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Rivosecchi, Mario
Fontane di Roma
Rivosecchi, Mario: Fontane di Roma. Rome: Editalia, 1974. Unpaginated, with full page monochrome illiustrations. Leather bound, with gilt lettering to cover. In a slipcase. This example is 474 from a limited edition of 1999. Some fading and wear to spine, inside pristine condition.
Reference : 091629
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Thomas Heneage Art Books
Thomas Heneage
42 Duke Street St James's
SW1Y 6DJ Londres
United Kingdom
+44(0)20 7930 9223
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Thomas Heneage and Co. Limited is a company that was founded in 1977 doing business as Thomas Heneage Art Books. It is Registered in England Number 657656 The Registered office and shop is 42 Duke Street St James’s, London SW1Y 6DJ. Our shop in London's gallery district of St. James's is open Monday to Friday 9.30am to 6pm (otherwise by appointment). Our VAT Number is: GB 242 1045 14 and the responsible director is T. P. W. Heneage. Thomas Heneage and Co. Limited has a fully paid share capital of £37,789. All prices are net. Postage is extra. Payment by Credit Card, PayPal, Cheque in GBP on a UK bank or in USD on a US bank or bank transfer All books are offered subject to prior sale. Books listed will normally be available as our computer updates the database automatically every 24 hours. Shipping: Orders are usually shipped within 2 days of payment Shipping costs are based on books weighing 2.2 LB, or 1 KG. If your book order is heavy or oversized, we may contact you to let you know extra shipping is required. Our Distance-Selling Cancellation Policy Right to cancel You have the right to cancel your orders within 14 days without giving any reason. The cancellation period will expire after 14 days from the day on which you acquire, or a third party other than the carrier and indicated by you acquires, physical possession of the last delivered goods that are covered by this contract. To exercise the right to cancel, you must inform us, Thomas Heneage Art Books of 42 Duke Street St. James’s, London, SW1Y 6DJ, United Kingdom (Our telephone number: 0044 (0)207 930 9223; E-mail address: artbooks@heneage.com) of your decision to cancel this contract by a clear statement (e.g. a letter sent by post, fax or e-mail). You may use the model cancellation form below, but it is not obligatory To meet the cancellation deadline, it is sufficient for you to send your communication concerning your exercise of the right to cancel before the cancellation period has expired. You shall send back the goods or hand them over to us without undue delay and in any event not later than 14 days from the day on which you communicate your cancellation from this contract to us. Books must be returned in the same condition as supplied, unused. The deadline is met if you send back the goods before the period of 14 days has expired. You will have to bear the direct cost of returning the goods. Effects of cancellation If you cancel this contract, we will reimburse to you all payments received from you, including the costs of delivery (except for the supplementary costs arising if you chose a type of delivery other than the least expensive type of standard delivery offered by us). We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of unnecessary handling by you. We will make the reimbursement without undue delay, and not later than – (a) 14 days after the day we receive back from you any goods supplied, or (b) (if earlier) 14 days after the day you provide evidence that you have returned the goods, or (c) if there were no goods supplied, 14 days after the day on which we are informed about your decision to cancel this contract. We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement. We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is the earliest. Please find our cancellation form in PDF format on our website : http://www.heneage.com/contact.htm Our Complaint Handling Policy We hope that you are happy with our services, but should you wish to make a complaint please feel free to do so in writing to artbooks@heneage.com, and we will address your concerns as swiftly as possible. We are a member of LAPADA and have access to their conciliation services.
5 book(s) with the same title
LE FONTANE DI ROMA.
