Actes Sud, collection "Lettres néerlandaises", Le Méjan, Arles, 1992. In-12, broché sous couverture illustrée en couleurs, 149 pp. La terre - L'eau - L'air - Le feu - Quintessence - Table des matières.
Reference : 5276
Traduit du néerlandais par Isabelle Rosselin. --- Plus d'informations sur le site archivesdunord.com
Archives du nord - Librairie ancienne et moderne
M. François Legrand
01 42 73 13 41
Vente uniquement par correspondance. Conditions de vente conformes aux usages de la librairie ancienne et moderne. Les prix indiqués sont en euros. Les frais de port sont à la charge de l'acquéreur.
, Brepols, 2022 Paperback, 2 vols, xiv + 446 pages, Size:216 x 280 mm, Illustrations:371 b/w, 842 col., 15 tables b/w., 1 tables col., 3 maps color, Language: English. ISBN 9782503596662.
Summary The Decapolis city of Jerash has long attracted attention from travellers and scholars, due both to the longevity of the site and the remarkable finds uncovered during successive phases of excavation that have taken place from 1902 onwards. Between 2011 and 2016, a Danish-German team, led by the universities of Aarhus and M nster, focused their attention on the Northwest Quarter of Jerash ? the highest point within the walled city ? and this is the fourth in a series of books presenting the team's final results. This two-part set offers a comprehensive presentation of Jerash's rich building heritage from the Late Hellenistic period up to the city's destruction in the mid-eighth century ad through a discussion of architectural elements, together with analysis of the mosaics, wall paintings, and building ceramics excavated from the Northwest Quarter. As well as providing a general overview of the city's changing patterns of habitation, the contributions gathered here also include close case- studies and object biographies that shed new light on the intense use, reuse, and recycling of materials that testify to evolving urban practices and optimization of resources across the Roman, Byzantine, and Islamic periods. TABLE OF CONTENTS Volume 1: Architecture and Building Ceramics Contextualizing Finds from Complex Urban Archaeological Contexts: Methodological Considerations on the Architectural Elements, Building Materials, and Mosaics from the Northwest Quarter (2011-2016) ? ACHIM LICHTENBERGER AND RUBINA RAJA Architectural Elements from the Northwest Quarter of Jerash ? PATRIC-ALEXANDER KREUZ Byzantine Interior Decorational Elements from the Northwest Quarter ? ACHIM LICHTENBERGER AND RUBINA RAJA A Monumental Architectural Limestone Block with Altar Iconography ? ACHIM LICHTENBERGER AND RUBINA RAJA Ceramic Building Materials from the Northwest Quarter ? PHILIP EBELING An Archaeo-Scientific Analysis of Building Ceramics from the Northwest Quarter ? PHILIP EBELING AND GRY H. BARFOD 'Misfired' Ceramic Tegulae from the Northwest Quarter ? GRY H. BARFOD, PHILIP EBELING, AND CHARLES E. LESHER Volume 2: Wall Paintings and Mosaics Wall Paintings from the Northwest Quarter of Jerash: Roman to Middle Islamic Periods ? KRISTINE DAMGAARD THOMSEN The Colour Palette of the Northwest Quarter: Geochemical Evidence from Pigments Used on Roman and Early Islamic Wall Decorations ? GRY H. BARFOD The Mosaics: In-situ Floors and Fragments in Jerash ? WILLIAM T. WOOTTON Mosaic Glass Tesserae from the Northwest Quarter of Jerash ? CRISTINA BOSCHETTI AND WILLIAM T. WOOTTON About the Authors
St. Petersburg, 1869. 8vo. Extract in contemporary or slightly later blank blue paper wrappers. Wrappers with neat professional restorations from verso, barely noticeable. A very fine and clean copy. Pp. 60-77.
