Paris, Editions Jannink, collection L'Art en écrit 73, 2008. Petit in-8 broché de 48 pages, jaquette menthe imprimée en blanc, noir et jaune, étui de protection en carton gris, très légèrement décollé dans un bord. A part ce petit défaut, à l'état de neuf.
Reference : 7716
Avec une œuvre originale à la découpe unique, aux couleurs différentes, signée par Kees Visser. Un des 285 exemplaires numérotés (37), outre 15 HC, du tirage de tête de cette édition d'extraits du catalogue raisonné de l'artiste et de citations diverses, inscrits en rectangles déformés, avec un chablon en page centrale.
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Musica. 1966. In-8. Broché. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Intérieur frais. Paginé de 201 à 252 + paginé de 97 à 116 - texte en allemand - annotation sur le 1er plat.. . . . Classification Dewey : 430-Langues germaniques. Allemand
Texte en allemand - Sommaire : Fuge und sonate - die form von morgen - grundsätzliches zum dramma-oratorio - interpretation der form und form des interperatation - musica bericht - musica umschau - personliches - noten und bucher - musica nachricht - musica bilder etc.. Classification Dewey : 430-Langues germaniques. Allemand
Oostkamp, Stichting Kunstboek, , 2007 softcover onder geillustreerde kartonomslag, z/w frontispice, 165 x 240mm., 64pp., uitgebreide kleurillustratie. ISBN 9789058562449.
Deze publicatie brengt het verhaal van een meubelbedrijf uit Deinze dat vooral in de jaren 1950 en 1960 succes kende. V-Form profileerde zich met ontwerpen die eenvoud, functionaliteit en betaalbaarheid vooropstelden en werkte daarvoor samen met veelbelovende ontwerpers als Romain Van Assche, Emiel Veranneman en Pieter De Bruyne. De auteurs bouwden het verhaal op aan de hand van getuigenissen en niet eerder gepubliceerde documenten uit het archief van V-Form. Ze tonen aan dat je uit designarchieven vaak interessante en verrassende informatie kan putten en willen op die manier het bewaren van archieven die verband houden met design aanmoedigen. Tegelijk illustreren de folders, catalogi en foto?? s van V-Form de tijdsgeest van de fifties tot de seventies. Ze geven een amusant beeld van de wooncultuur, de smaken en de reclameboodschappen van toen. V-Form, een pionier van het moderne meubel is een realisatie van Designarchief Vlaanderen, het Design museum Gent en de vzw Designcentrum Vlaanderen. Nieuw boek.
In Russian. Terentyev, Mikhail Vasilievich. Factorisation in exclusive processes. The form factor of singlet mesons in quantum chromodynamics. Faktorizatsiya v eksklyuzivnykh protsessakh. Form-faktor singletnykh mezonov v kvantovoy khromodinamike. In Russian /Factorisation in Exclusive Processes. The form factor of singlet mesons in quantum chromodynamics . All images are for identification of editions only. Several books of the same edition may be available. Please feel free to request photos of available books. SKU1032309
Copenhagen, Bianco Lunos, 1842. 4to. Recent half cloth with contemporary marbled boards. Light browning throughout. Small ink signature on title-page. IV,76 pp. and 3 double-page, folded lithographed plates with many figs. Withbound: Steenstrup, Undersögelser over Hermaphroditismens Tilværelse i Naturen, 1845. XIV,88 pp. and 1 plate.
The scarce first edition of the work in which Steenstrup describes his discovery of the principle of 'alternation of generations', sexual and asexual in plants and animals. ""(Steenstrup) showed that certain animals produce offspring which never resemble them but which, on the other hand, bring forth progeny which return in form and nature to their grandparents or more distant ancestors."" (Garrison & Morton No 217). A German translation was published the same year, and an English in 1845. Norman 2009 (German translation). ""The second major publication - (the first dealing with geology) - of 1842 was ""Om Forplantning og Udvikling gjennem vexlende Generationsrækker..."", (the work offered), Steenstrup's comprehensive presentation of the form of reproduction that he called 'alternation of generations', that is, the alternation of asexual and sexual reproduction, or metagenesis. This phenomenon had previously been described by Chamisso, but Steenstrup included a greater number of observations, based on a significantly wider range of subjects, and provided an importent chapter on its meaning. Steenstrup's growing reputation, won him an appointment as professor of zoology at the University of Copenhagen, where he tought from 1846 until 1885.""(DSB XII, p. 9).
Copenhagen, Bianco Lunos, 1842. 4to. Bound in the original boards with silver stained papercovers. Some nicks to backstrip. Margins of covers having the silver-staining toned down (oxidation). Edges gilt. As it is printed on ""vellum-paper"" and edges gilt, it is probably one of the gift copies, but unsigned. IV, 76 pp. and 3 double-page, folded lithographed plates with many figs. Light marginal browning to plates, otherwise fine.
The scarce first edition of the work in which Steenstrup describes his discovery of the principle of 'alternation of generations', sexual and asexual in plants and animals. ""(Steenstrup) showed that certain animals produce offspring which never resemble them but which, on the other hand, bring forth progeny which return in form and nature to their grandparents or more distant ancestors."" (Garrison & Morton No 217). A German translation was published the same year, and an English in 1845. Norman 2009 (German translation). ""The second major publication - (the first dealing with geology) - of 1842 was ""Om Forplantning og Udvikling gjennem vexlende Generationsrækker..."", (the work offered), Steenstrup's comprehensive presentation of the form of reproduction that he called 'alternation of generations', that is, the alternation of asexual and sexual reproduction, or metagenesis. This phenomenon had previously been described by Chamisso, but Steenstrup included a greater number of observations, based on a significantly wider range of subjects, and provided an important chapter on its meaning. Steenstrup's growing reputation, won him an appointment as professor of zoology at the University of Copenhagen, where he taught from 1846 until 1885."" (DSB XII, p. 9).