Reference : AJH29AP
ISBN : 9782901980636
R. Deforges Broché D'occasion bon état 01/01/1977 138 pages
Fenêtre sur l'Asie
M. Alexis Chevalier
49 rue Gay Lussac
75005 Paris
France
01 43 29 11 00
Par correspondance ou en librairie. Envoi possible par Mondial Relay (nous le signaler).
, [BE] MER. Paper Kunsthalle , 2015 Paperback, 280x216mm, 184p, English/ French/ Dutch (NL) edition . ISBN 9789491775789.
Expo : 8/3/2015 - 12/4/2015, Kristof De Clercq Gallery, Gent 'De schilderijen van Carole Vanderlinden raken je meteen. Ze zijn direct, compact, krachtig en grappig. Ze zijn ontwapenend. Ze knipogen naar de kunstgeschiedenis. Ze zijn heel rijk, maar tegelijk heel eenvoudig.' (Hans Theys) Creole & Vanities unravels the diversity in the work of painter Carole Vanderlinden. The publication highlights an oeuvre, which plays with pictural changes, methodical steps and the mixture of genres. Vanderlinden is especially interested in concepts of approaching and departing
, Posture Editions Nr 24, 2017 PB, 297 x 210 mm, 72 pages, Illustrated.ENG-FR-NL edition. ISBN 9789491262241.
The best introduction to the work of Carole Vanderlinden (b. 1973) is explaining how it was created. It's probably easier to read her work if you know how it came to life. Many artists take inspiration from existing works of art they?ve generally come into contact with when growing up, often in books or magazines, sometimes in museums and galleries. Carole Vanderlinden loves to read and to leaf through books, but her main interest is visiting museums of ancient or ethnographic art. In general, she looks for any event, drawing, object, pattern, colour and rhythm that speaks to her. Joining her on two of these trips of discovery, once in Brussels and once in Paris, she can be fascinated by the most diverse objects, such as a zigzag Navajo carpet, Egyptian alabaster Canopic jars dating back to 1500 BC, 18th-century glazed biscuit from Tournai or a herbarium. These objects and their colours and rhythms are copied in notebooks, often with an accompanying text. Later she might re-paint them on paper creating new combinations or compositions. These works on paper usually remain quite light, with a lot of cut-outs, like minimalist collages. In parallel Vanderlinden works on her paintings without any preconceived idea. Layer after layer the paintings try to avoid being controlled or supervised in any way. Sometimes we see patterns emerge that are familiar from her works on paper. These patterns are used as ways of countering a painting, destabilising it, recreating a balance or finishing it. During this practice, the patterns become more compact and dense. Slowly they merge with the stubborn texture of the painting. The book Mon seul d sir is a follow-up to Nocturne (2013). It contains reproductions of works on paper by Carole Vanderlinden and an oniric essay of Hans Theys, inspired by Carole?s works on paper and the medieval tapestry La dame la licorne.? Hans Theys Launched at Galerie Zwart Huis Brussels, 08.09.2017
paris Régine Deforges. 1977 1 Un volume broché de format in 8° de 144 pp.; couverture illustrée.
Bel état. Voir photo. Peu fréquent.
Gallimard Nrf 2017 2017. Carole Martinez: La Terre qui penche/ Gallimard NRF 2015 . Thomas Hettche: L'Île aux Paons/ Editions Grasset 2017
Très bon état
Collection Harlequin 1983 1983. Carole Mortimer - Sara et Marie/ Collection Harlequin 1983
Bon état