‎Sorokine, Vladimir‎
‎Roman‎

‎Das größte Glück im Leben: Roman | Bezaubernder Ostsee-Roman über ein Haus am Meer das Glück verspricht‎

‎Piper 2023 384 pages 13 7x20 5x3 6cm. 2023. perfect. 384 pages.‎

‎Etat correct‎

‎Histoire du Roman et de ses rapports avec l'Histoire dans l'Antiquité Grecque et Latine.‎

‎ Paris, Didier,1862 ; grand in-8°,demi-chagrin vert de l' époque , jeux de quadruples filets dorés et à froid, titre doré;2ff.,IVpp.,472pp.; très rares piqûres, pales juanissures en début et fin d'ouvrage.Bon exemplaire bien relié.‎

‎I-Le Roman pendant l'Epoque Attique: Les premières narrations fabuleuses en prose dans la littérature grecque. Les romans dans l'école de Socrate.- II- Le Roman pendant l'époque Alexandrine : Le Roman et l' Histoire pendant l' époque Alexandrine. Roman sur la vie des hommes célèbres.Premier age du roman d'Alexandre. Roman épique, ou narrations en prose sur les temps héroiques et la Guerre de Troie. Roman sur la géographie.-III- Le Roman pendant la période romaine : Le Roman et l'histoire pendant l'époque des Antonins. Le roman philosophique. Le Roman Juif et le Roman Chrétien. Roman sur la vie des hommes cél!èbres.Second age du Roman d' Alexandre. Le Roman Epique.Romans sur la géographie.Romans d'amour et d' aventures.Traces des Romans anciens dans la Littérature du Bas-Empire et du Moyen-age. ‎

‎Roman Identity. Between Ideal and Performance‎

‎, Brepols, 2023 Paperback, 402 pages, Size:156 x 234 mm, Illustrations:10 col., 2 tables b/w., Language: English. ISBN 9782503599229.‎

‎Summary Recent years have seen a significant increase in migration and displacement. Due to economic, political, and climatic pressures, large numbers of individuals are leaving their countries of origin and settling in new environments and societies. As a result, national identity has increasingly come to the fore in public discourse. Shaping and reshaping national agendas, debates surrounding national identity are affecting policies and influencing voting behaviours. Discourse on this issue is often centred on the idea of autochthony and nativism. Yet we do not encounter such anxieties in ancient Rome, one of the longest-lasting political orders in history. Unlike among the Greeks, the idea of autochthony did not take root among the Romans. Instead, Rome's identity tended to be fluid, accommodating the development of highly variegated and multi-ethnic groups and societies. The purpose of this volume is to understand how the Romans represented themselves and how others defined and regarded them. It aims to identify the various narratives that contributed to the construction of Roman self-representation by raising the following questions: What stories did Romans tell about themselves? How did they enact and perform their selfhood in biographical and autobiographical sources? How did Greek and Judean sources understand and define Roman identity? And, taken together, how did these narratives influence Roman self-perception? Rather than arguing for a monolithic or coherent understanding of Romanitas, this volume explores a variety of performances and manifestations of Roman identity. It focuses both on sources where the self or individual is the primary focus, alongside more general texts dealing with specific elements of Roman identity. TABLE OF CONTENTS Introduction: Defining Self and Other in Changing Situations and Discourses. The Dynamism and Fluidity of the Notion of Identity (Lautaro Roig Lanzillotta) I. Roman Identity in (Auto)Biographical Texts Similarities and Dissimilarities: Roman Identity and Models of Behaviour in Nepos' Punic Lives (Francesco Ginelli) Identity in Latin Verse Autobiography (Helen Kaufmann) Lucretia, Tullia and Tanaquil: Shaping the Identity of Rome's Women in the Augustan Period (Nuno Sim es Rodrigues) Pythagoreanism and Roman Identity in Plutarch's Aemilius Paullus (Davide Morelli) Overcoming Otherness in Flavian Rome: Flavius Josephus and the Rhetoric of Identity in the Bellum Judaicum (Eelco Glas) Performing Roman Identity in Suetonius' Caesars (Jos Lu s Brand o) When the Emperor is the Other: Perceptions of Identity in the Historia Augusta's Life of Maximinus (Cl udia Teixeira) II. Roman Identity in Political and Legal Discourses Quirites and Populus Romanus: New Identities and Old Figures in Archaic Legal Formulas (Carlo Pelloso) Rome in the Mirror: Varro's Quest for the Past, for a Present Goal (Federica Lazzerini) Sacra privata perpetua manento: A Reading of Cicero's De Legibus (Cl udia Beltr o) Roman Maiestas: Becoming Imperial, Staying Republican ( lia Rodrigues) What's in a Natio: Negotiating Ethnic Identity in the Roman Empire (Kelly Nguyen) Index rerum ac nominum‎

‎Romaikes Archaiologias Biblia Deka (in Greek). Antiquitatum Romanarum. Lib. X. Ex Bibliotheka Regia. + Peri Syntheseos Onomaton pros Roufon (in Greek). De compositione, seu orationis partium apta inter se collectione, ad Rufum. - [THE MAGNIFICENT EDITIO PRINCEPS OF THE MOST IMPORTANT SOURCE TO OUR KNOWLEDGE OF ROMAN HISTORY]‎

