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CAHILL James
CHINESE PAINTING.
Treasures of Asia. The great centuries of painting. Skira, 1960. In-4, cartonato editoriale, sovracoperta, pp. 211, con numerose illustrazioni a colori applicate alla pagina. Ben conservato.
Reference : 88099
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Libreria Malavasi
Sergio Malavasi
Largo Schuster 1
20122 Milano
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5 book(s) with the same title
Chinese Painting and the Decorative Style - A Colloquy held 23-25 June 1975
London, University of London School of Oriental and African Studies, Percival David Foundation of Chinese Art, 1976, in-8, 165pp, broché, Très bel exemplaire abondamment illustré 165pp
Reference : 10723
National Palace Museum: Masterworks of Chinese Jade (2 vol.) / Porcelain (2 vol.) / Chinese Bronze (2 vol.) / Chinese Portrait Painting (1 vol.) / Chinese Album Painting (1 vol.) / Chinese Album Painting (1 vol.) / Chinese Painting (Supplement, 1 vol.) / Chinese Silk Tapestry and Embroidery (1 vol.) in the National Palace Museum. 10 volumes.
Taipei, National Palace Museum / Gakken, 1970-1973. 10 volumes in-4, reliure éditeur toile. Texte en anglais et en chinois. / Ten 4to volumes, publisher's clothbound hardcovers. Text in English and in Chinese.
Entièrement illustré en couleurs / Fully illustrated in colors. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
Reference : alb41d16430a95cc6b7
Chinese painting and calligraphy. 5th century BC 20th century AD. Chinese painting and calligraphy. 5th century BC 20th
Chinese painting and calligraphy. 5th century BC 20th century AD. Chinese painting and calligraphy. 5th century BC 20th century AD. In Russian (ask us if in doubt)./Chinese painting and calligraphy. 5th century BC 20th century AD. Kitayskaya zhivopis' i kalligrafiya. 5yy vek do n.e. 20 vek n.e. China. Zhaohua publishing house / Zhaohua Publishing House. 1984. 166 p. SKUalb41d16430a95cc6b7.
PROCEEDINGS OF THE INTERNATIONAL SYMPOSIUM ON CHINESE PAINTING (Procédures du Symposium international sur la Peinture Chinoise). Ouvrage en langue anglaise.
National Palace Museum,Taipei, 1970
Un volume fort in-8°(30x26cm) reliure éditeur rigide, toilée de couleur bleue, avec indications usuelles (titre, éditeur etc.) sur le 1er plat. L’ouvrage compte 754 pages avec 240 reproductions photographiques; sa composition est la suivante:A) The papers and the ensuing discussions: 1) The Evolution of Tung Ch'i-ch'ang's Landscape Style as revealed by his works in the National Palace Museum, by Professor Nelson I. WU (p.1)2) A Study of the Authorship of the Hua-shuo, by Mr Fu Shen (p.85). 3)Survivals, Revivals and the Classical Tradition of Chinese Figure Painting, by Dr. Richard M. BARNHART (p.143).4) Li Ch'eng and the Mainstream of Northern Sung Landscape Painting, by Dr. Wai-kam Ho. 5)Phases and contents in Chinese Painting, by Profesor Max LOEHR.6) A Reconsideration of Ch’uan-mo-i-hsieh, the Sixth Principles of Hsieh Ho, by Mrs Tseng Yu-Ho ECKE (p.313).7)Chang Tse-tuan’s Ch’ing-ming Shang-ho t’u, by Dr Roderick WHITFIELD (p.351).8) Figure Painting and Ch’an-priest Painters in the late Yüan, by Mr Teisuke TODA (p.391).9)Hsia Kuei and the Academic Style in Southern Sung, by Professor Kei SUZUKI.TRES BON ETAT.
LATER CHINESE PAINTING AND CALLIGRAPHY 1800 - 1950. VOLUME I : TEXT. VOLUME II / PAINTING. VOLUME III : CALLIGRAPHY,
, New York, Random House/ Robert Hatfield Ellsworth, 1987**, 3 beautiful, illustrated cloth volumes in cloth decorated box, 260 x 365mm., golden edges, 399 + 369 + 281pp., illustrated.
The culmination of more than three decades of study and collecting, the three-volume item is one of the most important, sumptuous publications of Asian Art. Taking a period that has been ignored and undervalued by scholars, curators, and collectors, Robert Ellsworth has produced a work that not only forces us to re-examine all previous assessments of that tumultuous era in Chinese art, but promises to launch a new wave of interest in, and appreciation for, its unique achievements. Through more than 850 superb examples from his own collection, the author shows how exposure to Western art led, in painting, to an extraordinary new diversity and vitality, and how archeological discoveries in China fueled a dazzling renaissance in calligraphy.Two of the three volumes reproduce 550 paintings and 325 calligraphies, representing the work of every major artist of the period in full color. The extensive commentaries in the third volume include biographies of each artist. Every calligraphy, inscription, and seal is transliterated into precise English. The breadth and depth of fresh scholarship, the quality of the art, and the luxurious production combine to make this publication one of the monumental achievements in art book publishing: an essential source book for anyone interested in Asian art. New books.
