Taschen GmbH (26 novembre 2004)
Reference : lc_15807
In-8 broché, comme neuf.
Bookit!
M. Alexandre Bachmann
Passage du Rond Point 4
1205 Genève
Switzerland
Virement bancaire, PayPal, TWINT!
Amsterdam 1986 / 2017
Five black and white digital prints - after Ilford negative 1986. Signed in pen and pencil by the photographer (on reverse side). The 4 photo-diptychs and 1 photo show Haring at work, discussing his work, drawing and surrounded by ghetto blaster, cassette tapes, and spray cans. Printed on matte 300 gms paper. In 1986, New York graffiti artist Keith Haring was invited to exhibit by the Stedelijk Museum in Amsterdam. He was also asked to spray a velum with his characteristic 'playing men'. This velum has been shown again recently at the Stedelijk Museum. Photo press followed Haring at work, and these images are part of a photo shoot with Chris Reinewald, then journalist for 'Plug' - a cultural youth magazine. In fine condition. 210 x 298 mm (8Œ x 11Ÿ inches).
São Paulo / Brasília, Centro Cultural Banco do Brasil, 2003. Created for the first Keith Haring exhibition in Brazil where 55 of his artworks were shown. A colorful 180 x 140 mm booklet with a detail from one of Haring's Untitled painting and his name in white on the front cover and a youthful picture of Haring on the back. Softcover with jacket flaps. Bilingual, starts with texts in Portuguese and ends with the same texts in English. Features many black and white pictures of Keith Haring, many of his artworks and two texts: "Urban Radiance: reflections on the life and work of Keith Haring" by art historian Joshua Decter and "Keith Haring in Brazil" by his lifelong friend Kenny Scharf. "In the early 1980s, New York streets and subways were the first to showcase the work of Keith Haring, vigorous graffiti-like pictures indicative of his engagement with mass culture. Today, for the first time ever in Brazil, Centro Cultural Banco do Brasil showcases fifty-five works by this artist, including drawings and paintings. The exaltation of U.S. society never benumbed Haring's critical view regarding his environment or historical moment in time. Humor and wit pulsate in the spontaneously fluid linework if this artist whose freedom in handling themes and forms conquered space and contributed to the creation of a direct, and at times almost plain language rooted in the vocabulary of mass culture and means of consumption." (Back flap)
Imperceptible traces of scruffing on the front cover, joints and on the first/last pages. Aside from that, it is toned and in good shape.
New York, Tony Shafrazi Gallery, 1982 Original Spiral bound and original illustrated cardboard covers in fine condition! 144 pages, Many colour, B/w photographs and B/w illustrations. 9 9inch. | 22.9 22.9cm.
First edition of this book, limited to 2000 copies, rare and wanted in perfect condition, 144 pages. (the first 32 on yellow paper). Many colour, B/w photographs and B/w illustrations,all present as called for plus very informative text, stickers are not present. This rare book is in very good condition! -- The exhibition catalog for the landmark 1982 show that launched Keith Haring's career. The first professional publication of Haring's work, the catalog surveys Haring?s work from the late 1970s and early 1980's. The catalog includes writings on the artist as well as shots of Haring's studio, works on paper and canvas, sculpture, subway graffiti, billboards, posters, ephemera, portraits of the artist, and other works. Presented in strikingly printed full color and black and white pages.
Ostfildern-Ruit, Hantje Cantz, 2001 Bound, red cardboard, illustrated dustjacket, 195 x 285mm., 200pp., very profound colour illustration, biographic material. ISBN 9783775710824.
The American painter and sculptor Keith Haring, who died in 1990, was undisputedly one of the most popular artists in the 20th century. More than ten years after his death, his output is still as important to younger artists as it is to the wider public. Therefore it seems all the more essential to present a profile of the less well-known Haring - looking beyond the Haring of the ubiquitous, world-famous cheerful matchstick figures. From his earliest days as an artist, Haring engaged with the meaning of death, suffering and violence, with the importance of religion and the afterlife in our own lives. It is only against this background that Keith Haring's positive, life-affirming "icons" can be properly understood. The main focus of this publication is on paintings and drawings from the artist's estate - some never previously published - and the rarely seen large-format pictures and wall hangings on the theme of Heaven and Hell. New book.
Galerie 1900-2000, Paris 1990, 24x32cm, broché.
Edition originale du catalogue des oeuvres de Keith Haring exposées à laGalerie 1900-2000, rue Bonaparte à Paris, du 15 au 30 janvier 1990. Texte de David Galloway traduit en français par François Letaillieur. Agréable exemplaire en dépit des plats très légèrement et marginalement décolorés sans gravité. Nous joignons un carton d'invitation dépliant évoquant les trois prochaines expositions à la galerie 1900-2000 dont celle de Keith Haring. - Photos sur www.Edition-originale.com -
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