Musée d'Art et d'Histoire, Genève, 1976. In-8, plaquette agrafée sous couverture illustrée en couleur, 31 pp. Introduction - Planches - Quelques dates - Catalogue [24 n°] - Bibliographie choisie.
Reference : 4587
Illustrations in texte et 16 planches en noir et blanc en hors texte. --- Plus d'informations sur le site archivesdunord.com
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, Rijksmuseum NL / Waanders, 2002 Paperback, 48 pag. NL, 260 x 210 x 10 mm, Nieuwstaat !, ill. in kleur / z/w. ISBN 9789040087202.
Tijdens zijn lange carri re werd Jean Etienne Liotard (1702-1789) beschouwd als Europa?s belangrijkste pastellist. Van Wenen en Parijs tot Londen, Constantinopel en Den Haag stonden leden van koninklijke familes samen met de beau-monde in de rij om zich door hem te laten portretteren. Dit dossier biedt een introductie tot het werk van Liotard en geeft een complete beschrijving van de collectie van het Rijksmuseum, die een prachtig overzicht geeft van Liotards veelheid aan onderwerpen, zijn onge venaarde technische vaardigheden en zijn talent voor observatie. Ieder kunstwerk wordt uitvoerig beschreven, evenals het verhaal achter de collectie in het Rijksmuseum en de geschiedenis van Liotards relatie met Nederland.
Somogy 2002 In-4 reliure éd. sous jaquette 29 cm sur 23. 119 pages. Jaquette en très bon état. Très bon état d’occasion.
Très bon état d’occasion
[Jean-Etienne Liotard] - Humbert, Edouard ; Alphonse Revilliod & Jan Willem Reinier Tilanus
Reference : 038725
(1897)
Humbert, Edouard ; Alphonse Revilliod & Jan Willem Reinier Tilanus: La vie et les oeuvres de Jean Etienne Liotard (1702-1789). Étude biographique et iconographique. Amsterdam: C M Van Gogh, 1897. 222pp with 2 heliogravure plates and 74 monochrome illustrations. Cloth. 30x21cms. Some foxing inside. Text in French.
Some foxing inside. Text in French
[Jean-Etienne Liotard] - Stouleg, Claire
Reference : 075990
(2002)
ISBN : 2850565490
Stouleg, Claire: Jean-Étienne Liotard 1702-1789 dans les collections des Musée d'art et d'histoire de Géneve. Exhibition: Geneva, Musée d'Art et d'Histoire, 2002. 121pp with 4 colour plates and 89 colour illustrations. Wrappers. 29x23cms. This 18th century Swiss pastellist and miniaturist, (1702-1789) contemporary of La Tour and Chardin, focused on genre and society portraits and was renowned for his realist style and refusal to flatter his subjects. He was greatly influenced by his travels in Turkey and was in much demand by the European courts of the day. This collection of his work (which has never before been displayed in its entirety) is the most comprehensive in the world. Text in French.
This 18th century Swiss pastellist and miniaturist, (1702-1789) contemporary of La Tour and Chardin, focused on genre and society portraits and was renowned for his realist style and refusal to flatter his subjects. He was greatly influenced by his travels in Turkey and was in much demand by the European courts of the day. This collection of his work (which has never before been displayed in its entirety) is the most comprehensive in the world. Text in French
[Jean-Etienne Liotard] - Bailey, Colin B and Kristel Smentek
Reference : 086025
(2006)
ISBN : 285056947X
Bailey, Colin B and Kristel Smentek: Jean Étienne Liotard (1702-1789). Masterpieces from the Musées d'Art et d'Histoire de Genève and Swiss Private Collections. Exhibition: New York, Frick Collection, 2006. 120pp, fully illustrated in colour. Cloth, 29x23cms. First American exhibition on the 18th century Swiss pastellist and miniaturist, who was a contemporary of Quentin de La Tour and Chardin, focussing on his society portraits, some of which were deliberately unflattering. He was greatly influenced by his travels in Turkey and was in much demand by the European courts of the day. The collection of his work from Geneva is the most comprehensive in the world and is supplemented by those from private collections in Switzerland. Introduction by Marcel Roethlisberger.
First American exhibition on the 18th century Swiss pastellist and miniaturist, who was a contemporary of Quentin de La Tour and Chardin, focussing on his society portraits, some of which were deliberately unflattering. He was greatly influenced by his travels in Turkey and was in much demand by the European courts of the day. The collection of his work from Geneva is the most comprehensive in the world and is supplemented by those from private collections in Switzerland. Introduction by Marcel Roethlisberger. Text in English