‎Paris, Robertus Stephanus, 1546 + 1547. Folio. Early 17th century full calf binding with six raised bands to spine, gilt title-label and single line-gilding to both spine and boards. Red speckled edges. Leather on boards with abrasions, and spine and corners restored. Loss of the original leather to capitals. First and last leaves with a bit of light brownspotting, but otherwise just the slightest of brownspotting. A very good, clean, well-margined copy. 19th century owner's name (Aubert) to inside of front board, 18th century note to front free end-paper, and Abraham du Prat's (1616-1660) handwritten ex-libirs to the first title-page, above which he has noted R. Estienne's age and year of death. Early armorial and Lyon Public College stamp (19th century) to blank part of first title-page. 538 (recte 542), (2) pp. + 128, (4) pp. Magnificently printed in Greek lettering, in Garamond's Grecs du Roi type, with titles, corrections, and colophons in Latin. Large decorated woodcut ornaments and initials. Title-pages with woodcut snake and olive branch. ‎

‎The splendid first edition - with a highly interesting provenance - of Dionyssos Halicarnassos' extremely important ""Roman Antiquities"", also known as ""Early Roman History"", which, together with Livy’s, is the most valuable source to our knowledge of early Roman history. It treats of Rome from its origins to the First Punic War, in twenty books, of which only the first 11 remain extant. Dionysius is the first major historian of early Roman history whose work is now extant, and his seminal “Roman Antiquities” is responsible for most of the knowledge that we have of ancient Rome as well as the primary source for the accounts of the Roman foundation myths, including that of Romulus and Remus. The myth spans the first 2 volumes of the work, beginning with Book I chapter 73 and concluding in Book II chapter 56. Most other ancient historians who wrote about early Roman history almost certainly used Dionysius as a source for their material, which can be traced back to the foundational magnum opus “Roman Antiquities”. Though written from a pro-Roman standpoint, the work was very carefully researched. Dionyssos selected carefully among authorities and preserved a wealth of details that would otherwise not have been known to us today. This seminal editio princeps is of the utmost importance for obvious historic reasons, but also plays a significant role in printing history. It is usually referred to as one of the most beautiful Greek books ever printed (beginning with Harwood), and it is with this edition that Robert Estienne’s son Henri, then merely 15 years old “was introduced to the work of his life, by helping his father correct the text. The book, magnificently printed in “grecs du roi”, has been called (by Harwood) one of the most beautiful Greek books ever printed. It is said that Francois I himself selected the work for publication from a manuscript in his library.” (Schreiber). “EDITIO PRINCEPS. “One of the most beautiful books the Greek press ever produced”, says Harwood. Freytag, in his Adpar.litt.t.ii. 1304-13, treats largely of this splendid edition, and of the books it contains (note: Besides the eleven books of Roman antiquities, it contains the first four chapters of “Ars rhetorica, de Genere dicendi Thukydides,” &c). “Typis vereregiis ac nitidissimis” says Fabricius.” (Dibdin). As often, the present copy of the “Roman Antiquities” is bound with Dionyssos’ rhetorical works “De compositione” etc., described as Schreiber as “Beautiful edition of Dionysius’ rhetorical works, which Robert printed, in “grecs du roi,” as a companion volume to the precious item (i.e. “Roman Antiquities”"" the two works are often found together. Provenance: Abraham du Prat (1616-1660) was a famous French physician and prominent member of l'Académie Montmor, a group of scholars who met in Paris to discuss scientific questions. He corresponded with Hobbes and translated Caspar Bartholin's ""Anatomicae institutiones"". Dibdin: I:507" Schreiber: 91a & 91b Renuard: 68:24 Adams D:626. Brunet II:726. ‎

‎Le Roman comique. Scarron. Nouvelle édition 2/2 + catalogue Elzevirien‎

‎Nouvelle édition, revue, annotée et précédée d'une introduction par Victor Fournel Paul Scarron était un écrivain français du XVIIe siècle, surtout connu pour son roman intitulé "Le Roman comique." Il était un écrivain satirique et humoristique de l'époque baroque. "Le Roman comique," publié pour la première fois en 1651, est considéré comme l'un des premiers romans français à adopter une approche résolument comique et satirique. Le roman raconte les aventures d'une troupe de comédiens itinérants en France pendant la première moitié du XVIIe siècle. Il se présente comme une parodie des romans populaires de l'époque, en particulier les romans précieux et sentimentaux. Scarron utilise le récit de la vie de la troupe de comédiens pour se moquer des conventions littéraires et sociales de son époque. Le roman est également remarquable pour son utilisation de l'autodérision. Scarron se moque souvent de lui-même, notamment en raison de son infirmité due à une paralysie. Il utilise son propre vécu pour créer des personnages comiques et excentriques. "Le Roman comique" est un exemple précoce de roman picaresque, un genre littéraire qui met en scène des anti-héros ou des personnages marginaux. Il a influencé de nombreux écrivains ultérieurs, notamment Molière et son théâtre comique. En résumé, "Le Roman comique" de Paul Scarron est un roman satirique et humoristique du XVIIe siècle qui se moque des conventions littéraires et sociales de l'époque tout en racontant les aventures d'une troupe de comédiens itinérants. Il est important dans l'histoire de la littérature française en tant que précurseur du roman picaresque et du théâtre comique. complet en deux volumes in-8, reliés percaline rouge, 17x9, bel état, 352, 304pp + catalogue de la bibliothèque Elzevirienne et des autres ouvrages du fond de P. Jannet. A Paris, Chez P. Jannet, 1857 ref/158‎