Gio: Giacomo de Rossi / Matteo Gregorio Rossi, Roma, 1690-1691. In folio oblungo (mm. 272x410), 3 opere in 1 vol., elegante legatura in p. pelle settecentesca, sottili cornici decorate ai piatti con al centro titolo in oro, dorso a cordoni con decorazioni e titolo oro su tassello, dentelles dorate ai risguardi, tagli dorati. L'album contiene una straordinaria raccolta di tavole così composta:I - FALDA Gio. Battista / VENTURINI Gio. Francesco - in 4 parti - dedicate a: 1° "Le fontane di Roma nella piazze e luoghi publici della città" con li loro prospetti come sono al presente, disegnate et intagliate da Gio. Battista Falda, date in luce.. da Gio. Giacomo de Rossi, l'anno 1691, con 33 tavole numerate (inclusi il frontesp. e la belliss. tav. di dedica ad Agostino Chigi, Principe di Farnese) - 2° "Le fontane delle ville di Frascati nel Tusculano", con i loro prospetti, disegnate et intagliate da Gio. Battista Falda, con 18 tavole numerate (inclusi il frontesp. e la tavola figur. alla dedica al Card. Gio. Francesco Negroni) - 3° "Le fontane ne' palazzi e ne' giardini di Roma", con li loro prospetti et ornamenti, disegnate ed intagliate da Gio. Francesco Venturini, con 28 tavole numerate (inclusi il frontesp. e la tavola figur. alla dedica al Papa Innocentio XI) - 4° "Le fontane del Giardino Estense in Tivoli" con li loro prospetti e vedute della cascata del fiume Aniene disegnate ed intagliate da Gio: Francesco Venturini, con 28 tavv. numerate (inclusi il frontesp. e la belliss. tavola figur. alla dedica a Francesco II, Duca di Modana, Reggio, etc.). Raccolta completa - di complessive 107 tavv. - di questa magnifica pubblicazione antica, con animate vedute stupendamente incise in rame.Cfr. Choix de Olschki,Xi,16899: Sans doute la plus belle publication sur les fontaines de Rome et environs qui ait jamais paru. Les parties III et IV, sauf une planche gravée par L. Rouhier e 4 par Falda, sont l'oeuvre de G. Fr. Venturini, un des graveurs les plus habiles de cette époque. II - VERGELLI Gioseppe Tiburtio "Le fontane publiche delle piazze di Roma moderna", disegnate a G. T. Vergelli Recanatese, intagliate da Pietro Paolo Girelli Romano e date in luce con la Stampe Originali da Matteo Gregorio Rossi Romano, l'anno MDCXC, con 31 tavole numerate (inclusi il frontesp. e la pregevole tavola alla dedica al Papa Alessandro VIII). Nel ns. esemplare questa bellissima raccolta è stata inserita accanto a quella del Falda (prima parte), ponendo cioè la veduta della stessa fontana l'una a fronte dell'altra (quelle del Vergelli naturalmente non hanno la stessa numeraz. di quelle del Falda). "Edizione originale", completa, collazionata con l'esemplare della Biblioteca Nazionale di Firenze.Cfr. Choix de Olschki,XI,18221 che cita l'ediz. del 1773 con 1 tav. in più: ces estampes à l'imitation de celles de Falda avaient été dessinées au XVII siècle. Suite rare. Mancano al Berlin Kat. III - "Nuova Raccolta di fontane che si vedano nel alma città di Roma, Tivoli e Frascati". All'Ill. Sig. Andrea Corsini Marchese di Sismano Casigliano e Civitella, Gio Jacomo Rossi formis Rome alla Pace all'insegna di Parigi, D.D.D. (1650 ca.). Questa pregevole e ricchissima raccolta è composta di 41 fogli di cui 26 con 2 vedute per foglio e 15 con 1 veduta a p. pag., finemente inc. in rame da Giovanni Maggi (con data 1618), Dominique Barrière e Francesco Corduba, per complessive 67 bellissime tavole di vedute (8 dedicate alle fontane di Frascati, 8 di Tivoli e le restanti di Roma).Cfr. Cat. British Library,II, p. 799 per una raccolta di 29 tavv. - La Civica Raccolta delle Stampe Bertarelli di Milano possiede un esempl. con 58 tavv. di questa serie (1 su ogni foglio).Solo lieve alone marginale sulle ultime 9 tavole, altrimenti bello e fresco esemplare su carta distinta.
Le Fontane di Roma nelle Piazze, e luoghi publici della Citta… Date in luce con direttione, e cura da Gio. Giacomo de Rossi… libro primo. Rare et magnifique recueil complet de 107 feuillets gravés en 1691 de Falda.
Rare et magnifique recueil sur les Fontaines et les jardins de Rome et Tivoli en reliure de l’époque. Rome, 1691. De la bibliothèque Earls of Macclesfield. Rome, G. G. de Rossi, vers 1691. 33 feuillets entièrement gravés dont le titre, la dédicace et les estampes. [Relié à la suite] : FALDA. Le Fontane delle ville di Frascati, nel Tusculano, con li loro prospetti, Parte seconda. Ibid, vers 1691. 18 feuillets entièrement gravés dont un dépliant. [Relié à la suite] : VENTURINI, Giovanni Francesco. Le Fontane ne’Palazzi e ne’giardini di Roma. Ibid, 1691. 28 feuillets entièrement gravés, dont une planche dépliante. Ibid. Le Fontane del giardino Estense in Tivoli… Parte quarta. Ibid, [vers 1691]. 28 feuillets entièrement gravés, dont une planche dépliante. Soit 4 parties reliées en un volume in-folio oblong, veau moucheté, double filet doré et roulette à froid autour des plats, dos à nerfs richement orné de fleurs-de-lys dans les caissons, coupes décorées, tranches mouchetées rouges. Reliure de l’époque. 275 x 395 mm.
