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[Giovanni Bellini] -
Lucco, Mauro; Giovanni C. F. Villa
Giovanni Bellini
Lucco, Mauro; Giovanni C. F. Villa: Giovanni Bellini. Exhibition: Rome, Scuderie del Quirinale, 2008. 384 pages. Paperback. 28x23cms. Text in Italian.
Reference : 090813
ISBN : 9788836611331
Text in Italian
Bookseller's contact details
Thomas Heneage Art Books
Thomas Heneage
42 Duke Street St James's
SW1Y 6DJ Londres
United Kingdom
+44(0)20 7930 9223
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Thomas Heneage and Co. Limited is a company that was founded in 1977 doing business as Thomas Heneage Art Books. It is Registered in England Number 657656 The Registered office and shop is 42 Duke Street St James’s, London SW1Y 6DJ. Our shop in London's gallery district of St. James's is open Monday to Friday 9.30am to 6pm (otherwise by appointment). Our VAT Number is: GB 242 1045 14 and the responsible director is T. P. W. Heneage. Thomas Heneage and Co. Limited has a fully paid share capital of £37,789. All prices are net. Postage is extra. Payment by Credit Card, PayPal, Cheque in GBP on a UK bank or in USD on a US bank or bank transfer All books are offered subject to prior sale. Books listed will normally be available as our computer updates the database automatically every 24 hours. Shipping: Orders are usually shipped within 2 days of payment Shipping costs are based on books weighing 2.2 LB, or 1 KG. If your book order is heavy or oversized, we may contact you to let you know extra shipping is required. Our Distance-Selling Cancellation Policy Right to cancel You have the right to cancel your orders within 14 days without giving any reason. The cancellation period will expire after 14 days from the day on which you acquire, or a third party other than the carrier and indicated by you acquires, physical possession of the last delivered goods that are covered by this contract. To exercise the right to cancel, you must inform us, Thomas Heneage Art Books of 42 Duke Street St. James’s, London, SW1Y 6DJ, United Kingdom (Our telephone number: 0044 (0)207 930 9223; E-mail address: artbooks@heneage.com) of your decision to cancel this contract by a clear statement (e.g. a letter sent by post, fax or e-mail). You may use the model cancellation form below, but it is not obligatory To meet the cancellation deadline, it is sufficient for you to send your communication concerning your exercise of the right to cancel before the cancellation period has expired. You shall send back the goods or hand them over to us without undue delay and in any event not later than 14 days from the day on which you communicate your cancellation from this contract to us. Books must be returned in the same condition as supplied, unused. The deadline is met if you send back the goods before the period of 14 days has expired. You will have to bear the direct cost of returning the goods. Effects of cancellation If you cancel this contract, we will reimburse to you all payments received from you, including the costs of delivery (except for the supplementary costs arising if you chose a type of delivery other than the least expensive type of standard delivery offered by us). We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of unnecessary handling by you. We will make the reimbursement without undue delay, and not later than – (a) 14 days after the day we receive back from you any goods supplied, or (b) (if earlier) 14 days after the day you provide evidence that you have returned the goods, or (c) if there were no goods supplied, 14 days after the day on which we are informed about your decision to cancel this contract. We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement. We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is the earliest. Please find our cancellation form in PDF format on our website : http://www.heneage.com/contact.htm Our Complaint Handling Policy We hope that you are happy with our services, but should you wish to make a complaint please feel free to do so in writing to artbooks@heneage.com, and we will address your concerns as swiftly as possible. We are a member of LAPADA and have access to their conciliation services.
5 book(s) with the same title
[Giovanni Bellini] - Rowley, Neville, Sara Menato, Gennaro Toscano et al.
Reference : 122997
(2023)
ISBN : 9789462303454
Giovanni Bellini. Influences Croisées
Rowley, Neville, Sara Menato, Gennaro Toscano et al.: Giovanni Bellini. Influences Croisées. Exhibition: Paris, Musée Jacquemart-André, 2023. 184 pages. Fully illustrated in colour. Hardback. 28 x 24cms. An exploration of Giovanni Bellini's oeuvre, influences and relationships. Five essays consider Bellini's career in Venice alongside contemporaries including his father, Jacapo and Andrea Mantegna, Bellini's illuminations, and a discussion of his late paintings including 'Bapteme du Christ' (1493) and 'Saint Jerome lisant avec Christophe et saint Louis de Toulouse'. Followed by a catalogue of 47 works by Bellini, Mantegna and others divided into six sections considering Jacapo's atelier, Bellini's landscapes and his Byzantine and Northern influences. Text in French.
An exploration of Giovanni Bellinis oeuvre, influences and relationships. Five essays consider Bellinis career in Venice alongside contemporaries including his father, Jacapo and Andrea Mantegna, Bellinis illuminations, and a discussion of his late paintings including Bapteme du Christ (1493) and Saint Jerome lisant avec Christophe et saint Louis de Toulouse. Followed by a catalogue of 47 works by Bellini, Mantegna and others divided into six sections considering Jacapos atelier, Bellinis landscapes and his Byzantine and Northern influences. Text in French
Giovanni Bellini: Influences croisées.
