraying himself, but she proves loyal to Amleth. Then a spy is planted to eavesdrop on Amleth's conversation with his mother, in which she repents and he confesses his plans for revenge. Amleth detects the spy, kills him in a mad frenzy, throws his mutilated body in a sewer, and leaves it to be eaten by pigs. Fengo then deports Amleth to England with two escorts carrying a letter directing the King there to execute him. Amleth switches the letter with another one, which orders the death of the escorts and asks for the hand of the English Princess in marriage.Returning to Denmark, Amleth arrives disguised, in the midst of his own funeral, burns down the hall and hunts down his sleeping uncle. Because Amleth had wounded himself on his sword, attendants had made it harmless by nailing it to the scabbard (the sheath used to hold it). Amleth swaps this useless sword with Fengo's, succeeds in killing his uncle and next day is hailed as the King....Saxo's account has many of the defining features of Shakespeare's drama: a villain who kills his brother, takes over the throne and then marries his brother's wifea cunning young hero, the King's son, who pretends to be mad to shield himself from his unclethree plots used by the King to uncover the young man's secrets: a young woman, a spy planted in the Queen's bedroom (who is uncovered and killed), and two escorts who take the prince to England (also outwitted and killed)a hero who returns home during a funeral and finally achieves his revenge through an exchange of swords. There are equivalents for Shakespeare's central characters - old and young Hamlet, old and young Fortinbras, Claudius and Gertrude, Polonius, Ophelia, Rosencrantz and Guildenstern. But Saxo has no ghost demanding vengeance, and the identity of the murderous uncle is known from the start. There is no Osric, no gravediggers or play within a play. The legend lacks a Laertes character and the young woman does not go mad or kill herself. Perhaps most crucially, Amleth lacks Hamlet's melancholy disposition and long self-reflexive soliloquies, and he survives after becoming king."" (""Saxo's legend of Amleth in the Gesta Danorum"" - The British Library.mht). ""Saxo Grammaticus, (flourished 12th century-early 13th century), historian whose Gesta Danorum (""Story of the Danes"") is the first important work on the history of Denmark and the first Danish contribution to world literature.Little is known of Saxo's life except that he was a Zealander belonging to a family of warriors and was probably a clerk in the service of Absalon, archbishop of Lund from 1178 to 1201. Saxo is first mentioned in Svend Aggesen's Historia Regum Danicae compendiosa (1185"" ""Short History of the Danish Kings"") as writing the history of Svend Estridsen (d. 1076).The Gesta Danorum was written at the suggestion of Archbishop Absalon: its 16 volumes begin with the legendary King Dan and end with the conquest of Pomerania by Canute IV in 1185. The work is written in a brilliant, ornate Latin. It was his Latin eloquence that early in the 14th century caused Saxo to be called ""Grammaticus."" The first nine books of the Gesta Danorum give an account of about 60 legendary Danish kings. For this part Saxo depended on ancient lays, romantic sagas, and the accounts of Icelanders. His legend of Amleth is thought to be the source of William Shakespeare's Hamlet" his Toke, the archer, the prototype of William Tell. Saxo incorporated also myths of national gods whom tradition claimed as Danish kings, as well as myths of foreign heroes. Three heroic poems are especially noteworthy, translated by Saxo into Latin hexameters. These oldest-known Danish poems are Bjarkemaalet, a battle hymn designed to arouse warlike feelings Ingjaldskvadet, a poem stressing the corruptive danger of luxury upon the old Viking spirit" and Hagbard and Signe, a tragedy of love and family feuds. The last seven books contain Saxo's account of the historical period, but he achieves independent authority only when writing of events close to his own time. His work is noteworthy for its sense of patriotic purpose based on a belief in the unifying influence of the monarchy. By presenting a 2,000-year-long panorama of Danish history, he aimed to show his country's antiquity and traditions. Saxo's work became a source of inspiration to many of the 19th-century Danish Romantic poets."" (Encycl. Britt.) Laur.Nielsen 240. - Thesaurus 190.
Beretning om Forhandlingerne paa Rigsdagen. 2 vold, nr. 1-188 og 189-492 + Anhang. (Komplet). - [FROM ABSOLUTE MONARCHY TO A CONSTITUTIONAL MONARCHY - DENMARK'S FIRST DEMOCRATIC CONSTITUTION]
Kjøbenhavn, Bianco Luno, 1848-49 + 1849. 4to. Two volumes, both in the original blue boards with paper title-label to spine. Wear to extremities, hinges and edges of boards with loss of the blue paper, primarily affecting vol. 2. Inner hinge on vol. 2 split. Occassional brownspotting throughout. 3906, LXVI columns. (= 1986 pp.).
