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KREN, THOMAS and SCOT McKENDRICK.
Illuminating the Renaissance. The Triumph of Flemish Manuscript Painting in Europe.
Los Angeles, J. Paul Getty Museum, (2004). Large 4to. Orig. full cloth with d/j. 575 pp. Richly illustrated, partly in colour. Clean and fine.
Reference : 52091
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Herman H. J. Lynge & Son
William Schneider
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2 book(s) with the same title
Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe
Kren, Thomas and Scot McKendrick: Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe. Exhibition: London, Royal Academy and Los Angeles, Getty Museum, 2003. c.480pp with 201 colour and 215 monochrome illustrations. Paperback. 31x23.5cms. Focuses on the zenith of Flemish illustrated manuscript production. Spanning the period between 1467 when Charles the Bold began his reign, to 1561, artists featured include Simon Marmion, Gerard David, Simon Bening and Gerard Horenbout. Discusses both secular and religious manuscripts, placing them in the wider context of contemporary visual arts.
Focuses on the zenith of Flemish illustrated manuscript production. Spanning the period between 1467 when Charles the Bold began his reign, to 1561, artists featured include Simon Marmion, Gerard David, Simon Bening and Gerard Horenbout. Discusses both secular and religious manuscripts, placing them in the wider context of contemporary visual arts. Text in English
Thomas Kren; Scot McKendrick; Catherine Reynolds; Brigitte Dekeyzer;
Reference : 55045
Illuminating the Renaissance : The Triumph of Flemish Manuscript Painting in Europe
, Getty Trust Publications, 2004 Hardcover, 575 pages, English, 315 x 240 x 50 mm, In Good Condition !!, red cloth with goldcoloured imprint, illustrated dustjacket, with coloured / b/w illustrations. ISBN 9780892367030.
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period - beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening - the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of colour, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Focusing on the notable artists of the period - Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others - the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style.
