‎‎
‎La Red‎

‎The Saga of the Red Dream-11 Volumes. Red Sonia. ‎

‎The Saga of the Red Dream-11 Volumes. Red Sonia. In Russian (ask us if in doubt)/Saga o Ryzhey Sone-11 tomov. Ryzhaya Sonya. 2. Red Sonia and the Demon of Dreams. 3. Red Sonia and the Lord of the Fallen. 4. Red Sonia and the Blind God. 5. Red Sonia and the Wind of the Abyss. 6. Red Sonia and the Revenge of the Wolf. 7. Red Sonia and the Ring of Destiny. 8. Red Sonia and the Blood of the Witch. 9. Red Sonia and the Enemies of Nemesis. 10. Red Sleeping and the Shower Fishers. 11. Red Sleeping and the Sword of the North. SKUalb61b33dc5dfc4d1d3.‎

‎Zvorykin B. Red and Red: Red and Red asked. In Russian (ask us if in doubt)/Zvor‎

‎Zvorykin B. Red and Red: Red and Red asked. In Russian (ask us if in doubt)/Zvorykin B. Ryzhiy i Krasnyy: Ryzhiy Krasnogo sprosil.. description: In Russian (ask us if in doubt).# 2 M. Skoropechyu A.A. Levenson Edition B. Avanzo 1900s. A unique antique postcard by Boris Zvorykin (1872-1942) from the well-known series: Russian Tales (commissioned by TD B. Avanzo) which includes among others the following postcards: Ilya Muromets and Snakes Red and Red Ivan Tsarevich and Gray Wolf Golden Cockerel Tsarevna caterpillar. Postcard in Modern style gilding pure. Rare rare. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbd63e3e585502d70e‎

‎Geometric Figures & Color. Sol LeWitt. Circle, Square, Triangle, Rectangle, Trapezoid and Parallelogram in Red, Yellow and Blue on Red, Yellow and Blue‎

‎LeWitt, Sol: Geometric Figures & Color. Sol LeWitt. Circle, Square, Triangle, Rectangle, Trapezoid and Parallelogram in Red, Yellow and Blue on Red, Yellow and Blue. New York: Harry N. Abrams, 1979. Signed by the artist on the title page. 48 pages of illustrations. Paperback. 21 x 21cms. Lewitt conceptually explores: 'Circle, Square, Triangle, Rectangle, Trapezoid and Parallelogram in Red, Yellow and Blue on Red, Yellow and Blue.' The book is divided into three sections, each of which differ by background color. Barbara M. Reise wrote that 'LeWitt's colours, like his lines and squares, are like 'facts': they are inert, pre-established, accepted and un-emotional man-made constructs which can 'come to life' within a present context but do not necessarily do so. Red, yellow, blue, and black (and the white of wall or paper) are standard 'absolute primaries basic to all pigment colour - that is according to the colour system accepted by an art academic from early 19th-century theorists like Chevreul. Unlike the Newtonian rainbow-spectrum based on light-waves, this theoretical structure is more conceptually mathematical and tautological than referential to some exterior and inhuman Nature. LeWitt's use of these colours is as flatly complete, physical, and self-reflective as the theory itself. Unlike Seurat, whose use of the same colour theories was subordinated and interrelated to other interests in proportion theories and (seen) scene subject-matter, LeWitt uses colour as both the subject and the object of his art' (in: 'Sol Lewitt Critical Texts,' ed. Adachiara Zevi, Rome, 1994, p. 188).‎

‎Lewitt conceptually explores: 'Circle, Square, Triangle, Rectangle, Trapezoid and Parallelogram in Red, Yellow and Blue on Red, Yellow and Blue.' The book is divided into three sections, each of which differ by background color. Barbara M. Reise wrote that 'LeWitt's colours, like his lines and squares, are like 'facts': they are inert, pre-established, accepted and un-emotional man-made constructs which can 'come to life' within a present context but do not necessarily do so. Red, yellow, blue, and black (and the white of wall or paper) are standard 'absolute primaries basic to all pigment colour that is according to the colour system accepted by an art academic from early 19th-century theorists like Chevreul. Unlike the Newtonian rainbow-spectrum based on light-waves, this theoretical structure is more conceptually mathematical and tautological than referential to some exterior and inhuman Nature.. LeWitt's use of these colours is as flatly complete, physical, and self-reflective as the theory itself. Unlike Seurat, whose use of the same colour theories was subordinated and interrelated to other interests in proportion theories and (seen) scene subject-matter, LeWitt uses colour as both the subject and the object of his art' (in: 'Sol Lewitt Critical Texts,' ed. Adachiara Zevi, Rome, 1994, p. 188). Text in English‎

‎Irish Red Setter Club 1994 - Foreword Raymond O'Dwyer - secretary's report Owen Lane - The norwegian Irish Setter Club - the breaking and training of an Irish Setter Bob Stakelum - the swedish irish setter club 1993 - irih red setter club championship ...‎

‎Irish Red Setter Club. 1994. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. Environ 40 pages agrafées - quelques illustrations en noir et blanc dans et hors texte - annotations sur quelques pages au stylo ne gênant pas la lecture - texte en anglais - annotation sur le 1er plat. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎texte en anglais - Sommaire : Foreword Raymond O'Dwyer - secretary's report Owen Lane - The norwegian Irish Setter Club - the breaking and training of an Irish Setter Bob Stakelum - the swedish irish setter club 1993 - irih red setter club championship show - members' achievements - from D.I.S.K (Danish Irish Setter Club) - cousins Ray O'Dwyer - the irish red setter as a game hawking dog - breeding committe report - summary of awards 1993 - rules of the irish red setter club - results 1993 - the red setter in the U.S. - red setters across the water Peter Heard - list of paid-up members 1993. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Irish Red Setter Club 1996 - Foreword Raymond O'Dwyer - secretary's report Owen Lane - Bob Stakelum an appreciation by Owen Lane - the irish red setter club 1995 - irish red setter club championship show - Sean Dennehy - svenska irländsk setter klubben...‎

‎Irish Red Setter Club. 1996. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 38 pages agrafées - quelques illustrations en noir et blanc dans le texte - annotations sur quelques pages au stylo ne gênant pas la lecture - texte en anglais - annotation sur le 1er plat. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎texte en anglais - Sommaire : Foreword Raymond O'Dwyer - secretary's report Owen Lane - Bob Stakelum an appreciation by Owen Lane - the irish red setter club 1995 - irish red setter club championship show - Sean Dennehy - svenska irländsk setter klubben Britt-Marie Dornell Thorm - a great year for the red setters in the U.S. Bob Sprouse - the late Mr.Eddie Cunningham strabane co.tyrone - the irish red setter club's conference on the divergence of type in irish setters - news from D.I.S.K. - championship show results january 95 to december 95 - list of paid up members 1995. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