Exceedingly scarce first printing of Mendeleev’s seminal Russian Chemical Society-paper of March 1869, presenting for the first time the periodical table of the elements. “His newly formulated law was announced before the Russian Chemical Society in March 1869 with the statement “elements arranged according to the value of their atomic weights present a clear periodicity of properties.” Mendeleev’s law allowed him to build up a systematic table of all the 70 elements then known.” (Encycl. Britt.) “Early in 1869, Russian chemist Dmitrii Mendeleev was in a predicament many people are familiar with—he was facing a deadline. He had delivered the first volume of his inorganic chemistry textbook to his publisher but was struggling with how to organize the second volume. This struggle would culminate in a remarkable discovery, a system that classified all of the chemical elements. In March 1869, Mendeleev delivered a full paper to the Russian Chemical Society spelling out the most significant aspect of his system, that characteristics of the elements recur at a periodic interval as a function of their atomic weight. This was the first iteration of the periodic law.” (OSU) Mendeleev’s system was not yet perfect when it appeared in 1869, but it would prove to be one of the most fundamental of scientific laws, one that would hold true through new discoveries and against all challenges. Mendeleev not only recognized that what seemed to be a randomness of the elements fitted into a system, he also suggested that the gaps in his system would later be filled with elements yet unknown to the scientific world. The discovery of new elements in the 1870s fulfilled several of Mendeleev’s predictions and brought increased interest to the periodic system, making it an invaluable tool for research. “He had such faith in the validity of the periodic law that he proposed changes to the generally accepted values for the atomic weight of a few elements and predicted the locations within the table of unknown elements together with their properties. At first the periodic system did not raise interest among chemists. However, with the discovery of the predicted elements, notably gallium in 1875, scandium in 1879, and germanium in 1886, it began to win wide acceptance. Gradually the periodic law and table became the framework for a great part of chemical theory. By the time Mendeleev died in 1907, he enjoyed international recognition and had received distinctions and awards from many countries.” (Encycl. Britt.) Horblit 74 Barchas 1412 [Dibner 48 - citing the German translation of 1891]
, Brepols, 2019 Paperback, 220 pages, Size:220 x 280 mm, Illustrations:1 b/w, 234 col., Language: English. ISBN 9782503580319.
Summary Puglia is one of the most extraordinary parts of Italy. Inhabited for over 8,000 years, this region has experienced almost every type of civilization known to the European world. Little has been written in English about the surviving Neolithic and aboriginal Italic remains of Puglia, its rich architectural heritage of Greek, Roman, Early Christian, Byzantine, Angevin French, Romanesque, Gothic, Renaissance, Baroque, and even its modern monuments. This book focuses on the important Islamic contribution to the architecture of Puglia, a contribution that was centered in the once Muslim city of Lucera and subsequently came to be of significance for the building of Christian cathedrals and churches in this beautiful region, little known to the outside world.? Lucera exemplifies all the periods of architecture noted above, and is, in addition, unique because it was a protected Muslim island in a sea of Christianity during the High Middle Ages - at the very time Christians were conducting crusades against the infidel. Thus the individuality of the place stands alone, among the many ancient cities of Puglia, because it was once a Muslim world. This book shows how Lucera had always been an important center in ancient times and how it came to be an Islamic city. It spotlights the accomplishments of the Muslims, and the influence they left - despite the brutal extermination they endured in the early 14th century - on the architecture of Lucera and other cities in north and central Puglia, including such important centers as Troia, Trani, Bitonto, Canosa, Altamura, Gravina, Giovinazzo, Terlizzi, Pietramontecorvino, Bisceglie, Ruvo, Castel del Monte, Molfetta, Bovino, San Severo, and Foggia. Thus the seventeen towns and cities whose architecture is studied and illustrated in this volume serve to highlight the Islamic legacy in Puglia, a part of Italy which is known - and revered by those who know - for its archaeological, classical, and Romanesque relics. TABLE OF CONTENTS Chapter 1: Introduction: Puglia, the Background Chapter 2: The Setting: Lucera - The 'Shining Light' of Puglia Chapter 3: The Creation of a Muslim Colony Chapter 4: The Muslims in Lucera and a Brutal Goodbye Chapter 5: The First Building of the New (Christian) Lucera, its Cathedral Chapter 6: The Fourteenth Century Context: The Survival of Muslim Elements in Christian Lucera Chapter 7: The Legacy of Islam is Not Forgotten in Lucera to Modern Times Chapter 8: Muslim Elements in the Buildings of Surrounding Towns and Cities: Bitonto, Ruvo di Puglia, Terlizzi, Castel del Monte, Altamura, Gravina, and Giovinazzo Chapter 9: Muslim Elements in the Buildings of Surrounding Towns and Cities: Bisceglie, Trani, Molfetta, Canosa, Troia, Bovino, Pietramontecorvino, San Severo, and Foggia Chapter 10: Conclusions: The Significance of Lucera and the Muslim Legacy for Puglia
"MOSELEY, H.G.J. - ESTABLISHING ORDER IN THE PERIODICAL TABLE OF ELEMENTS (PMM 407).