Scarce first printing of all the minutes of The Danish Constitutional Assembly 1848-49. The Danish Constitutional Assembly of 1848-1849 was a pivotal event in Denmark’s political history, marking the transition from absolute monarchy to a constitutional monarchy, Denmark's first democratic constitution. This assembly was organized in the wake of revolutionary movements sweeping across Europe in 1848 which sparked widespread demands for political reforms – also in Denmark. The assembly’s main achievement was the drafting and adoption of Denmark’s first democratic constitution, known as the Grundlov (The Constitution), on June 5, 1849, thus ushered a new era of constitutional rule and laying the groundwork for the modern Danish state. The constitution applying equally in the Realm of Denmark: Denmark proper, Greenland and the Faroe Islands. ”At the beginning of the 1800s demands for political reform grew around Europe. Inspired by, for example, Norway’s constitution of 1814 and the July Revolution in Paris of 1830, a national liberal movement emerged in Denmark rooted in the middle classes of Copenhagen. The national liberals made demands for representative government guaranteed by a free constitution. The peasantry organised themselves into the Society of the Friends of Peasants, which supported the liberal demands, for instance, through the weekly publication “the Friend of the Peasantry. Originating in Paris, a new wave of revolutions swept across Europe in 1848. Social and democratic reforms were demanded. In many places the calls for democracy became linked to national questions.” (National Museum of Denmark). “In 1848, Denmark was on the periphery of revolutionary Europe. In March, the outbreak of revolution in several European cities inspired Danish liberals and radicals to convene mass meetings that demanded a free constitution and universal suffrage. King Frederik VII and his advisors were equally affected by the European developments and abolished absolutism before the threat of violent conflict could be realised in the capital. The developments of March 1848 initiated a constitutional struggle that ended on 5 June 1849 when Frederik VII signed the country’s first free constitution, which came to be known as the June Constitution. In contrast to the experience in many European states, counter-revolution was absent in the Danish kingdom, and the June Constitution remained in function beyond the revolutionary years. The exception to this picture of a non-violent, almost gentle revolution are of course the developments in the duchies of Schleswig, Holstein and Lauenburg, where violence erupted in March 1848. Thus, the constitutional struggle in the capital was played out alongside the First Schleswig War (1848–1851) in Jutland and the duchies.” (Nørgaard, A Battle for Democracy The Concept of Democracy in the Constitutional Struggle, Denmark 1848–1849).
Clara Raphael. Tolv Breve, udgivne af Johan Ludvig Heiberg. - [FOUNDING FEMINISM IN DENMARK]
Kjøbenhavn [Copenhagen], 1851. Bound in a lovely, elegant later (ca 1920) brown half calf with gilt spine and blindtamped borders to boards. Some brownspotting throughout. Numerous pencil-annotations. Fly-leaf with old owner's name. Last leaf repaired at inner hinge, no loss.
Scarce first edition of the first feminist novel in Denmark, the highly controversial and influential ""Clara Raphael"", which is the work that sparked the battle for women's rights in Denmark. The work is is main work of feminism in Denmark and the first Danish governess novel. It founded an entirely new genre of women's novels hitherto unknown in Denmark. The work, which constitutes the break-through of feminism in Denmark, was greatly controversial and immediately caused great furore. It resulted in the so-called Clara Raphael Dispute, in which for instance N.F.S. Grundtvig defended Mathilde Fibiger. Due to the controversial contents of the work, Mathilde Fibiger published it anonymously, and only J.L. Heiberg (1791-1860, perhaps the most famous cultural persona during the Danish Golden Age. He played a more significant role than any other author or thinker during this period) is mentioned on the title-page, as the editor. No publisher had wanted to touch this highly controversial work, and it was only after the appearance of ""Jane Eyre"" that a publishing house dared take it on. As Mary Wollstonecraft had pioneered feminist philosophy with ""A Vindication of the Rights of Women"" from 1792 and argued for education as the means to liberate women, so Mathilde Fibiger surprised her Danish contemporaries with her groundbreaking novel ""Clara Raphael. Twelve Letters"", from 1851, in which she made the connection between the national-democratic movement and the liberation of women. With this book, which deals with the inequality of the sexes and the lack of possibility for women to develop themselves, Mathilde Fibiger became the first notable advocate of the emancipation of women in Denmark. It was not only the political controversy caused by the request of equality that made the book so extremely controversial, it was also the ability of the merely 20 year old author to clearly and precisely