La plus belle suite de gravures sur les fontaines de Rome et ses environs imprimée et gravée à Rome en 1691. 4 feuillets de titre, 4 feuillets de dédicace et 99 gravures d’après Giovanni Battista Falda (1643-1678) et Francesco Venturini (1630-1710) interprétées par ces derniers et L. Rouhier. Elles représentent des fontaines pour la plupart construites aux XVIe et XVIIe siècles. « Exact et bien gravé. Le 4e livre, contenant28 planches, manque quelquefois ». Brunet, II, 1172. Exemplaire d’un très beau tirage et bien conservé, proche de l’exemplaire de la New York Public Library dont la partie iv ne comprenait que 21 estampes contre 28 dans le présent exemplaire, proche aussi du second exemplaire « The Library of Congress ». Les planches sont ici numérotées. “This collection of plates is the most charming that has ever appeared on the fountains of Rome and its environs. Part I was issued about 1675 (Berlin Catalog 3603); Part II before 1687 as Gio. Francesco Negroni, to whom it was dedicated as "Chierico Delle Camera Apostolica", became papal legate to Bologna in 1687 ; Part III probably about 1689 because it was dedicated to Livio Odescalchi, nephew of His Holiness Pope Innocent XI who died in 1689. As in the case of Falda’s Nuovo Teatro all the copies examined vary in numbering and arrangement of the plates. The New York Public Library has a copy of Part I-IV, dated [1691?], with unnumbered plates : Part I [1-33], II [1-18], III [I-28], IV [I-21] ; The Library of Congress has one copy with numbered plates, Part I-II [1675] I-33, 1-18 pl., Part III [1691] I-28 pl., and a second copy with Part I-III numbered, Part IV unnumbered plates [1-28]. The Berlin Catalog (3603) lists a dated issue of 1691 with numbered plates in the four parts. The New York Public Library has a much later edition, issued with the stamp of the "Calcografia Di Roma" in the corner of the plates. Between 1798 and 1815, many sets of earlier plates were reprinted under the direction of Giuseppe Valadier. There was also an edition with 42 plates, Nuremberg, 1685. Berlin Catalog 3603-3604 ; Bartsch XXI, p. 239-245, 248-249 ; Cicognara 3863” (Fowler Architectural collection)”. Giovanni Battista Falda, né vers 1640 à Valdaggia, dans le Milanais, se rendit très jeune à Rome pour s’y perfectionner dans le dessin, et depuis s’appliqua tout entier à la gravure. Huber (Manuel des amateurs) trouve une grande ressemblance entre la manière de Falda et celle d’Israël Silvestre. Il a gravé les principales vues de Rome d’après ses propres dessins, ou d’après ceux du cavalier Bernin. Ses estampes à l’eau-forte sont très recherchées. (W. S.) « Les dessins et gravures de ses jardins, fontaines et édifices publics sont exécutés avec une science très grande de la perspective et ornés de personnages ». Benezit, IV, 255. Superbe exemplaire, très pur, gravé sur grand papier, conservé dans sa reliure de l’époque. Provenance: Earls of Macclesfield avec ex-libris. A crisp copy of Falda’s views of Roman fountains, which was completed by Venturini after Falda’s death. The watermark is predominantly a fleur-de-lys inside a double circle (Heawood 1600 ; see BAL RIBA for a discussion of dating by watermark). BAL, II, 1014 ; Fowler & Baer, 117 (éd. De 1675-1689) ; Millard, IV, 36 (… this is the most sophisticated and elaborate collection of plates ever engraved on this subject”) ; Katalog Berlin, 3603.
LE FONTANE DI ROMA, RILIEVI
Vitali e Ghianda. 1964. In-8. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 195 pages. Illustré de nombreux dessins et photos en noir et blanc hors texte. Jaquette et page de garde déchirées.. Avec Jaquette. . . Classification Dewey : 450-Italien, roumain, rhéto-romain
(Raro) 'Architettura', Collana dir. da Luigi Vagnetti (Roma). 254 illustrazioni. Classification Dewey : 450-Italien, roumain, rhéto-romain
Le fontane di Roma, condocumenti e disegni inediti
Roma, Staderini 1962 308pp. + 251 bl/w illustrations out of text, 2nd ed., publisher's hardccover in blue cloth, in slipcase, 32cm., text in Italian, good condition, weight: 3.1kg., G107628
