‎WELLING (James), DEUTSCHE (Rosalyn) (essay by)‎
‎Abstract.‎

‎A concrete approach to abstract algebria‎

‎Dover 1978 in8. 1978. Broché.‎

‎Très Bon Etat de conservation intérieur propre bonne tenue‎

‎GERHARD RICHTER : 100 ABSTRACT PICTURES‎

‎, David Zwirner Books, 2023 HB, 235 x 166 mm, 208 p.,EN edition, illustrated in colour. ISBN 9781644231111.‎

‎A new artist's book, created by Gerhard Richter, that explores abstraction and chance in art and writing. "The 100 Abstract Pictures shown here originated about five years ago, when I poured enamel paints on a fifty-by-fifty centimeter glass plate. The paints then flowed into one another without completely mixing. Thus they produced countless ephemeral abstract pictures, which I captured in photographs. These pictures are juxtaposed in the book with text formations that were generated at random." -Gerhard Richter, 2023 With a career spanning more than sixty years, the renowned painter Gerhard Richter is one of the greatest artists of the twentieth and twenty-first centuries. Debuting alongside Richter's first exhibition at David Zwirner, featuring new abstract works created between 2016 and 2022, this book celebrates his continued dedication to experimentation and innovation. An artwork of its own, this intimate volume inspires both close looking and a beautiful interpretation of abstraction. ‎

‎Abstract Lecture set of 3 pages 50 copies ART-7 In Russian (ask us if in doubt)‎

‎Abstract Lecture set of 3 pages 50 copies ART-7 In Russian (ask us if in doubt)/Tezisy Lektsii komplekt iz 3kh listov 50 ekz. ART-7. Abstract Lecture set of 3 pages 50 copies ART-7. SKUalbce58d45e63261007.‎

‎Statistical abstract of the United States. In English (ask us if in doubt)/Stati‎

‎Statistical abstract of the United States. In English (ask us if in doubt)/Statistical abstract of the United States. 83d Annual Edition. Prepared under the direction of Edwin D. Coldfield chief Statistical Reports Division. In English. Washington U.S. Government Printing Office. 1962. 1036 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbed616320609e0464‎

‎ABSTRACT EXPRESSIONISM -[TIBER PRESS]– COLLECTIF WITH ART BY JOAN MITCHELL, GRACE HARTIGAN, MICHAEL GOLDBERG, & ALFRED LESLIE‎

‎New-York, Tiber Press, 1960. 4 vol. in-folio (44,5 x 35,7 cm), cartonnages de l'éditeur, couvertures illustrées, rhodoïds, étui commun. Réunion de quatre poètes américains dont les textes sont illustrés par des artistes de l'expressionisme abstrait. – ASHBERY (John). The Poems. 4 SÉRIGRAPHIES ORIGINALES EN COULEURS DE JOAN MITCHELL. – SCHUYLER (James). Salute. 4 sérigraphies en couleurs de GRACE HARTIGAN. – KOCH (Kenneth). Permanently. 4 sérigraphies en couleurs d'ALFRED LESLIE. – O'HARA (Frank). Odes. 4 sérigraphies en couleurs de MICHAEL GOLDBERG. Chaque volume tiré à 200 exemplaires numérotés (n° 102), SIGNÉS PAR LES AUTEURS ET LES ARTISTES. Les volumes sont insérés dans leur étui original, superbe exemplaire. - ABSTRACT EXPRESSIONISM WITH ART BY JOAN MITCHELL, GRACE HARTIGAN, MICHAEL GOLDBERG, & ALFRED LESLIE Multiple Artists Abstract Expressionism 4 Volumes. 1. John Ashbery. The Poems. With 4 prints by Joan Mitchell. 2. Frank O’Hara. Odes. With 4 prints by Michael Goldberg. 3. Kenneth Koch. Permanently. With 4 prints by Alfred Leslie. 4. James Schuyler. Salute. With 4 prints by Grace Hartigan. Folio, 445 x 357 mm., bound in original illustrated boards, contained in a cloth slipcase. New York: Tiber Press, 1960. An immaculate set of these outstanding post-war American artist’s books, featuring collaborations between four the most influential American poets of the second half of the twentieth century, and four important second generation New York School artists. The collaborators “lived in New York City where they knew one another well for a number of years and followed one another’s work with involved interest. Tiber Press left the choice of partners in this project to the individuals themselves, and, in collaborating, the poet and painter were acknowledging an awareness of some real relationship between their work” (prospectus). Each is one of an edition of 200 copies, signed by the poet and the artist.‎