GOATER EDITIONS
Reference : SVBLIVCN-9782918647102
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782918647102
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Sidlina, Natalia: Expressionists: Kandinsky, Munter and the Blue Rider. Exhibition: London, Tate Modern, 2024. 240 pages, colour illustrations throughout. Hardback. 27x23cms. An exploration of the Blue Rider group's members and their artistis production. Twenty-eight essays explore four themes: times and places, relationships, studio practice, and networking. Discussions include Gabriele Munter's photographs of America and Tunisia, the influence of children's art, Marianne Werefkin's salon as well as collaborations between artists like Else Lasker-Schuler and Franz Marc. Includes a chronology following the Blue Rider artists from 1889 to 1914 and artist biographies.
An exploration of the Blue Rider group's members and their artistis production. Twenty-eight essays explore four themes: times and places, relationships, studio practice, and networking. Discussions include Gabriele Munterâs photographs of America and Tunisia, the influence of childrenâs art, Marianne Werefkinâs salon as well as collaborations between artists like Else Lasker-Schuler and Franz Marc. Includes a chronology following the Blue Rider artists from 1889 to 1914 and artist biographies. Text in English
McCarthy, Alexa & Moretti, Laura & Sachet, Paolo
Reference : 124830
(2024)
ISBN : 9788822269096
McCarthy, Alexa & Moretti, Laura & Sachet, Paolo: Venice in Blue. 2024. 212 pages, 91 colour illustrations. Paperback. 24 x 17cms. A study on the use of handmade blue paper in Italy during the first half of the 16th century, looking at its significance and transcultural impact. 6 essays explore the papermaking process, the relationship between its use for drawings in Tintoretto's workshop and coeval texts on artistic practice, its production and use in the Marche region, drawings and etchings on blue paper, several editions of Serlio's third and fourth books on architecture, as well as new perspectives on the practice of printing books, looking specifically at Aldus Manutius and Gabriele Giolito. .
A study on the use of handmade blue paper in Italy during the first half of the 16th century, looking at its significance and transcultural impact. 6 essays explore the papermaking process, the relationship between its use for drawings in Tintorettoâs workshop and coeval texts on artistic practice, its production and use in the Marche region, drawings and etchings on blue paper, several editions of Serlioâs third and fourth books on architecture, as well as new perspectives on the practice of printing books, looking specifically at Aldus Manutius and Gabriele Giolito. . Text in English
BSI. 2021. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 74 pages - quelques photos et illustrations en noir et blanc dans et hors texte. Coupure au cutter sur le 1er plat. Revue en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
"Contents : In memoriam Michael Francis Whelan - A first look at ""The Blue Carbuncle"" - Leslie S. Klinger : ""The Blue Carbuncle"" : the first public case of Sherlock Holmes, and the one that created his career - David L. Leal : Justice, mercy and ""The Blue Carbuncle"" - Aaron J. Walayat : My Sherlockian Family Tree - Alan Rettig : Sherlock Holmes and the Fatal Cut - Terence Faherty : That's a wrap : The adventure of the Golden Age Glossy - Jerry Kegley : Baker street views - Mattias Boström : The Commonplace Book -.. Classification Dewey : 420-Langue anglaise. Anglo-saxon"
, silvana, 2012 Hardcover with dusjacket, Engelstalig, 260 pagina's. 35x289x259 mm. ISBN 9788836623167.
Jan Fabre is one of the few artists of our epoch who so radically bring the metaphorical to what is immediately conceivable - and let it unfold its power there. (Lorand Hegyi)This catalogue invites you to enter the poetic and sensitive universe of an exceptional creator. Artist and author, Jan Fabre lets us see a unique world marked with metaphors, fantasies, symbols and realities. Often presented as a subversive artist, Jan Fabre brings us to discover here the Hour Blue, this hour of daybreak which immerses our reality in a strange universe, in which the forms escape their outline to drown themselves and spread their presence into a deep blue. This poetic hour becomes the intervening period convenient to all kinds of metamorphosis and outbreaks, and so animals, faces, objects appear and rise to the surface scrawled in blue Bic of Jan Fabre's drawings.
MacGuire, Becky: Four Centuries of Blue and White: The Frelinghuysen Collection of Chinese and Japanese Export Porcelain. London: 2023. 432 pages, over 300 colour illustrations. Hardback. 29x25cms. A look at the 16th to the late 19th-century blue and white porcelain in the Frelinghuysen collection. A catalogue of 317 works is divided into thirteen themes and categories including faith, drinking vessels, European designs and works for the southeast Asian and Japanese markets. Each object is illustrated and discussed.
A look at the 16th to the late 19th-century blue and white porcelain in the Frelinghuysen collection. A catalogue of 317 works is divided into thirteen themes and categories including faith, drinking vessels, European designs and works for the southeast Asian and Japanese markets. Each object is illustrated and discussed. Text in English