Reference : 41566
(1913)
London, 1913. Without wrappers, but stitched. In ""Philosophical Magazine and Journal of Science"", Vol. 26, No. 156. December 1913. Pp. 937-1058 a. 6 plates.(= the whole issue No 156). Moseley's paper: pp. 854-860 a. 1 plate. Fine and clean.
First edition of this groundbreaking paper which Rutherford considered A WORK ON PAR WITH THE VERY DISCOVERY OF THE PERIODICAL TABLE, introducing the concept 'Atomic Number'.Moseley notes a regularity in the shifting of spectral lines when the elements (he examines 50 elements) are arranged according to atomic weight. He finds that bombardments of the various elements with cathode rays yeilds a systematic sequence of vibration frequencies, and from this he derives the concept of atomic number, which he recognizes as equal to the nuclear charge.""Moseley, working under Rutherford at Manchester, used the method of X-ray spectroscopy devised by the Braggs to calculate variations in the wave-lenght of the rays emitted by each element. These he was able to arrange in a series according to the nuclear charge of the element. Thus if the nuclear charge of hydrogen is 1, in helium it is 2, in lithium 3, and so on by regular progression to uranium as 92. These figures Moseley called atomic numbers.he pointed out that they also represented a corresponding increase in extra-nuclear electrons and that it is the number and arrangement of these electrons rather than the atomic weight that determines the properties of an element. It was now possible to base the periodical table on a firm foundation, and to state with confidence that the number of elements up to uranium is limited to 92. When Moseley'stable was completed, six atomic numbers had no corresponding elements"" but Moseley himself was able to predict the nature of four of the missing elements.""(Printing and the Mind of Man No. 407). Another paper on the same subject was published by Moseley the next year (1914).An important paper by Rutherford and Richardson is withbound: Analysis of the gamma rays of Thorium and Actinium Products. Pp.937-948 and 1 plate.
10 lavis sur beau vélin à lavis Canson & Montgolfier au format, 49,5 X 29 cm, datés de 1906-1907, numérotés 96, 94, 88, 82, 95, 97, 100, 81, 89, 83 (partie d'une série de lavis originaux), signée J. Bonnet.Rappel de la liste des oeuvres : Eléments de l'art gothique. Fenêtre à lancette. Triforium et clérestory de Notre-Dame d'Amiens - Fenêtres flamboyantes. Eglise Saint-Ouen de Rouen. Claire-voie continuant les fenêtres supérieures - Fenêtre rayonnante. Sainte-Chapelle de Paris - Eléments de l'art ogival. Théorie de l'arc-boutant - Rose rayonnante XIVe siècle - Art gothique. Eléments du style ogival tertiaire (XVIe siècle) - Art gothique. Tombeau de François II et de Marguerite de Foix par Michel Colombe. - Eléments du Style ogival : Contreforts et arcs-boutants. Coupe de la Cathédrale de Bourges - Piliers et Colonnes gothiques (Types) - Les Voûtes. Voûte ogivale cupoliforme, domicale ou Plantagenêt
Beaux lavis d'architecture originaux, d'une belle exécution et très décoratifs. Voir nos nombreuses oeuvres du même artiste dans notre catalogue.