Genève, Imprimerie A. L. Vignier, 1834. In-8 de 123 pages, demi-maroquin vert empire à la Bradel, gouttière et queue non rognée. Reliure XXème. La reliure est signée [Jean-Luc] Honegger.
Reference : 16266
Edition originale, dont je note la remarquable "pureté" graphique de la page de titre. Exemplaire en très belle condition. A noter, que lors des futurs rééditions de ce texte, dans le recueil des "Nouvelles genevoises", le chapitre III en entier disparaitra, et non pas quelques pages (55 - 63) comme le mentionne Blondel, p. 349; Suzannet, 18 à 20.
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HATIER. 1982. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 383 pages - Quelques photographies et cartes en noir et blanc et en couleurs dans le texte - Quelques rousseurs naturelles. . . . Classification Dewey : 372.89-Livre scolaire : histoire / géographie
"Collection "" Berstein - Milza"" - Table: L'héritage grec, L'héritage romain, L'héritage spirituel le christianisme, L'héritage du Moyen-Age chrétien, Les conditions de vie au Moyen-Age et dans les Temps Modernes ... Classification Dewey : 372.89-Livre scolaire : histoire / géographie"
, Brepols Publishers, 2019 softcover, 377 pages ., 230 x 290 mm,_English. ISBN 9782930054346.
Proceedings of the International Symposium Paul Coremans Held in Brussels, 15-17 June 2015 In June 2015, the Royal Institute for Cultural Heritage (KIK-IRPA) organized an international symposium in honour of its founder and first director Paul Coremans (1908-1965). Exactly fifty years after his death, it was a unique opportunity to look back on his extraordinary career and the impact of his innovative ideas and vision on the conservation and restoration of works of art. His ground-breaking insights have been widely recognized in Belgium and all over the world. Paul Coremans? fields of interest were broad: the conservation of works of art in museums, preventive conservation and climate control, the protection of cultural heritage in times of war ? a highly topical issue -, as well as the status and role of the restorer, the importance of photographic documentation and scientific research, or the detection of art forgeries. Coremans? belief in the importance of an interdisciplinary approach to the study of works of art still inspires many art historians, conservator-restorers and scientists today. This book ? the Proceedings of the 2015 Brussels Symposium ? presents twenty original contributions that reveal Coremans? multi-faceted personality and action. It is the first monograph devoted to this visionary Belgian scientist and Monuments Man. Table of Contents Foreword Hilde De Clercq Director General a.i. of the Royal Institute for Cultural Heritage Introduction Marie-Christine Claes et Dominique Vanwijnsberghe Part 1 An Inspiring Scientist 1 Early Museum Laboratories and the Pursuit of Objectivity Geert Vanpaemel 2 Paul Coremans (1908-1965): A Pioneer Chemist in the Application of Scientific Techniques to the Visual Arts Hendrik Deelstra and Duncan Thorburn Burns 3 Vijftig jaar 14C-dateringen aan het Koninklijk Instituut voor het Kunstpatrimonium (KIK-IRPA) te Brussel Mark Van Strydonck 4 Paul Coremans et la restructuration du Laboratoire du Mus e du Louvre dans l?apr s-guerre Camille Bourdiel 5 The Royal Institute for Cultural Heritage: Design and Realisation of a Ground-Breaking Building Gertjan Madalijns Part 2 A Monuments Man 6 Paul Coremans, l?inventaire photographique du patrimoine artistique belge et ses relations avec l?occupant, 1940-1945 Christina Kott 7 Paul Coremans et ses actions en faveur de la sauvegarde des peintures murales Ilona Hans-Collas Part 3 Flanders in the Fifteenth Century 8 Construction of a Vision: Coremans? Approach to the Study of Flemish Primitives before the Restoration of the Adoration of the Mystic Lamb (The Ghent Altarpiece) H l ne Dubois and Dominique Deneffe 9 Le quotidien d?un id al : l?Agneau mystique, catalyseur de l?interdisciplinarit Marie-Christine Claes, H l ne Dubois et Jana Sanyova 10 Paul Coremans, Edgar Richardson and the 1960 Flemish Art Show: A Transatlantic Friendship Forged by a Transatlantic Exhibition Yao-Fen You Part 4 The Van Meegeren Affair 11 D.G. van Beuningen?s Crusade against Paul Coremans Arjan de Koomen 12 Expertise in the Van Meegeren Case: the Contributions by Coremans, Froentjes and De Wild Arie Wallert and Michel van de Laar 13 The Amsterdam X-Rays for Coremans and Van Schendel Rick F.E.D. Hartmann Part 5 Friendships 14 Paul Coremans and Sheldon and Caroline Keck: A Collegial Friendship that Influenced the Development of Conservation Education in North America Jean D. Portell 15 Arthur van Schendel: Friend and Companion in the World of Museums and Conservation Jan Piet Filedt Kok 16 Dear Paul | Cher Pan Paul Coremans et Erwin Panofsky : histoire d?une amiti Dominique Vanwijnsberghe Part 6 Global Activities 17 At ICCROM?s Cradle: Paul Coremans and the Beginning of the ?Rome Centre? Stefano De Caro 18 Paul Coremans, un expert de l?UNESCO au Br sil : aper u de sa contribution au d veloppement du patrimoine br silien Diogo de Souza Brito 19 Borobudur: the Alchemy of a World Heritage Site The Expert and the Student: Shared Views Nicole Gesch -Koning 20 Museum Policy Concerning the Conservation and Restoration of Artworks and the Rubens and Ensor Research Projects at the Royal Museum of Fine Arts Antwerp Karen Bonne, Elsje Janssen, Christine Van Mulders, Herwig Todts Part 7 Tributes to the ?Patron? 