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Marí, Bartomeu et Palmer, Michael
Marcel Broodthaers
Galerie Beaumont, Luxembourg, 1997. Plaquette constituée d'une feuille in-folio pliée en 4, soit 16 pp.
Reference : 6222
Avec 4 illustrations en noir et en couleurs. --- Plus d'informations sur le site archivesdunord.com
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Archives du nord - Librairie ancienne et moderne
M. François Legrand
01 42 73 13 41
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5 book(s) with the same title
Marcel Broodthaers / Maria Gilissen-Broodthaers / Yola Minatchy / Bart De Baere.
Reference : 53123
Marcel Broodthaers Soleil Politique approaches Broodthaers / 2 vol.
Antwerp, MUHKA / Museum Van Hedendaagse Kunst, 2019 Original publishers boards, 159 pages, 29,2 x 22,2 cm, plastified paperback, Dutch / French / German and + 27 pages book in English in separate attachment. (2 volumes) ISBN 9789072828668.
Soleil Politique is the MUHKA catalog for the first retrospective of the Belgian key artist Marcel Broodthaers. In recent years, Broodthaers work has been on display in a traveling exhibition in top museums, organized by the MoMA and Museo Reina Sof a. However, the M HKA deliberately chose to make its own project, shown for the first time in its own country since a decade. Soleil Politique approaches Broodthaers oeuvre from the idea that art is always political, and that politics is constant negotiation without conclusion. This statement for complexity starts when, around 1967, Broodthaers lets the word interfere again with his visual work, and presents words or text in different contexts. New texts were added to the catalog: Anny De Decker about the exhibitions of Marcel Broodthaers in the Wide White Space Gallery, Marie-Pascale Gildemyn about the (names of) persons in the work of Broodthaers, Hannah Br ckmuller about La Banque (1964-1967 ) and the early performances of Broodthaers, Lotte Beckw about Isi Fiszman and la morale d?artiste! Ha! Ha !, introduced by an interview with Maria Gilissen-Broodthaers by Yola Minatchy and a text by Bart De Baere.
Marcel Broodthaers / Maria Gilissen-Broodthaers / Yola Minatchy / Bart De Baere.
Reference : 57649
Marcel Broodthaers, Soleil Politique approaches Broodthaers / FR/NL/DE
Antwerp, MUHKA / Museum Van Hedendaagse Kunst, 2019 Original publishers boards, 159 pages, 29,2 x 22,2 cm, plastified paperback, Dutch / French / German ISBN 9789072828668.
Soleil Politique is the MUHKA catalog for the first retrospective of the Belgian key artist Marcel Broodthaers. In recent years, Broodthaers work has been on display in a traveling exhibition in top museums, organized by the MoMA and Museo Reina Sof a. However, the M HKA deliberately chose to make its own project, shown for the first time in its own country since a decade. Soleil Politique approaches Broodthaers oeuvre from the idea that art is always political, and that politics is constant negotiation without conclusion. This statement for complexity starts when, around 1967, Broodthaers lets the word interfere again with his visual work, and presents words or text in different contexts. New texts were added to the catalog: Anny De Decker about the exhibitions of Marcel Broodthaers in the Wide White Space Gallery, Marie-Pascale Gildemyn about the (names of) persons in the work of Broodthaers, Hannah Br ckmuller about La Banque (1964-1967 ) and the early performances of Broodthaers, Lotte Beckw about Isi Fiszman and la morale d?artiste! Ha! Ha !, introduced by an interview with Maria Gilissen-Broodthaers by Yola Minatchy and a text by Bart De Baere.
MARCEL BROODTHAERS, MARCEL BROODTHAERS,
Brussel, Manteau/ Elsevier, z.d.-1979- oorspronkelijk ge llustreerde kartonomslag in kleur, , format small tall in-8 , 19,5 x 9 cm 850 x 195mm., 65pp.Text in Dutch ISBN 9022307166.
Eerste uitvoerige benadering van het oeuvre van deze kunstenaar. In goede staat. Marcel Broodthaers, Marcel Broodthaers. (Manteau Marginaal ). *Rare early monograph on Broodthaers, published 3 years after his death.
Marcel Broodthaers. A retrospective.
New York, Museum Of Modern Art , 2016 Bound, hardcover, 352pp., 24.5x31cm., ills. in col. and b/w., new. ISBN 9780870709623.
Marcel Broodthaers's (Belgian, 1924-1976) extraordinary output across mediums placed him at the center of international activity during the transformative decades of the 1960s and 1970s. Throughout his career, from early objects variously made of mussels, eggshells, and books of his own poetry, to his most ambitious project, the Musee d'Art Moderne. Departement des Aigles, and the Decors made at the end of his life, Broodthaers occupied a unique position, often operating as both innovator and commentator. Setting a precedent for what we call installation art today, his work has had a profound influence on a broad range of contemporary artists, and he remains vitally relevant to cultural discourse at large. Published to accompany the artist's first museum retrospective in New York, Marcel Broodthaers examines the artist's work across all mediums. Essays by the exhibition organizers Christophe Cherix and Manuel Borja-Villel, along with a host of major scholars, including Benjamin H. D. Buchloh, Jean Francois Chevrier, Thierry de Duve, and Doris Krystof provide historical and theoretical context for the artist's work. The book also features new translations of many of Broodthaers's texts.Accompanies a major international exhibition which begins at MoMA - the first retrospective of Broodthaers's work in New York, and the first extensive exhibition on the artist in the U.S. since 1989-1990
TAHCAN-Text(s) by Manuel Borja-Villel, Charlotte Friling, Dirk Snauwaert, foreword by Maria Gilissen-Broodhaer
Reference : 57241
MARCEL BROODTHAERS: INDUSTRIAL POEMS The Complete Catalogue of the Plaques 1968-1972
, WIELS, Brussels, 2021 hardcover, 285 x 235 mm, 400 pages. Eng. edition. ISBN 9783775751322.
Marcel Broodthaers's work is characterized by a complex exploration of the relationship of text and image. This catalog raisonn , prepared by WIELS and developed in close collaboration with the Marcel Broodthaers Succession, is the first to include all of the Belgian conceptual artist's industrial poems created between 1968 and 1972. Borrowing from the aesthetics of industrially manufactured plastic signs, Broodthaers's multi-layered, often enigmatic pictorial poems testify to his interest in the entanglements of language, punctuation, and symbols. In blurring the boundaries between word and image, painting and object, new levels of meaning are made visible. The index is supplemented by a collection of Broodthaers's drawings, writings and "open letters" as well as scholarly contributions that position the poems as a crucial group of works within the artist's oeuvre. MARCEL BROODTHAERS (1924-1976) developed his po mes industriels simultaneously to his seminal work, the Mus e d'Art Moderne, D partement des Aigles. They form an important element in the development of his fictional museum, a central work of institutional critique.
