‎Grebe, Anja; Lessing, Erich; Pomarede, Vincent‎
‎The Louvre‎

‎ÉDOUARD VUILLARD : In the Louvre - Paintings for a Basel Villa /// Im Louvre - Bilder fur eine Basler villa. ‎

‎, Hirmer Verlag (Thames), 2021 Paperback, 200 pages / seiten, ENG / GER, 285 x 215 x 20 mm, NEW / NEU, illustrations in colour / b/w. ISBN 9783777437590.‎

‎In 1921/22 +douard Vuillard created a cycle of six paintings for the entrance hall of the Villa Bauer in Basel. Four large-format pictures show exhibition rooms in the Louvre from Antiquity to French Rococo painting. Two overdoors provide an intimate insight into the artistÆs art collection. The cycle of paintings is of outstanding quality as regards both content and form, but it to date has seldom been examined and exhibited. It was created immediately after the end of the First World War and the re-opening of the Louvre. VuillardÆs Louvre pictures are a humanist manifesto for the social importance and responsibility of museums as places that preserve the evidence of human creativity for future generations. ‎

‎Édouard Vuillard. In the Louvre. Paintings for a Basel Villa‎

‎Schwandner, martin, et al.: Édouard Vuillard. In the Louvre. Paintings for a Basel Villa. 2021. 160 pages, 60 colour illustrations. Hardback. 28 x 21cms. In 1921/22 Édouard Vuillard created a cycle of six paintings for the entrance hall of the Villa Bauer in Basel, depicting views of galleries in the Louvre and the Musee des Arts Decoratifs. The exhibition explores the context in which they were created, their reception and their place in Vuillard's oeuvre, drawing from archival material from the Bauer family. Text in English and German.‎

‎In 1921/22 Édouard Vuillard created a cycle of six paintings for the entrance hall of the Villa Bauer in Basel, depicting views of galleries in the Louvre and the Musee des Arts Decoratifs. The exhibition explores the context in which they were created, their reception and their place in Vuillard's oeuvre, drawing from archival material from the Bauer family. Text in English and German‎

‎Furniture Collections in the Louvre. Volume I: Middle Ages, Renaissance, 17th-18th Centuries (Ebénisterie), 19th Century. Volume II: Chairs and Consoles (Menuiserie), 17th and 18th Centuries. 2 vols‎

‎Alcouffe, Danile ; Anne Dion-Tenenbaum ; Amaury Lefebure & Bill Pallot: Furniture Collections in the Louvre. Volume I: Middle Ages, Renaissance, 17th-18th Centuries (Ebénisterie), 19th Century. Volume II: Chairs and Consoles (Menuiserie), 17th and 18th Centuries. 2 vols. Dijon: Faton, 2002. Volume I: 354pp with 118 colour pages and over 200 colour illustrations. Volume II: 210pp with 58 colour pages and 95 colour illustrations. Hardback. 30x23cms. This richly illustrated set is the first publication to catalogue fully the magnificent furniture collection in the Louvre. Volumes I provides a brief history of the collection and an analysis of the features particular to each period or style. Concentrating on 18th-century furniture by 'ébénistes' (cabinet-makers), each style is presented in a separate chapter, focusing on the most representative craftsmen, from Boulle, Cressent and B.V.R.B. to Oeben, Riesener and Martin Carlin. Volume II focuses on 17th- and 18th-century furniture (mostly chairs) by 'menuisiers' (joiners). With bibliography, index of names.Reprint of 1993 edition.‎

‎This richly illustrated set is the first publication to catalogue fully the magnificent furniture collection in the Louvre. Volumes I provides a brief history of the collection and an analysis of the features particular to each period or style. Concentrating on 18th-century furniture by 'ébénistes' (cabinet-makers), each style is presented in a separate chapter, focusing on the most representative craftsmen, from Boulle, Cressent and B.V.R.B. to Oeben, Riesener and Martin Carlin. Volume II focuses on 17th- and 18th-century furniture (mostly chairs) by 'menuisiers' (joiners). With bibliography, index of names.Reprint of 1993 edition. Text in English‎

‎Wim Delvoye au Louvre. / Wim Delvoye at the Louvre‎

‎, Fonds Mercator/ Mercatorfonds , 2012 Hardback, 300x240mm, 96p, 60 colour illustrations, English/ French edition. . ISBN 9789061530619.‎

‎Het boek bij de tentoonstelling geeft een beeld van de uitzonderlijke ontmoeting tussen de collecties van het Musee du Louvre en de wereld van een van de protagonisten van de hedendaagse kunst. De catalogus getuigt van het huidige onderzoek van Wim Delvoye rond de beeldhouwkunst van de negentiende eeuw en de digitale reproductieprocedes. De lezer kan zien hoe een reusachtige getorste pijl, genaamd Suppo, onder de piramide van het Louvre wordt geïnstalleerd. Vanaf het ontwerp tot de installatie van de werken in situ, biedt dit boek een parcours doorheen de zowel stilistische als technische waagstukken van de Belgische kunstenaar. Het rijkelijk geïllustreerd boek bevat een essay van Jean-Pierre Criqui, hoofdredacteur van de Cahiers du Musee national d'art moderne en een gesprek tussen Marie-Laure Bernadac, verantwoordelijke voor de hedendaagse kunst in het Musee du Louvre, en de kunstenaar. Musee du Louvre, Paris Expo: 31/05/2012 - 17/09/2012 L'ouvrage qui accompagne l'exposition du Louvre à Paris dresse le portrait d'une rencontre inédite entre les collections du musée du Louvre et l'univers de l'un des inventeurs de l'art contemporain. Le catalogue témoigne des recherches actuelles de Wim Delvoye sur la sculpture du XIXe siècle et les procédés informatiques de reproduction. Le lecteur découvrira également les moments forts de la mise en place de l'immense flèche torsadée, intitulée Suppo, sous la pyramide du Louvre. De la conception à l'installation des ?uvres in situ, un parcours à travers les audaces stylistiques autant que techniques du plasticien belge.‎

‎Les merveilles du louvre. Album of the Louvre in French Volume 2 In Russian /Les‎

‎Les merveilles du louvre. Album of the Louvre in French Volume 2 In Russian (ask us if in doubt)/Les merveilles du louvre. Albom Luvr na frantsuzskom yazyke 2 toma HACHETTE 1959. SKUalbbbfe76bb8e138866.‎