state and substantiate the essential problems. When reading the book, it is not difficult to see why it came to have the effect that it did, and why it caused the furor that it did. For instance, Clara Raphael, when despairing at the position of women in society, writes: ""Our position in society is tragic, and why? What right does man have to suppress us? For subjugated we are, despite the chains being gilded."" She understands that casting off these chains will be no easy matter, and that it will not only be a matter of politics, but also of consciousness and mindset: ""When the peasants were granted their freedom, some of them wept, begging for permission to keep things as they had been."" One of the beaming sentences of the novel is Clara's response to her friend when asked what she is actually fighting for: ""I will fight and live for what I understand by the emancipation of women.""Her hope of breaking with the existing patriarchal system of society required national and democratic self-awareness, which for her constituted a promise of freedom. In 1871, Frederik Bajer (1837-1922) and Matilde Bajer (1840-1934) founded the Danish Women's Society, the first women's organisation in Denmark. Mathilde Fibiger was one of the earliest members of the Society. When the Danish Women's Society was established, it did not demand female suffrage. It was not until 1906 that a majority of the members were in favour of making that demand the official policy of the Society. In Denmark, women were not allowed to vote in parochial church council elections until 10+3" not until 1908 were they allowed to vote in parish council and local council elections, and not until 1915 in the Folketing and the Landsting elections. It was not until then that women became fully-fledged citizens in a political sense.
Mémoires pour servir a la connoissance de l'Etat actuel du Royaume de Danemark. Traduits de l'Allemand de Mr. de Schirach & enrichis de plusiers additions & corrections de l'auteur même. - [THE ECONOMIC AND DEMOGRAPHIC SITUATION OF DENMARK]
(No place), 1785. 8vo. Very nice cont. marbled paper binding w. gilt tilte-label and gilt (library) marking (B.UH) to spine. A bit of wear w. minor loss to capitals. An excellent, very nice and clean copy. 183 pp.
The very rare first French edition of this important work on Danish demography and economy. The work is an augmented translation of the second half of ""Über das königliche Dänische Indigenatrecht und einige andere Gegenstände der Staatswissenschaft und Geschichte"" from 1779, by the same author.The work contains tables that show the current demographical situation in Denmark, Norway, Iceland, Schleswig, Holstein, Oldenburg, and Delmenhorst, as well as the economic situation and development of the Kingdom of Denmark, e.g. an aspect of the trade-relation between the Kingdom of Denmark and that of England from 1698 till 1754. The work is thus highly interesting in several regards. It is one of the earliest works to deal with the question of the right of citizenship in Denmark and an early account and analysis of the economic situation of the country. The work must also be one of the first to seriously treat the demographical aspect of Denmark, as the first census in Denmark took place in 1769, and the second in 1787, being the only conts of the entire population of the Kingdom of Denmark conducted before the 19th century.Gottlob Benedikt von Schirach (1743 - 1804) was the son of the theologist Christian Gottlob Schirach. G.B. Schirach was a German historian and Danish counsellor of legation. He published a number of books within the fields of history and economics, due to which he came to be regarded as one of the most important writers of his time. He founded the journal ""Politisches Journal..."" in 1781, which became one of the one of the first really important journals of Northern and Middle Germany. Biblotheca Danica I: 739
Les Voyages de Monsieur Des Hayes, Baron de Courmesvin en Dannemarc. Enrichis d'Annotations. Par le Sieur P.M.L. - [DESCRIPTION OF A VOYAGE TO DENMARK]
Paris, Chez Pierre Promé, 1664. 12mo. In contemporary full calf with five raised bands and richly gilt spine. Extremities with wear and top 5 mm. of spine missing. Corners bumped and part of lower corner of front board worn of. Front free end-paper detached. Previous owner's name on title-page crossed out. First few leaves missing small parts of paper in lower margin, far from affecting text. Stain to lower edge. (8), 284 (wrongly printed as 184), (3) pp.
First edition of Des Hays’ work on his voyage to Denmark, constituting one of the earliest description of a voyage to Denmark. It is written as a diary during his stay in Denmark and his preparations for a diplomatic mission to Moscow regarding a commercial treaty for the Baltic Sea trade. Beside descriptions of various part of of various parts of Denmark it also include Schleswig-Holstein and the Baltic countries.Louis Deshayes was born at the end of the sixteenth century. He undertook various diplomatic missions to the East, Russia and Denmark, on behalf of Louis XIII. Deshayes was accused of conspiring against Cardinal Richelieu and was beheaded in 1632.
