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Turner, Nicholas
Federico Barocci
Adam Biro, Paris, 2000. In-4, reliure pleine toile éditeur sous jaquette illustrée en couleurs, bien complet de son coffret rigide et illustré, 207 pp. - pl. L'œuvre peint - Introduction - 1. L'apprentissage et les débuts à Urbino - 2. Les deux séjours à Rome (v. 1555 et 1560-1563) et la tentative d'empoisonnement (1563-1565) - 3. Le retour au travail : la période des premièresœuvres de ...
Reference : 7045
Avec 139 illustrations en noir et en couleurs. --- Plus d'informations sur le site archivesdunord.com
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Archives du nord - Librairie ancienne et moderne
M. François Legrand
01 42 73 13 41
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5 book(s) with the same title
Federico Barocci : il miracolo della Madonna della Gatta
Natale, Antonio: Federico Barocci : il miracolo della Madonna della Gatta. Milan: 2003. 157pp with 79 colour and 38 monochrome illustrations. Wrappers, 24x17cms. Discusses the major restoration of the painting known as the Madonna della Gatta, painted by Barocci for Francesco Maria II Duke of Urbino, taken to Florence in 1631, and places the painting within Barocci's oeuvre and times. Text in Italian.
Discusses the major restoration of the painting known as the Madonna della Gatta, painted by Barocci for Francesco Maria II Duke of Urbino, taken to Florence in 1631, and places the painting within Barocci's oeuvre and times. Text in Italian
Federico Barocci: Allure and Devotion in Late Renaissance Painting
Lingo, Stuart: Federico Barocci: Allure and Devotion in Late Renaissance Painting. London: Yale University Press, 2008. 384pp. with 100 colour and 100 monochrome illustrations. Hardback. 29x24.8cms. Successfully combining profound devotion with contemporary tastes for sensuous allure Barocci was one of the most admired painters of religious works in the 16th century. In this study the historical significance and achievements of Barocci and his compelling altarpieces are shown within the context of this difficult period in ecclesiastical art.
Successfully combining profound devotion with contemporary tastes for sensuous allure Barocci was one of the most admired painters of religious works in the 16th century. In this study the historical significance and achievements of Barocci and his compelling altarpieces are shown within the context of this difficult period in ecclesiastical art. Text in English
Federico Barocci, Giovanni Francesco Guerrieri, Domenico Peruzzini. Tre Disegnatori delle Marche nella Collezione Ubaldini
Cellini, Marina et al eds: Federico Barocci, Giovanni Francesco Guerrieri, Domenico Peruzzini. Tre Disegnatori delle Marche nella Collezione Ubaldini. Exhibition: Venice, Palazzo Ducale, 1994. 204pp with 15 duotone and 61 monochrome plates, 4 colour and 56 monochrome figures. Paperback. 28x21.5cms. Fully-illustrated catalogue of 76 drawings by these three Italian artists active during the 16th and 17th centuries. Arranged by artist, each drawing is accompanied by technical description, bibliography, exhibition details, and commentary. With biographical notes for each artist, brief historical background to the collection, bibliography. Text in Italian.
Fully-illustrated catalogue of 76 drawings by these three Italian artists active during the 16th and 17th centuries. Arranged by artist, each drawing is accompanied by technical description, bibliography, exhibition details, and commentary. With biographical notes for each artist, brief historical background to the collection, bibliography. Text in Italian
[Federico Barocci] - Mann, Judith W, Babette Bohn, Carol Plazzotta et al
Reference : 118886
(2012)
ISBN : 9780891780960
Federico Barocci: Renaissance Master of Color and Line
Mann, Judith W, Babette Bohn, Carol Plazzotta et al: Federico Barocci: Renaissance Master of Color and Line. Exhibition: London, National Gallery and Saint Louis, Saint Louis Art Museum, 2012. 360 pages, fully illustrated in colour. Paperback. 22.8x27.9cms.
Federico Barocci.
P. Adam Biro 2000. In-4° pleine toile bleue sous jaquette illustreée en couleurs, étui illustré, 208 pages.
Traduit de l'anglais par Richard Crevier. Superbe ouvrage comportant des nombreuses reproductions en noir et en couleurs. Un des artistes italiens les plus importants de la fin du XVI° siècle.
