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BAILEY, David.
Eye.
Gottingen Steidl 2009
Reference : 2177
2009 Edition. FINE - a never opened copy, still in publisher's shrink-wrap. No bumps or wear. The book is bound in a hardcover of printed cloth, designed with a dark blue background, titled in white and with a decorative image of an eye in white, light blue and pink on the front panel. No dust jacket was issued. A selection of Bailey's photographs from 1962 to 2008. Mostly black & white, they feature influential directors, artists, fashion designers and musicians, including Andy Warhol, Henri Cartier-Bresson, Yves Saint Laurent, John Huston and Ellsworth Kelly. 188 pages with 3 color plates, 89 tritone plates. 260 x 340 mm (10Œ x 13œ inches).
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Harrison-Hiett Livres Rares
Mrs Marcia Harrison
+33 7 84 03 12 53
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Remboursement intégral si non satisfait de l'état du livre dans les 14 jours suivant la réception
5 book(s) with the same title
Reference : alb2dd4e1fbed7f6531
Hooks A. A course of eye diseases. In Russian (ask us if in doubt)
Hooks A. A course of eye diseases. In Russian (ask us if in doubt)/Kryukov A. Kurs glaznykh bolezney.The contents of this book comprise a condensed course of eye diseases read by the author as a private associate professor In the 1891 / 1892 academic year and In clude all the relevant In formation necessary for the successful study of eye diseases. Author Adrian Alexandrovich Kryukov (1849 / 1908) an ophthalmologist professor and director of Novo-EkaterIn sky Hospital In Moscow became an extraordIn ary professor of eye diseases at Moscow University In 1895. SKUalb2dd4e1fbed7f6531.
Private Eye - n°109 friday 19 feb. 1966 - Is this the last private eye ? - colour section - first with moon pictures triumph gnome by Lunchtime C'Booze - world acclaims private eye scoop - my mistake admits knacker H-Bomb story exaggerated etc.
Pressdram Ltd. 1966. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 16 pages - quelques illustrations en noir et blanc dans le texte - revue en anglais - pages perforées.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
Revue en anglais - Sommaire : Is this the last private eye ? - colour section - first with moon pictures triumph gnome by Lunchtime C'Booze - world acclaims private eye scoop - my mistake admits knacker H-Bomb story exaggerated - just fancy that - life of a salesman - those works b.b.c. squeaks - budgetitits 66/67 - Dr Burton at the oxford playhouse - the munsters M.Ps attend privat showing - Churchilliana at gnome house Many exhibits of a unique nature - Mrs Wilson's diary . Classification Dewey : 70.49-Presse illustrée, magazines, revues
Luc Dondeyne Third Eye /// SIGNED!!!!!
, MER - Borgerhoff & Lamberigts, softcover, 166 pag. *** met handgeschreven opdracht / gesigneerd door LUC Dondeyne. ISBN 9789463931144.
Through his work, Luc Dondeyne offers us his view of the world. He gives us the opportunity to look together with him by showing us sometimes literally that he looks at the world through a lens. This looking together results in special and unusual compositions, such as portraits without face or with the face turned away, as well as people who are portrayed from the back. The spectator thus becomes part of the triangular relationship Dondeyne deliberately involves himself and ourselves in: the triangle between the artist as viewer, spectator and maker. Those looking at the works are in the middle of this triangle, and consequently they become part of the artist?s gaze and therefore also of the work. The intuition, imagination and inner wisdom with which the third eye or the sixth chakra fills us, may also open the gate to the collective memory, on which not only Dondeyne relies but also the spectator who looks at the artist?s works. Frequently, Dondeyne refers in his titles and images consciously or subconsciously to the history of art and culture. He invites us to open our own third eye and to join him to tap into his huge source of knowledge and associations that allows him to connect that which he sees through the third eye with that which he depicts thereof on the canvas or on paper, and with the spectator who contemplates the final result.
EYE EYE EYE - SE DEFAIRE DE L'EMPRISE VISUELLE
DEUX-CENT-CINQ EDITIONS
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782919380503
[Max Ernst] - ERNST, Max - (Joe Bousquet, René Crevel, Paul Éluard, Dorothea Tanning, Benjamin Péret, Man Ray, Robert Desnos, Nicolas Calas).
Reference : 3170
(1949)
The Copley Galleries. AT EYE LEVEL. Paramyths. Max Ernst, 30 years of his work (1949). 1 des 22 avec l'eau-forte originale justifiée et signée.
The Copley Galleries. At Eye Level. Paramyths. Max Ernst, 30 years of his work. A survey. Beverly Hills, William N. Copley, 1949. 1 volume in-8, demi-toile bleue à la Bradel, plats illustrés (reliure de l' éditeur). Première édition : tirage limité à 513 exemplaires. Un des 22 exemplaires de tête (nº 5) enrichis d'une gravure originale justifiée 5/22 et signée de Max Ernst, précédée par la photographie iconique du couple Dorothea Tanning et Max Ernst avec sa sculpture Capricorn de 1947 reproduite sur papier jaune. Fameux catalogue incluant l'édition originale de Paramyths, une suite de huit poèmes illustrés de huit collages. Conçu par Max Ernst, l'ouvrage est en fait composé de trois parties : - Max Ernst, 30 years of his work. A survey, catalogue (66 titres) de l'exposition organisée à la galerie Copley du 10 janvier au 10 février 1949. Extraits de textes de André Breton et Piet Mondrian. (8 p.), tiré sur couché bleu et jaune. - At eye level, poèmes, textes ou extraits de textes consacrés à Max Ernst par Joe Bousquet, René Crevel, Paul Éluard, Dorothea Tanning, Benjamin Péret, Man Ray, Robert Desnos, Nicolas Calas. Illustré de reproductions noir et blanc d'oeuvres de Max Ernst. (14 p.), tiré sur couché blanc. - Paramyths. New Poems and Collages. 8 poèmes accompagnant 8 collages de Max Ernst. (18 p.), le premier feuillet sur couché blanc, la suite sur papier fort bleu. La justification porte sur ce dernier élément (Spies / Leppien 30A). --- ENGISH DESCRIPTION: - ONE OF THE 22 COPIES WITH THE ORIGINAL ETCHING NUMBERED 5/22 AND SIGNED BY MAX ERNST. - Cover designed by Max Enst. - An iconic photograph of Max Enst with Dorothea Tanning in reproduction and eight collages. "This illustrated work for which the painter composed both the poems and the collages undoubtedly serves as the single best example of Ernst's combined talent as verbal and graphic artist" (Renee Riese-Hubert, Surrealism and the Book, p. 108). Extremely scarce. Dimensions: livre 25,8 x 19 cm, feuille 25 x 18,4 cm, cuivre 17,4 x 12,7 cm. Références: Spies/Leppien 30, Hugues/Poupard 21, Brusberg/Völker 51. Exemplaire particulièrement bien conservé. Photographies supplémentaires sur demande. More pictures on request. Mots clés : - Catalogue d'exposition - Surréalisme - Livres modernes illustrés - Illustré moderne - Edition originale
Exemplaire particulièrement bien conservé , de plus, conservé dans une boite contemporaine. Photographies supplémentaires sur demande. More pictures on request.
