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Serres Michel
Statues
Reference : CEG17RT
ISBN : 9782876860032
Julliard Broché D'occasion bon état 04/08/1994 346 pages
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Fenêtre sur l'Asie
M. Alexis Chevalier
49 rue Gay Lussac
75005 Paris
France
01 43 29 11 00
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Par correspondance ou en librairie (sur rendez-vous). Envoi possible par Mondial Relay pour limiter les frais de port (nous le signaler). Modes de règlement : - Paypal - Chèque (à l'ordre de "Fenêtre sur l'Asie" à expédier à Librairie Gay Lussac, 49 rue Gay Lussac, 75005 Paris - Virement (nous contacter pour obtenir notre RIB)
5 book(s) with the same title
Costumes Historiques de la France D'aprÚs les Monuments les plus authentiques, Statues, Bas-reliefs, Tombeaux, Sceaux, Monnaies, Peintures à fresque, Tableaux, Vitraux, Miniatures, Dessins, Estampes, etc.. 8 + app
Lacroix, Paul: Costumes Historiques de la France D'aprÚs les Monuments les plus authentiques, Statues, Bas-reliefs, Tombeaux, Sceaux, Monnaies, Peintures à fresque, Tableaux, Vitraux, Miniatures, Dessins, Estampes, etc. 8 + app. Paris: Administration de Librairie, 1852. Ten volumes. 2,629 pages of text with 640 hand-coloured engravings with gilt highlighting. With tissue guards and 7 black and white engravings. One quarter red morocco binding with cloth boards. Four raised bands, blind stamped and gilded lettering and floral frames. Top edge gilt. Silk endpapers. Ex libris on introduction volume. Mild shelfware. Slight foxing throughout. Quarter black morocco, raised and gilt, t.e. 25x16.5cms. Text in French.
Text in French
Most Beautiful Statues: Taste for Antique Sculpture, 1500-1900
Haskell, Francis & Nicholas Penny: Most Beautiful Statues: Taste for Antique Sculpture, 1500-1900. Exhibition: Oxford, Ashmolean Museum, 1981. xiv 82 pages. 15 black and white illustrations. Wrappers. 23.5x18.5cms.
Text in English
Iconography and styles : Tibetan statues in the Palace Museum : Tu xiang yu feng ge : Gu gong zang chuan fo jiao zao xiang Gu gong bo wu yuan bian. 2 volumes
Iconography and styles : Tibetan statues in the Palace Museum : Tu xiang yu feng ge : Gu gong zang chuan fo jiao zao xiang Gu gong bo wu yuan bian. 2 volumes. Beijing: Zi jin cheng chu ban she, 2002. 504 pages illustrated throughout in colour. Hardback. 29x22cms. Text in Chinese, abstracts and legends also in English.
Text in Chinese, abstracts and legends also in English
Statues de Chair: sculptures de James Pradier, 1790-1852.
Lapaire, C. et al:: Statues de Chair: sculptures de James Pradier, 1790-1852. Exhibition: Geneva, MusÃe d'Art et d'Histoire, 1986. 404pp with numerous monochrome illustrations. Wrappers. 24x22cms. James Pradier: Geneva 1790 - Paris 1852. One of the protagonists of the Romantic movement. Text in French.
James Pradier: Geneva 1790 - Paris 1852. One of the protagonists of the Romantic movement. Text in French
VALBELLE Dominique, YOYOTTE Jean-Michel (dir.).
Reference : 14494
ISBN : 9782840507123
Statues égyptiennes et kouchites démembrées et reconstituées. Hommage à Charles Bonnet.
<p>Dès l’Antiquité, bien des statues de rois, de dieux ou de particuliers ont été brisées, en Égypte et au Soudan, pour de multiples raisons : accidents, guerres, rivalités dynastiques, proscriptions. Mais elles gardaient une valeur sacrée pour les prêtres chargés de leur entretien, qui en ont souvent recueilli les fragments dans des cachettes à l’intérieur du périmètre des domaines divins, comme celles du Gebel Barkal ou de Doukki Gel. D’autres statues ont été dérobées peu de temps après leur sculpture pour être placées dans des cadres différents de ceux pour lesquels elles avaient été conçues. C’est le sort qu’ont connues les effigies de souverains et de particuliers de la XVIIe dynastie découvertes dans les sanctuaires et les tumuli de Kerma, mais initialement destinées à divers sites de Haute et Moyenne Égypte. D’autres enfin ont connu des restaurations antiques ou modernes. Plusieurs spécialistes internationaux s’efforcent de reconstituer certains de ces chefs d’œuvre, à partir de fragments parfois dispersés aux quatre coins du monde. Ainsi le temple de milliers d’années d’Amenhotep III, sur la rive occidentale thébaine, est le théâtre d’un chantier « pharaonique voué à la reconstitution d’un programme statuaire unique dans l’histoire de l’art égyptien. Ever since ancient times a large number of Egyptian and Sudanese statues of kings, gods and other individuals have been broken up. There were many reasons for this: wars, dynastic rivalry, proscriptions, even accidents. Conscious of their sacredness, the priests who looked after them frequently collected the fragments and hid them in secret places within the temple precincts, as at Gebel Barkal and Doukki Gel. In some cases statues were illegally removed from their first site only to be re-erected in places far from where the sculptors or their patrons had intended. This was the fate of the effigies of the kings and nobles of the 17th dynasty which were discovered in the sanctuaries and tumuli of Kerma, but which had initially been meant for erection in various sites in Upper and Middle Egypt. There is a long tradition, from Antiquity to modern times, of restoring such statues which are often found in a severely damaged condition. Piecing together the fragments of masterpieces which have sometimes been dispersed to the four corners of the earth is the painstaking work of many international specialists. Thus the ancient temple of Amenhotep III, on the western bank at Thebes, has become the scene of a restoration site of Pharaonic dimensions dedicated to reconstituting an enormous number of statues to a degree previously unknown in the history of Egyptian artwork. Charles Bonnet, honorary professor at the University of Geneva, was director of archaeology for the Canton of Geneva from 1972 to 1998. Since 1969 he has been working in Egypt and Sudan where he directed the Kerma excavations for forty years. He was also president of the International Society for Nubian Studies from 1994 to 2002. He is the recipient of honorary doctorates from many universities (Paris-Sorbonne, Khartoum, Dongola, Louvain). As a member of numerous scientific bodies in Switzerland, France and Italy, and through his association with the French Academy, he has played a major role in the development of European archaeology.</p> Paris, 2011 PUPSorbonne 200 p., 122 illustrations en couleur, broché. 21 x 28
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