21 Un inoubliable meneur d?hommes Pierre Colman 22 La formation des restaurateurs Nicole Goetghebeur 23 Paul Coremans, Personal Memories Liliane Masschelein-Kleiner Bibliography Abbreviations Authors Index of Persons Photographic Credits Review "A Man of Vision: Paul Coremans and the Preservation of Cultural Heritage est un ouvrage indispensable l?histoire de la conservation-restauration ; richement illustr et document , il fournit un clairage sur une p riode charni re, en Belgique comme au niveau international. Bien au-del de l?approche biographique, il permet d?appr hender les connexions, les changes qui permettent aux disciplines de se d velopper, et au savoir de se construire." (Muriel Verbeeck-Boutin, CeROArt (Online), 11/2019, URL: http://journals.openedition.org/ceroart/6849)
<meta charset="utf-8"><p data-mce-fragment="1">South Sudan became independent in 2011 after decades of rebel wars with the Government of Sudan. Independence prompted discussions about South Sudanese identity and shared history, in which material objects and cultural heritage featured as vitally important resources. However, the long-term effects of colonialism and conflict had largely precluded any concerted attempts to preserve material culture within the country; museums remained in Khartoum, the capital of the formally united Sudan. Furthermore, tens of thousands of objects had been removed from what is now South Sudan during the nineteenth and twentieth centuries to museum and private collections around the world.</p><p data-mce-fragment="1">Up to now there have been few attempts to reconnect the history of these South Sudanese museum collections with people in or from South Sudan.<span data-mce-fragment="1"></span><em data-mce-fragment="1">Pieces of a Nation</em><span data-mce-fragment="1"></span>is the first extended study of South Sudanese material cultural heritage in museum collections and beyond.</p><p data-mce-fragment="1">The chapters discuss a range of different objects and practices – from museum objects taken from South Sudan in the context of enslavement and colonialism in the nineteenth and twentieth centuries to efforts by South Sudanese to preserve their country’s cultural heritage during recent conflicts.</p><p data-mce-fragment="1">With essays by 32 contributors in Europe, South Sudan, Uganda and Australia, this book delivers a unique range of perspectives on museum objects from South Sudan and on heritage practices in the country and among its diaspora. Written by curators, academics, heritage professionals and artists in accessible and engaging style, it is intended for scholars, museum professionals and a wide range of individuals interested in South Sudan, African arts and cultures, the history of museum collecting and colonialism and/or the role of material heritage in peacebuilding and refugee contexts.</p><p data-mce-fragment="1">At a time of widespread, prominent debates over the provenance of museum collections from Africa and calls for restitution, this book provides an in-depth empirical study of the circumstances and practices that led to South Sudanese objects entering foreign museum collections and the importance of these objects in South Sudan and around the world today.</p> Leiden, 2021 Sidestonepress 214 pages, 14 illustrations N/B., 36 illustrations couleur, broché. 18 x 25
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Two issues of Our Heritage devoted to the history of Moscow. 1995-19/Dva vypuska zhurnala Nashe nasledie posvyashchennykh istorii Moskvy. 1995-19 Two issues of the magazine Our Heritage devoted to the history of Moscow. 1995-1997. 1. Our Heritage. Illustrated Historical and Cultural Journal. # 35-36. Moscow 1995. 228 p.: figure 2. Moscow 1147-1997. Our Heritage. Illustrated Historical and Cultural Journal. # 43-44. Moscow 1997. 228 p.: figure 29 5 - 21 see. SKUbd-b3db67d957f3b903.
Reference : alba5e14885ca970213
Alvin M. Josephy Jr. The Indian Heritage of America. Americas Indian Heritage. In English (ask us if in doubt)/Alvin M. Josephy Jr. The Indian Heritage of America. Indeyskoe nasledie Ameriki. In English. New York Alfred A. Knopf 1968. 384 c. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalba5e14885ca970213