Yale University Press, New Haven and London, 1994. In-8, broché sous couverture illustrée en couleur, 259 pp. Introduction - I. The Painter's Germany, 1800-1850. - II. Classicism and Expression. - III. Philipp Otto Runge. - IV. Caspar David Friedrich. - V. Friedrich - The Modern Painter. - VI. Friedrich's Followers and Imitators. - VII. Naturalism and the ...
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Avec 163 figures en noir in texte et 24 planches couleur en hors texte.Mention de seconde édition.Ouvrage en langue anglaise. --- Plus d'informations sur le site archivesdunord.com
Archives du nord - Librairie ancienne et moderne
M. François Legrand
01 42 73 13 41
Vente uniquement par correspondance. Conditions de vente conformes aux usages de la librairie ancienne et moderne. Les prix indiqués sont en euros. Les frais de port sont à la charge de l'acquéreur.
Hants, Ashgate, 2001 Bound, black cloth, illustrated bleu dustjacket, 175 x 250mm., 209pp., b/w illustration. ISBN 0754604772.
The modernist aesthetic and, later, Nazi ideology split German Romantic painting into two opposed phases, an early progressive movement, represented by Caspar David Friedrich (1774-1840) and Philipp Otto Runge (1777-1810), and a later reactionary one - epitomized by Friedrich Overbeck (1789-1869) and Peter von Cornelius (1783-1867). In this rich and engaging book, Mitchell Frank explores the continuities between these two phases to reconstruct the historical position that existed in the nineteenth century and to look once again at the Nazarenes - and Overbeck in particular - as a fully integrated part of the Romantic movement. His innovative book is crucial to an understanding of German Romanticism and the legacy of this period in European art. New condition.