Milano, Charta, 1997. 28 x 22 cm, 215 pp. Broché en bel état.
Reference : 6200
Librairie L'Abac
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[Georg Baselitz] - Mason, Rainer Michael
Reference : 115132
(2019)
ISBN : 9783864421853
Mason, Rainer Michael: GEORG BASELITZ: Peintre - Graveur III / Catalogue Raisonné of the Graphic Work 1983 - 1989. Cologne: 2019. 360 pages, 279 colour illustrations. Hardback. 25 x 34cms. Comprehensive documentation of Baselitz's ouvre between 1983 and 1989, with 280 catalogue entries based on the artist's archive, as well as on notes, statements and initial descriptions collected by Detlev Gretenkort. Discusses woodcuts, drypoint engravings and 'Malelade', Baselitz's ars poetica of 1990. Text in English, French and German.
Comprehensive documentation of Baselitz's ouvre between 1983 and 1989, with 280 catalogue entries based on the artist's archive, as well as on notes, statements and initial descriptions collected by Detlev Gretenkort. Discusses woodcuts, drypoint engravings and 'Malelade', Baselitz's ars poetica of 1990. Text in English, French and German
[Georg Baselitz] - Baselitz, Georg, David Ekserdijian and Achim Gnann
Reference : 098994
(2014)
ISBN : 9781907533631
Baselitz, Georg, David Ekserdijian and Achim Gnann: Chiaroscuro: Renaissance Woodcuts from the Collections of Georg Baselitz and the Albertina, Vienna. Exhibition: London, Royal Academy, 2014. 224 pages, with 160 colour illustrations. Hardback. 28 x 24cms. Appreciated both as mementos of famous works in other media and in their own right for their sheer technical brilliance and visual power, the 150 chiaroscuro prints in this exhibition come from two of the finest collections in the world. They are presented with a focus on the craftsmanship of the artform's proponents in Germany, Italy and the Netherlands.
Appreciated both as mementos of famous works in other media and in their own right for their sheer technical brilliance and visual power, the 150 chiaroscuro prints in this exhibition come from two of the finest collections in the world. They are presented with a focus on the craftsmanship of the artform's proponents in Germany, Italy and the Netherlands.
[Georg Baselitz] - Hoerschelmann, Antonia
Reference : 122337
(2023)
ISBN : 9783777438627
Hoerschelmann, Antonia: Georg Baselitz. 100 Drawings : From the Beginning until the Present. Munich: 2023. 192 pages, 130 color plates. Hardback. 27x24cms. A consideration of George Baselitz's career as a draughtsman. Three essays explore Baselitz's oeuvre including the relationship between painting and drawing and themes of repetition; the influence of Mannerism and European Expressionism; and a conversation between the artist and Achim Gnann. The text is followed by an illustrated catalogue of 100 works, some accompanied by artist quotes. Ending with a chronology of Baselitz's career.
A consideration of George Baselitzs career as a draughtsman. Three essays explore Baselitzs oeuvre including the relationship between painting and drawing and themes of repetition; the influence of Mannerism and European Expressionism; and a conversation between the artist and Achim Gnann. The text is followed by an illustrated catalogue of 100 works, some accompanied by artist quotes. Ending with a chronology of Baselitzs career. Text in English
Baselitz, Georg: Georg Baselitz - Avignon. Exhibition: Venice, Biennale di Venezia, 2015. Unpaginated, illustrated throughout in colour. Paperback. 34.5 x 23cms.
[Georg Baselitz] - Calvocoressi, Richard
Reference : 099739
(2014)
ISBN : 9781935263968
Calvocoressi, Richard: Georg Baselitz: Farewell Bill. Exhibition: London, Gagosian Gallery, 2014. 104 pages, illustrated throughout in colour. Hardback. 21 x 28.6cms. Catalogue of an exhibition of self-portraits by Georg Baselitz (b. 1938), which represent a new approach in his persistent subversion of the painted subject, and a direct homage to the gestural figures of Willem de Kooning in their painterly technique and Abstract Expressionist style.
Catalogue of an exhibition of self-portraits by Georg Baselitz (b. 1938), which represent a new approach in his persistent subversion of the painted subject, and a direct homage to the gestural figures of Willem de Kooning in their painterly technique and Abstract Expressionist style