<meta charset="utf-8"><p><strong>Au printemps 2023, le Musée Jacquemart-André met à l’honneur l’œuvre du grand maître de la peinture Giovanni Bellini (v. 1430-1516), père de l’école vénitienne à laquelle appartiendront ses élèves Giorgione et Titien. Giovanni Bellini a ouvert la voie à un art de la couleur et du ton qui sera la marque du XVIe siècle vénitien.<br></strong></p><p>À travers une cinquantaine d’œuvres issues de collections publiques et privées européennes, cette exposition retrace le parcours de Giovanni Bellini et montre comment son langage artistique n’a eu de cesse de se renouveler tout au long de sa carrière, tout en conservant une part indéniable d’originalité. Réparties selon un ordre thématico-chronologique, les œuvres du maître constitueront le fil rouge de l’exposition, mises en regard avec des « modèles » qui les ont inspirées.</p><p>Issu d’une famille d’artistes, Giovanni Bellini fréquente avec son frère Gentile l’atelier de leur père, Jacopo Bellini, peintre de formation gothique bientôt rompu aux nouveautés renaissantes venues de Florence. Le jeune artiste s’imprègne à la fois de l’art de son père et de son frère, mais aussi de son beau-frère Andrea Mantegna, que sa sœur Nicolosia vient d’épouser. Le classicisme, les formes sculpturales et la maîtrise de la perspective de Mantegna exercent une profonde influence sur l’artiste. Sa peinture devient plus monumentale, notamment grâce à l’étude des œuvres de Donatello, visibles à Padoue.</p><p>Le style de Bellini change de cap avec l’arrivée à Venise d’Antonello de Messine qui y introduit le goût flamand du détail et les constructions spatiales des artistes d’Italie centrale. Giovanni trouve une nouvelle intensité dramatique en perfectionnant la technique de la peinture à l’huile. Il puise dans l’art byzantin et du nord de l’Europe des éléments qui marqueront son style. En quête de renouveau, il développe des thématiques représentées par des peintres plus jeunes, comme par exemple celle des paysages topographiques inspirés de Cima da Conegliano. Enfin, l’ultime période de Bellini est marquée par une touche plus vibrante mais d’une grande modernité. De manière singulière, ce sont les innovations de ses meilleurs élèves – et notamment Giorgione et Titien – qui poussent le vieux Bellini à réinventer son style.</p><p>Cette exposition, en présentant Bellini et son contexte artistique, permettra de comprendre en quoi son langage pictural est fait de correspondances et de jeux d’influences, qu’il synthétise magistralement. L’exposition bénéficiera de prêts importants, venus notamment de la Gemäldegalerie de Berlin, du Petit Palais de Paris, du Museo Thyssen-Bornemisza de Madrid, de la Galleria Borghese de Rome, du Museo Correr, des Gallerie dell’Accademia et de la Scuola Grande di San Rocco de Venise, du Musée Bagatti Valsecchi de Milan entre autres, ainsi que de nombreux prêts de collections privées.</p> Paris, 2023 Musée Jacquemart-André/Culturespaces/Fonds Mercator 184 p., illustré, cartonnage éditeur. 24 x 28
Neuf
Giovanni Bellini e i belliniani. 2 vols
Heinemann, Fritz: Giovanni Bellini e i belliniani. 2 vols. Venice: Neri Pozza, 1962. I: 384pp with 24 colour illustrations; II: Illustrazioni. 766pp with 886 monochrome illustrations. Cloth, 29x22cms. Authoritative catalogue on the works of Giovanni Bellini, the Bellini workshop, his contemporaries and followers; each entry well documented and for the most part illustrated. Includes a useful index, listing the location and collections of works cited in the catalogue. Text in Italian.
Authoritative catalogue on the works of Giovanni Bellini, the Bellini workshop, his contemporaries and followers; each entry well documented and for the most part illustrated. Includes a useful index, listing the location and collections of works cited in the catalogue. Text in Italian
Otto Pacht. Venetian Painting in the Fifteenth Century. Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna
, Brepols Publishers, 2004 paperback, 260 p., 219 b/w ill. 41 colour ill., 210 x 280 mm English. ISBN 9781872501239.
Otto Pacht, one of the most significant art-historians of the ?Vienna School?, and well known for his analyses of Early Netherlandish art, turns his attention in this publication to the humanist circle of Early Renaissance painters in Venice, dominated by Jacopo Bellini, his sons Gentile and Giovanni, and also his son-in-law Andrea Mantegna. It was a period of newly awakened interest in the Antique, of studies made directly from nature, and of trial and error in the technique of perspective. And in addition, a new awareness of the role of light and colour in the devotional and often monumental images of the Madonna, of altarpieces and of allegories contributed to the founding of what we now recognise as the hall-mark of Venetian painting, that culminated with Titian. Of the Bellini family, it has been Giovanni who was generally regarded as the major figure of the dynasty. Pacht, however, devotes particular attention to Jacopo?s work, interpreting it as the basis for his sons? later development. He analyses Jacopo?s London and Paris Sketchbook drawings, demonstrating where Late Gothic elements can be seen to be overtaken by the need to give perspective depth to the image, and how subsequent painting took account of these changes. This is also the essence of Pacht?s examination of Mantegna?s work, where the construction of space and depth is the key to our understanding of Mantegna?s creative process. Turning to the next generation of the Bellini family, Pachts guides our eyes to appreciate the refinement and perception of Gentile?s portraits, and finally takes us step by step through the works of Giovanni, where fantasy combines with the play of colour and light in creating compositions, devotional images, and landscape settings of perfect harmony and beauty. !Winner of the Apollo Magazine Book of the Year 2003 Award! "Pacht's lessons are as timely now as thitrty-five years ago." (P. Hills in The Burlington Magazine, cxlvii, January 2005, p. 47-48)
Giovanni Bellini
Goffen, Rona: Giovanni Bellini. London and New Haven: Yale University Press, 1989. 347pp with 75 colour plates and 122 monochrome illustrations. Cloth. 31.5x23.5cms. Discussion of Bellini's early development, followed by a study of the mature work divided into sacred and secular paintings. With chronology, family tree, checklist of attributions, select bibliography, index.
Discussion of Bellini's early development, followed by a study of the mature work divided into sacred and secular paintings. With chronology, family tree, checklist of attributions, select bibliography, index
