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MOTTINI G. Edoardo
IL CORREGGIO.
Istituto Italiano d'Arti Grafiche, Bergamo, 1935. In-8, cartonato editoriale, pp. 108, con 87 illustrazioni nel testo e 5 tavole a colori e 1 in bianco e nero fuori testo. In buono stato (good copy).
Reference : 5200
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Libreria Malavasi
Sergio Malavasi
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20122 Milano
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5 book(s) with the same title
Correggio and his Legacy. Sixteenth Century Emilian Drawings
Degrazia, Dian: Correggio and his Legacy. Sixteenth Century Emilian Drawings. Exhibition: Washington, National Gallery of Art, 1984. 413pp with 13 duotone and over 130 monochrome illustrations. Wrappers. 28 x 22cms. Major exhibition of 16th century Emilian drawings showing the influence of Correggio on his contemporaries. The catalogue is divided into: Correggio: copies and adaptations of Correggio; Parmigianino; the influence of Correggio and Parmigianino, influence of Correggio in and outside Emilia; other trends in 16th century Emilian drawings; the rediscovery of Correggio, the Carracci and Faccini. With bibliography; index of artists.
Major exhibition of 16th century Emilian drawings showing the influence of Correggio on his contemporaries. The catalogue is divided into: Correggio: copies and adaptations of Correggio; Parmigianino; the influence of Correggio and Parmigianino, influence of Correggio in and outside Emilia; other trends in 16th century Emilian drawings; the rediscovery of Correggio, the Carracci and Faccini. With bibliography; index of artists.
[Antonio Allegri da Correggio] - Bambach, Carmen C. et al
Reference : 071599
(2000)
ISBN : 0714126284
Correggio and Parmigianino. Master Draughtsmen of the Renaissance
Bambach, Carmen C. et al: Correggio and Parmigianino. Master Draughtsmen of the Renaissance. Exhibition: London, British Museum, 2000. 192pp with 150 colour and 40 monochrome illustrations. Hardback. 27.6x21.9cms. A selection of 130 drawings, taken from worldwide collections such as the Ashmolean, Chatsworth, the Getty, Piepont Morgan Library and Windsor Castle, illustrate the differences and similarities between the working methods and personalities of the two 16th-century artists. Parmigianino is believed to have worked under Correggio and this is demonstrated in his early style, however his later style and approach contrasts that of Correggio. Expertly written by Carmen C. Bambach, Hugo Chapman, Martin Clayton and George R. Goldner. Brief bibliography, concordance and index of lenders.
A selection of 130 drawings, taken from worldwide collections such as the Ashmolean, Chatsworth, the Getty, Piepont Morgan Library and Windsor Castle, illustrate the differences and similarities between the working methods and personalities of the two 16th-century artists. Parmigianino is believed to have worked under Correggio and this is demonstrated in his early style, however his later style and approach contrasts that of Correggio. Expertly written by Carmen C. Bambach, Hugo Chapman, Martin Clayton and George R. Goldner. Brief bibliography, concordance and index of lenders. Text in English
Il Correggio nella Camera di San Paolo
Barocelli, Francesco: Il Correggio nella Camera di San Paolo. Milan: Electa, 2010. 371 pages. 425 colour and black and white illustrations. Hardback. 29X26cms. Text in Italian.
Text in Italian
The Paintings of Correggio
Gould, Cecil: The Paintings of Correggio. London: Faber & Faber, 1976. 307pp with 12 colour plates and 52 monochrome illustrations plus c.200 monochrome illustrations. Cloth. 29x23cms. Catalogue of surviving paintings with a list of lost and attributed works. With chronology, documentation, bibliography.
Catalogue of surviving paintings with a list of lost and attributed works. With chronology, documentation, bibliography.
L'Opera Completa del Correggio. Classici dell'Arte
Quintavalle, A.C: L'Opera Completa del Correggio. Milan: Rizzoli, Series: Classici dell'Arte. 115pp with 64 colour plates and c.120 monochrome illustrations. Cloth, 31x24.5cms. Text in Italian.
Text in Italian
