EQUATEURS ED.DES
Reference : SVBLIVCN-9782849908020
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782849908020
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1781 Belin, Paris, 1781. Un volume in 8° sans reliure de VIII, 526 pages, état moyen, pages cornées.
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Edward Arnold, London Malicorne sur Sarthe, 72, Pays de la Loire, France 1928 Book condition, Etat : Bon hardcover, editor's binding, full clothes, black spine, dark blue boards, black title-piece In-4 1 vol. - 135 pages
21 texte-figures in black, a plate in frontispiece, photograph of a group in the laboratory in 1896, with Shieds, Sir William Ramsay, Travers, Williams and Kellas 1st edition, 1928 "Contents, Chapitres : Preface, Contents, vii, Text, 128 pages - Chemistry in the early Nineties - A new gas - Elements of compound - An unpublished reply to critics - Helium - Helium and argon, single elements of mixtures - A undiscovered gas - The search for the unknown gas - May and june, 1908 - Krypton and xenon - A difficult problem - Last experiments and Neon - Index - Morris William Travers, FRS (24 January 1872 25 August 1961) was an English chemist who worked with Sir William Ramsay in the discovery of xenon, neon and krypton. His work on several of the rare gases earned him the name Rare gas Travers in scientific circles. He was the founding director of the Indian Institute of Science. - Sir William Ramsay KCB FRS FRSE (2 October 1852 23 July 1916) was a Scottish chemist who discovered the noble gases and received the Nobel Prize in Chemistry in 1904 ""in recognition of his services in the discovery of the inert gaseous elements in air"" along with his collaborator, John William Strutt, 3rd Baron Rayleigh, who received the Nobel Prize in Physics that same year for their discovery of argon. After the two men identified argon, Ramsay investigated other atmospheric gases. His work in isolating argon, helium, neon, krypton and xenon led to the development of a new section of the periodic table." "ex-library copy, the binding is lightly used, top of the spine-end torn, 2 cms missing of clothes on the bottom of the spine, binding remains clean and rather nice, no dust-jacket, inside is in good condition, but with few library markings and book plate, the text is fine and unmarked, the book is incribed by Morris W. Travers to Chaston Chapman (Alfred Chaston Chapman was a chemist with a specialist interest in fermentation and brewing. He was president of the Institute of Brewing and Distilling from 1911-1913. In 1939 his widow donated to Leeds University Library his collection of books). This item is coming from Leeds University Library, with the stamp ""cancelled"". A very interesting paper on the origins of Rare Gases and Sir William Ramsay"
Johannesburg, David Krut Publishing, 2006 Softcover, 159 pages, 28 x 26 cm, ENG fine ISBN 9780958486040.
Although William Kentridge is now well known for his films, drawings, and theatre productions, he began his artistic career learning etching at the Johannesburg Art Foundation under Bill Ainslie. He spent two years teaching printmaking at this Foundation and his earliest exhibitions featured his monotypes and etchings such as the Domestic Scenes series. William Kentridge Prints is the first book to focus specifically on Kentridge's formidable print oeuvre, filling a gap in published work on the artist to date. It is also the first major publication on William Kentridge to be published in South Africa. The book includes over 180 works and presents the full range and complexity of Kentridge's printmaking, from his linocuts of the 1970s to his recent sophisticated and distinctive Thinking Aloud drypoints created while he was working on his production of Mozart's opera, The Magic Flute, which premiered in Brussels in April 2005. David Krut began publishing William Kentridge editions in the 1990s and in 1997 compiled and edited a CD-ROM on the artist, the first publication on Kentridge to address the full range and complexity of his work. Krut compiled and edited the final print list for this book and contributed the Introduction, which gives a brief history of Kentridge's projects and collaborations with printers. The publication of this book coincides with a travelling exhibition that opened at the Faulconer Gallery, Grinnell College, Iowa in late 2004 and travels to other museums in the United States through 2007. William Kentridge Prints includes a Foreword by Lesley Wright, Director of the Faulconer Gallery at Grinnell College, the Introduction for the original exhibition catalogue by Kay Wilson, Curator of the Faulconer Collection, and an essay by the award-winning poet, critic, and translator Susan Stewart, Professor of English at Princeton University. Stewart has published four books of poetry and several critical texts including The Open Studio: Essays on Art and Aesthetics (University of Chicago Press, January 2005). In addition, the book includes a series of rare personal commentaries by Kentridge that give wonderful insight into the ideas and working methods of an obsessive and highly sophisticated printmaker.
1962 1962. Mystère Magazine N°172 Mai 1962: Raymond Chandler-William McGivern-William Irish . Mystère Magazine N°172 Mai 1962: Raymond Chandler-William McGivern-William Irish
Etat correct
[William Kentridge] - Siebrits, Warren
Reference : 122738
(2022)
ISBN : 9783969991435
Siebrits, Warren: William Kentridge. Catalogue Raisonné Volume 1. Prints and Posters 1974 - 1990. 2 volumes. Göttingen: 2022. 688 pages with 781 illustrations. Hardback in a slipcase. 30.2 x 24cms. This first of a projected five-volume catalogue raisonné focuses on William Kentridge as a graphic artist. Volume 1.1 includes a timeline tracing the influence of art and theatre on Kentridge's oeuvre followed by an illustrated catalogue of 329 final states of prints and posters with notes by William Kentridge. Volume 1.2 presents the plate progressions of each print, all illustrated and complete with descriptions and author's notes.
This first of a projected five-volume catalogue raisonné focuses on William Kentridge as a graphic artist. Volume 1.1 includes a timeline tracing the influence of art and theatre on Kentridges oeuvre followed by an illustrated catalogue of 329 final states of prints and posters with notes by William Kentridge. Volume 1.2 presents the plate progressions of each print, all illustrated and complete with descriptions and authors notes. Text in English