Ed.Alberico Cetti Serbelloni Editore, 2002, In-folio, 223 pp. Edition Italienne/Anglaise.Imagé, bon état, jaquette propre, couverture propre, intérieur frais.
Reference : B25-4
ISBN : 8888098062
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Dover, s.d., in-8°, xxxix-349 pp, une photo de Lasker en frontispice, 308 diagrammes, broché, couv. illustrée, état correct
Emanuel Lasker was probably the greatest chess player of modern times. Certainly no man has ever held the world championship longer -- 28 years -- or kept his powers so long. In his sixties, Lasker began what amounted to a fresh career in chess by playing his first serious game in ten years, and defeating Max Euwe, the man who was the following year to become world champion. The secret behind his extraordinary abilities may perhaps be found in Lasker's wide knowledge of every phase of the game, and his ability to be independent of schools or fashions. This knowledge is reflected in the Manual of Chess, making it one of the great studies of the game, acclaimed by the chess world almost from the day it appeared. The book is one of the most thorough studies ever written, and though its main appeal is to the intermediate to skilled player, it begins its explanations at a level that can be understood by the beginner. Lasker analyzes basic methods of gaining advantages, exchange value of pieces, combinations, position play, the aesthetics of chess, and almost every other important aspect of the game. He examines dozens of different openings, including the Petroff Defense, the Hungarian Defense, King's Bishop, Ponziani, Giuoco Piano, and Four Knights' Game. He constantly illustrates his discussions with games played by the great modern masters. Lasker is always delightful reading, revealing a mind as quick to entertain and philosophize as it is to explain.One of the most rewarding features of the book is Lasker's illumination and elaboration of the theories of William Steinitz. An interesting sidelight is that although Lasker always thought of himself as a disciple of Steinitz, he was actually an original, more versatile player, inclined to take calculated risks. His exposition of Steinitz's thought and maxims, his principles of attack and evaluation, however, cannot help but be profitable to any chess player.
Reference : alb4848e7aa88d29c56
St. Petersburg 1909. Lasker Emanuel. Der internationale Schachkongress zu St. Petersburg 1909. Unter Mitwirkung des Turnierkomitees bearbeitet. Berlin Lasker ca. 1909 In English (ask us if in doubt)/St. Petersburg 1909. Lasker Emanuel. Der internationale Schachkongress zu St. Petersburg 1909. Unter Mitwirkung des Turnierkomitees bearbeitet. Berlin Lasker ca. 1909 St. Petersburg 1909. Lasker Emanuel. Der internationale Schachkongress zu St. Petersburg 1909. Unter Mitwirkung des Turnierkomitees bearbeitet. Berlin Lasker ca. 1909 In English (ask us if in doubt)/St. Petersburg 1909. Lasker Emanuel. Der internationale Schachkongress zu St. Petersburg 1909. Unter Mitwirkung des Turnierkomitees bearbeitet. Berlin Lasker ca. 1909. SKUalb4848e7aa88d29c56.
Milazzo, Richard: Jonathan Lasker: When Expressions Become Things. From Sketch to Study to Painting. 2005. 87 pages, fully illustrated in colour. Very good used condition with clean unmarked pages. Hardback. 33 x 24cms. Catalogue of 13 works showing the creative process of Jonathan Lasker, as discussed in the essay by Richard Milazzo. Text in English and Italian.
Catalogue of 13 works showing the creative process of Jonathan Lasker, as discussed in the essay by Richard Milazzo. Text in English and Italian
Reference : alba5afb2ea582111bb
OLD BOOK OF CHESS DR EMANUEL Lasker 1909 GERMANY. In English (ask us if in doubt)/OLD BOOK OF CHESS DR EMANUEL Lasker 1909 GERMANY. OLD BOOK OF CHESS DR EMANUEL Lasker 1909 GERMANY. In English (ask us if in doubt)/OLD BOOK OF CHESS DR EMANUEL Lasker 1909 GERMANY. SKUalba5afb2ea582111bb.
Saint-Étienne, Musée d’Art Moderne et Contemporain, 2015. In-4 cartonné, couverture illustrée, 95 pp. Commissariat d’exposition : Lorand Hegyi, textes de Marie Griffay. Envoi sur la page de titre : « for my good friends Michel & Virginie, from Jonathan Lasker.A Paris, 15 march 2015. » Bon état. Au cours des années 70, époque marquée par l’avancée de l’art conceptuel, Jonathan Lasker (Jersey City, 1948) reste orienté vers la peinture. Présent dans les collections du MoMa, du Whitney Museum ou du Centre Pompidou, Il a bénéficié d’une rétrospective au Museo Reina Sofia de Madrid en 2003.